{"title":"Pendelleuchten","description":"\u003cp\u003ePendant lights in travertine, marble and glass. Sculptural pieces for dining tables, kitchen islands and hallways, shipped free across Europe.\u003c\/p\u003e","products":[{"product_id":"eu-rizo-travertine-hanglamp-eiken","title":"Rizo Travertine \u0026 Oak Pendant Light","description":"\u003cp\u003eThe Rizo pendant pairs a shallow dish-shaped shade cut from solid travertine with a warm oak top and a milk glass globe hanging beneath it. Travertine is a sedimentary stone laid down in water, full of small open pores and drifting mineral bands, so the surface of every shade reads as a landscape rather than a finish: cream and sand tones running in soft horizontal seams, a scatter of pinholes catching shadow, no two shades alike. The oak cap sits directly on the stone, its grain running across the seams and lifting the beige of the travertine with a slightly redder, warmer note. The milk glass globe does the optical work. It is opal through the full thickness of the glass rather than sprayed on the inside, which means the light source disappears completely and the globe glows as one even surface. Look straight up into it from a bar stool and you see brightness without a hot spot. The dish above catches part of that glow and sends a wash back onto the stone, so the pores and seams are lit from below and the texture stays legible even when the lamp is running. The light falls warm and low in contrast, closer to candle than to spotlight, and pools on the surface underneath in a soft circle roughly as wide as the shade, fading out at the edge instead of stopping.\u003c\/p\u003e\u003cp\u003eRizo was drawn for the places where you stand or sit close to the light. Over a kitchen island it hangs low enough to define the working surface without cutting the room in half; the milk glass keeps glare out of your eyes while you chop, and the travertine dish throws enough light upward to keep the ceiling from going black, which is the usual failure of a downward-only pendant. Hung in pairs or threes along a long island, the stone shades line up as a row of solid objects and give the kitchen a horizon line it did not have before. Beside a bed the lamp does something different: dropped to just above the nightstand it frees the whole surface for books and a glass of water, and at low output the opal globe becomes a small warm moon you can read next to without waking the person on the other side. In a dining corner or on a stair landing it works as a single anchor, the one heavy natural element in a room otherwise built from paint and textile. Because travertine is genuinely matte it absorbs daylight rather than bouncing it, so through the day the lamp reads as a quiet stone form and only after dark does it become the brightest thing in the room. Ceilings from roughly two and a half metres upward carry it comfortably.\u003c\/p\u003e\u003cp\u003eWhat separates Rizo from the many stone-look pendants on the market is that the shade is cut from a solid block, not moulded in resin and printed with a stone pattern. You can feel the difference: the piece has real weight in the hand, the pores are open and faintly abrasive along the rim, and the veining continues around the edge instead of stopping where a printed wrap would end. That also means the piece cannot be repeated. Two Rizo lamps ordered on the same day will differ in tone and in the direction their seams run, which is the point rather than a defect, and it is worth hanging a set together so the variation reads as deliberate. The three-material palette of stone, oak and opal glass is intentionally narrow. There is no metal trim, no visible screw and no painted finish that can chip, so nothing here will date faster than the room around it. It suits interiors built on natural materials: Japandi, wabi-sabi, warm minimalism, plaster walls and oak floors, or a modern kitchen that needs one soft object to break up a long run of cabinetry. It is a sensible choice for anyone tired of black metal fixtures who wants the ceiling to carry something that ages the way the rest of the house does. Each lamp ships with its light source and a matching ceiling cap.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid natural travertine, dish-shaped, unfilled pores\u003c\/li\u003e\n\u003cli\u003eTop: oak\u003c\/li\u003e\n\u003cli\u003eDiffuser: opal milk glass globe\u003c\/li\u003e\n\u003cli\u003eLight character: warm, fully diffused, downward with an upward wash\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, suspended on cord with ceiling cap\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling cap\u003c\/li\u003e\n\u003cli\u003eEvery shade differs in tone and veining\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018222919,"sku":"FBC-TRV-003","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260730_141057_3ad17c9e-201e-4cae-a8df-b40d7c68424c.png?v=1787418993"},{"product_id":"eu-muzay-travertine-hanglamp","title":"Muzay Travertine Pendant Light","description":"\u003cp\u003eThe Muzay is a slim travertine cylinder on a cord, 330 mm tall and 120 mm across. Travertine is a freshwater limestone that forms in layers around mineral springs, and the coring leaves it full of small open pores and faint horizontal banding. On the Muzay those pores stay visible rather than being filled and lacquered flat, so at close range the body reads as quarried stone and not as a smooth beige tube. The colour moves from pale sand to a deeper honey where the bands thicken, and because every body is cut from a different part of the block, the pattern on the lamp you receive is not the pattern in the photograph. Inside the cylinder a G9 source sits behind glass, and that pairing does the real work: the glass takes the hard edge off a small bright point, so what leaves the open bottom is an even wash instead of a visible disc. Output runs from roughly 249 to 2000 lumen depending on the source fitted, and the lamp runs on AC 90 to 260 V. The detail worth waiting for is the rim. A little light escapes sideways and grazes the outside of the stone for a few centimetres, catching each pore and turning the surface into a fine grain of tiny shadows. Switched off, it is simply cut stone hanging on a wire.\u003c\/p\u003e\u003cp\u003eHung low over a dining table, the Muzay behaves like a spotlight with manners. The stone wall blocks sideways glare completely, so the beam lands on the table and the faces around it stay out of the light. Plates, glasses and a wooden tabletop get the attention while the ceiling above stays dark, which is what makes a long dinner feel enclosed rather than merely lit. Drop it to roughly 70 centimetres above the surface and the pool of light will cover most of a table for four. In a hallway the same narrow body works differently. Hung in a stairwell or above a console it becomes a vertical marker you walk towards, and because the cylinder is only 120 mm wide it does not crowd a narrow corridor or block the sightline down the hall. In a living room, place it off to one side rather than in the middle of the ceiling, over a reading chair or beside a shelf, and let it do the close work while a floor lamp handles the rest. The stone also changes the temperature of a room in a way that is hard to photograph. Beige limestone next to white plaster warms the whole wall by a shade, and it sits comfortably with oak, linen, wool and unglazed ceramics. Against high gloss kitchens and cool grey it supplies the contrast those rooms usually lack.\u003c\/p\u003e\u003cp\u003eMost stone pendants at this size are a thin stone veneer wrapped around a plastic or metal core, and you can tell by the weight and by the way the seam runs. The Muzay is solid travertine turned as a single piece, which is why it costs what it does and why the pores continue around the body without interruption. That solidity is also the reason the light is so controlled: there is no leakage through a shell, only the opening at the bottom and the faint halo at the rim. The design itself is deliberately reticent. No visible fixings, no decorative collar, no colour beyond what the quarry supplied. It is a shape that dates from nothing in particular and therefore ages badly nowhere, which is the point of buying stone rather than a finish. Travertine cannot chip its coating because it has none, and a mark on the surface can usually be taken back with a soft cloth. This is a lamp for someone furnishing slowly, who already owns one or two good pieces and wants the lighting to sit under them rather than compete with them. It suits Japandi and warm minimalist rooms, and it is the right call if you want a single quiet object above a table instead of a cluster. If you want a fixture that people comment on immediately, buy something else.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine body with glass diffuser\u003c\/li\u003e\n\u003cli\u003eDimensions: 330 x 120 x 120 mm\u003c\/li\u003e\n\u003cli\u003eLight source: G9 LED, included\u003c\/li\u003e\n\u003cli\u003eLuminous flux: 249 to 2000 lumen\u003c\/li\u003e\n\u003cli\u003ePower supply: AC 90 to 260 V\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendant\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eNote: natural stone, veining and pore pattern vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018288455,"sku":"FBC-TRV-004","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_183334_ba76a2c6-e4ad-46ce-904c-7af3e77a26ed.png?v=1787418995"},{"product_id":"eu-muzai-travertine-hanglamp-set","title":"Muzai Travertine Pendant Set","description":"\u003cp\u003eMuzai is a set of slender cylindrical pendants, each shade turned from a solid piece of travertine and hung from an adjustable cord against a dark ceiling plate. The proportion is the first thing you notice: the cylinders are narrow and tall rather than wide, which is a Japanese habit of drawing, and it makes a group of them read as a line of vertical marks rather than a row of bowls. The travertine itself is warm beige, banded and openly porous, and the walls of the cylinder are thick enough that the stone stays opaque; light does not pass through it, it leaves at the open bottom. That gives Muzai a directional beam, a defined warm circle beneath each shade with a clean edge, which is unusual in a stone lamp and is what makes it useful over a work surface. The dark ceiling plate is deliberate contrast, a small hard shadow at the top of the drop that pushes the pale stone forward and makes the cord read as a drawn line rather than a cable. Walnut is used at the fitting, its close brown grain sitting between the black plate and the beige stone as the middle tone. Switched on, the interior of each cylinder glows faintly at the rim while the stone body stays matte and quiet.\u003c\/p\u003e\u003cp\u003eA set of pendants asks a different question from a single lamp: not where does it go, but how do they space. Over a kitchen counter or an island, Muzai works hung in a line at even intervals, dropped low enough that the beam lands on the worktop and the shade sits just below eye level for someone standing. The narrow diameter matters here because it keeps sightlines open across the room, so the kitchen still reads as one space rather than being screened off. In an entrance hall a pair of them flanking a console table gives you two pools of light on the surface where keys and post land, and the vertical cylinders read as sculpture next to a mirror. Beside a bed the adjustable cord earns its place: you can set one at reading height on each side, hung close to the wall so the beam falls on the page instead of the room, and the nightstand stays clear. In a stairwell they hang at staggered lengths and make the drop visible. In every case the directional beam is the tool. This is a lamp for lighting specific surfaces rather than filling a room evenly, and it works best alongside a softer general light that carries the corners.\u003c\/p\u003e\u003cp\u003eMuzai is an ode to Japanese minimalism, and that shows in what has been removed rather than what has been added. There is no shade rim, no decorative collar, no visible fastening, just stone, cord and plate. The result belongs naturally in Japandi and wabi-sabi interiors, where the value sits in material honesty and in the acceptance that a natural surface is irregular. Travertine is the right stone for that conversation, because its pores are not flaws to be filled but the record of how the rock formed, and each cylinder carries its own pattern of them. Buying a set rather than a single lamp is the sensible route here: the pieces are related by shape and vary by stone, so a group looks composed rather than repeated, and you get the rhythm that a single pendant cannot produce. The adjustable cord means you can commit to the set before you have decided on the exact drop, then tune it once the furniture is in place. It suits a serene, pared-back interior with wood floors and plaster walls, and it suits anyone who prefers a lamp that does one thing precisely over a fixture that tries to light everything at once. Each lamp arrives complete with its light source and ceiling plate.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid travertine natural stone, slim cylinder\u003c\/li\u003e\n\u003cli\u003eDetail: walnut wood\u003c\/li\u003e\n\u003cli\u003eCeiling plate: dark finish\u003c\/li\u003e\n\u003cli\u003eLight character: warm and directional, focused downward beam\u003c\/li\u003e\n\u003cli\u003eCord: adjustable drop height\u003c\/li\u003e\n\u003cli\u003eSold as a set of pendants\u003c\/li\u003e\n\u003cli\u003eIncluded: lamp, light source and ceiling plate per pendant\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018976583,"sku":"FBC-TRV-011","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260128_100105_df790db3-47a3-4d85-96f8-aa7d7d1b912b.png?v=1787419003"},{"product_id":"eu-jaza-ronde-travertine-hanglamp","title":"Jaza Round Travertine Pendant Light","description":"\u003cp\u003eThe Jaza is a round travertine pendant reduced to one shape and one material. The shade is a solid disc of natural travertine, twenty centimetres across and twelve high, turned so the profile curves gently from the rim to the centre. Travertine is formed in mineral springs, so the block it comes from is full of veins and small open cavities, and the turning process cuts straight through them: what you see on the finished surface is the inside of the stone, a warm beige body crossed by paler and darker bands with pores scattered across the face. Where the stone is thinnest at the rim, the edge picks up a faint glow when the lamp is on. The light itself is directed downward out of the open underside, so the disc works as a shade in the literal sense and keeps the source hidden from anyone standing beside it. Above the shade, the ceiling cap is turned from wood, a small warm detail at the point where the fixture meets the plaster, and the cord is adjustable up to one hundred and fifty centimetres, so the drop can be set for a low table or a high ceiling. The finished object is closer to a bowl than to a lamp, which is exactly the impression it should give.\u003c\/p\u003e\u003cp\u003eJaza was designed for the table. Hung sixty to seventy-five centimetres above a dining top, the disc puts a clean circle of warm light on the surface, holds it there, and leaves the rest of the room to whatever else is lit. That contrast is what makes an evening table feel like a place rather than part of the room, and it is why a directed shade beats a diffusing globe over a table. Over a kitchen island the same drop gives working light without lighting the ceiling, and the stone stays comfortable to look at from the far side of the counter because there is no visible source. In a living room, hung lower in a corner beside a chair, it becomes a reading light with a fixed pool underneath it, and the wood cap keeps the connection to the ceiling from looking industrial. The material sets the tone in all three rooms: beige stone with visible pores sits naturally next to oak, paper, wool and plaster, and reads calm rather than decorative. Fit two or three in a row over a long table if the table is more than one hundred and sixty centimetres, spaced evenly, so the pools of light overlap slightly and no seat sits in the gap between them.\u003c\/p\u003e\u003cp\u003eThere are many round pendants at this size and most of them are spun metal painted to look warm. Jaza is cut stone, and the difference is obvious from underneath, where you see actual mineral structure instead of a coating. Because the disc is solid travertine it has real mass, so it hangs still, it does not ring when something knocks it, and the shape holds up from every angle rather than only head-on. It also means every one is different. The banding may run flat across the face or tilt, the pores may cluster on one side, and the beige may lean warmer or greyer; a photograph can only show one example. The adjustable cord is more useful than it sounds, because table pendants are almost always hung too high, and having a hundred and fifty centimetres to work with lets you get the shade down where it actually shades. It suits Japandi, Scandinavian and modern interiors built on natural materials, and it suits anyone who wants one clear object over the table rather than a cluster of small fittings. If you are furnishing a dining room from scratch, this is the piece to choose first, since the table then gets its position from the light.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine with wooden ceiling cap\u003c\/li\u003e\n\u003cli\u003eShade dimensions: 20 cm diameter x 12 cm high\u003c\/li\u003e\n\u003cli\u003eCord: adjustable up to 150 cm\u003c\/li\u003e\n\u003cli\u003eLight: directed downward from the open underside\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling cap\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, veining and pores vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019009351,"sku":"FBC-TRV-012","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/image_15.jpg?v=1787419002"},{"product_id":"eu-mirella-travertine-hanglamp","title":"Mirella Travertine Pendant Light Medium","description":"\u003cp\u003eThe Mirella in its medium size is a single cylindrical shade cut from solid travertine, hung from a slim wooden fitting. The stone is a warm beige natural limestone with the open, pitted texture travertine is known for, and a fine banding that runs around the cylinder where the original sediment layers were cut through. It is a surface that rewards a second look: matte, slightly irregular, catching daylight differently at each hour rather than reflecting it back flat. The wooden fitting above the shade is the deliberate contrast, a warm, fine grained timber against cool, porous stone, and the two materials meet without a metal collar or visible screw between them. Light leaves the shade downward in a controlled column. Because the walls are solid stone, nothing escapes sideways, so you get a defined circle on the surface below and a room that stays comparatively dark around it. That is the quality people mean when they say a lamp is atmospheric: high contrast between the lit zone and everything else. The set arrives complete with one lamp, one light source and one ceiling cap, so there is nothing else to buy. Mirella is offered in several drop heights, which matters more than it sounds when you are hanging over a specific piece of furniture at a specific ceiling height.\u003c\/p\u003e\u003cp\u003eThe medium Mirella is sized for the jobs a single pendant does best. Over the end of a kitchen island or a breakfast bar it gives you a working pool of light at exactly the right diameter, close enough to be useful for chopping and far enough above the counter that it does not sit in your eyeline. Over a small dining table for two or four it centres the whole arrangement, and the dark ceiling around the fitting makes the table feel like its own room after dark. Beside a bed, hung on a long drop in place of a nightstand lamp, it frees the whole surface of the nightstand and puts the light where a book is, not where a glass of water is. In a living room it is best used low, over a side table or a plant, rather than stranded in the centre of the ceiling. What the stone does to the room is a warming effect: beige limestone reads as sunlight even at night, and it stops a room of white walls and pale wood from tipping into coldness. It also settles disagreements between materials, sitting equally well next to oak, brushed steel, linen and dark clay.\u003c\/p\u003e\u003cp\u003eA single medium pendant is the version to buy when you want one clear gesture rather than a composition. Mirella is also sold as a bundle of two or three, and those are the right answer over a long island or a long table, but a lot of rooms are actively spoiled by a cluster where one lamp was enough. Buy the medium single if you have one spot that needs light and you would rather that spot be handled with a good object than three cheap ones. The reason to choose this over a mass produced stone lamp is the shade: solid travertine, cut and finished as one piece, with pores that are visibly open rather than filled with resin to look uniform. Uniformity is exactly what you are not paying for. The natural variation means the piece you hang is a specific piece of stone, and if you later add a second one the pair will not be twins, which is the honest result of using quarried material. It suits Japandi, warm minimalist and slow furnished interiors, and anyone tired of black metal fixtures. If your room needs bright even light across a wide area, this focused downward pendant is the wrong tool.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine natural stone shade, wooden fitting\u003c\/li\u003e\n\u003cli\u003eSize: medium\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling cap\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, directed downward light\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendant, available in several drop heights\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone, colour and texture vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019107655,"sku":"FBC-TRV-013","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_101440_96380d17-f6e7-4f85-a18a-e087442c1267_1.jpg?v=1787419004"},{"product_id":"eu-muzai-travertine-hanglamp","title":"Muzai Travertine Pendant Light","description":"\u003cp\u003eThe Muzai is a slim cylinder of solid travertine hung on an adjustable cord from a dark ceiling plate, with walnut used at the fitting. The shade is stone the whole way through, not a stone effect coating, so the sawn edge at the bottom shows the same open pores and pale banding you see on the outside face. Travertine forms in layers around mineral springs, and those layers survive the cut as soft horizontal lines in sand, biscuit and occasionally a rustier brown, with small natural voids scattered through the surface. Because the cylinder is closed at the sides, none of the light passes through the stone. It all leaves from the open bottom in a defined column, which makes this a directional fixture rather than a room filler. The pool it drops is roughly the diameter of the shade at close range and widens gradually below that, with a clean edge and a warm centre. What you get above the shade is a dark cylinder with a single bright ring at its lower rim, and that contrast between the near black ceiling plate, the pale stone and the dark walnut collar is the whole idea: rough against polished, natural against made. The cord is adjustable, so the drop can be set to the ceiling you actually have.\u003c\/p\u003e\u003cp\u003eDirectional light of this kind belongs over a surface, so the strongest place for a single Muzai is above a worktop or a kitchen island end, where the column lands on the counter and leaves the cabinets in shadow. Hung around 70 to 80 centimetres above a work surface it lights hands and boards without shining into the eyes of anyone standing opposite, which is the failure mode of most open bottomed pendants set too high. Beside a bed it replaces a table lamp entirely and gives back the whole surface of the nightstand. Dropped to just above the level of a seated shoulder, the pool falls on the book and not on the sleeping half of the bed, and there is nothing to knock over in the dark. In a hallway, a single pendant over a console makes a small pool of arrival light that is far more welcoming than a ceiling fitting flooding the whole corridor. It also suits a stairwell corner, an alcove or the dead space beside a wardrobe. The stone brings warmth to rooms that tend to run cold in material terms, so it is particularly effective in a kitchen of pale lacquer or a bathroom style bedroom of tile and plaster, where everything else is smooth and nothing else is porous.\u003c\/p\u003e\u003cp\u003eMuzai is a complete fitting rather than a shade you then have to finish. The lamp, the light source and the ceiling plate all come in the box, which matters more than it sounds: solid stone pendants are frequently sold bare, and matching a bulb that suits a narrow cylinder without glaring out of the bottom is a nuisance. The proportions are the second argument. It is deliberately narrow, so it can be used singly without dominating, or repeated in a row without the ceiling looking crowded, and the dark ceiling plate keeps the attention on the stone rather than on the hardware holding it. Every shade is cut from a different section of the bed, so tone varies from a cool grey beige to a warm sand, and the density of the natural voids varies with it. That is the point of the material and not a defect. It is made for interiors that lean Japandi, Wabi Sabi or plainly modern, where the appeal is in honest material and restraint rather than in shape or colour. If you want a pendant that lights an entire room from one point, look at a wider or glass shaded fixture instead. If you want a small warm column of light and a piece of quarried stone hanging in the air, this is it.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural travertine stone and walnut wood\u003c\/li\u003e\n\u003cli\u003eIncluded: lamp, light source and ceiling plate\u003c\/li\u003e\n\u003cli\u003eAdjustable cord length\u003c\/li\u003e\n\u003cli\u003eLight direction: downward\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, Wabi Sabi, minimalist\u003c\/li\u003e\n\u003cli\u003eEvery stone shade is unique\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019173191,"sku":"FBC-TRV-015","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_152302_55465bc3-e95e-440b-9a38-38db7fe1efc2.png?v=1787419006"},{"product_id":"eu-gerini-travertine-hanglamp-3-delig","title":"Gerini Travertine Pendant Set of 3","description":"\u003cp\u003eGerini is a three-piece pendant set, each shade machined from solid travertine and paired with a walnut fitting at the top of the drop. The shades are small and deliberately so, sixty-five millimetres across and one hundred and eighty-five tall, available round or square, which puts them closer in scale to a drinking glass than to a conventional pendant shade. At that size the stone stops being a surface and becomes an object: you see the full height of the banding at once, the warm beige running through paler and darker seams, and the open pores that give travertine its dry, tactile face. The walls stay opaque, so all the light leaves through the open base in a tight, warm cone. Beneath each shade you get a defined circle of light with a soft outer edge, and above it the walnut fitting picks up a little of the spill, its close reddish-brown grain reading as the warmest tone in the piece. The square version squares that circle slightly at the corners and reads more graphic from below; the round version is softer and disappears more readily into a busy ceiling. Grouped, the three shades hang as a set of small solid weights, and the stone keeps its texture visible even when the lamps are switched off.\u003c\/p\u003e\u003cp\u003eThree pendants at this scale are built for a line. Over a dining table they hang along the centre axis, low enough that the beams land on plates and glassware and high enough that they clear sightlines across the table, which is the whole trick with dining light: you want the table lit and the faces around it left in soft shadow. The tight cone does exactly that, putting light where food and hands are rather than washing the whole room. Over a kitchen island the same arrangement gives you three pools that overlap slightly at working height, so the surface reads as continuously lit while the fixtures stay visually small and the cabinetry behind them stays legible. In a living room the set can break formation: hung at three different drops in a stairwell void, over a sideboard, or clustered in a corner above a reading chair, they behave as a small constellation. Because each shade is only a few centimetres wide, the set adds very little visual mass to a ceiling, which matters in rooms with beams, sloping planes or existing track. The stone brings warmth into spaces dominated by hard surfaces, and in a room of glass, tile and lacquer these three small beige weights are often the only soft element overhead.\u003c\/p\u003e\u003cp\u003eMost three-piece pendant sets are sold as one large statement broken into parts, which leaves you committed to a single arrangement. Gerini works the other way. The shades are small, identical in form and independent in fitting, so the set can be lined up over a table today and split across two rooms later without looking broken up. That flexibility is worth as much as the material. And the material is real: solid travertine, cut and finished rather than cast, with the pores left open so the surface stays matte and slightly rough to the fingertip. Because each shade comes from natural stone, the three in a set are cousins rather than copies, differing in banding and in the exact warmth of the beige, which is what stops a repeated fixture from looking industrial. Walnut was chosen over oak at the fitting for its depth, giving the drop a darker anchor and keeping the eye on the stone. The set suits interiors that already work in natural materials and want lighting to follow the same logic, and it suits anyone furnishing a long table or island who would rather buy the full arrangement once than add pendants one at a time and hope the batches match.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid travertine natural stone, round or square\u003c\/li\u003e\n\u003cli\u003eRound dimensions: 65 mm diameter x 185 mm height\u003c\/li\u003e\n\u003cli\u003eSquare dimensions: 65 mm x 65 mm x 185 mm height\u003c\/li\u003e\n\u003cli\u003eFitting: walnut wood\u003c\/li\u003e\n\u003cli\u003eLight character: warm, directional downward cone\u003c\/li\u003e\n\u003cli\u003eSet: three pendants\u003c\/li\u003e\n\u003cli\u003eAvailable in several heights and finishes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019205959,"sku":"FBC-TRV-016","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_223542_df621ef8-2d22-4cce-ae3a-0d9504b34547.jpg?v=1787419005"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-bundel","title":"Mirella Travertine Pendant Set of 2","description":"\u003cp\u003eMirella is a pendant light built around a cylinder of solid travertine, and this listing covers a matched pair of them. The shade is cut from natural stone with a warm beige tone and the open, pitted texture travertine develops as it forms in layers around mineral springs. Because each cylinder comes from a different part of the block, the pores sit differently on every piece, the banding runs at a different angle, and the tone drifts between cream and sand from one shade to the next. Above the stone the fitting is oak, and the pairing does real work: the pale open grain of the wood sits against the denser, cooler surface of the stone so neither material disappears into the other. Light leaves the cylinder straight down, which makes this a directional pendant rather than a room filler. Hung over a surface it lays a defined warm circle across it, and the stone itself picks up a faint glow at the lower rim where the light passes closest to the material. In the medium size each shade measures roughly 120 mm across and 100 mm high, small enough that two of them line up over a table without visually crowding it or blocking the view across the room.\u003c\/p\u003e\u003cp\u003eTwo pendants is the number that suits a kitchen island or a dining table, and that is where this pair belongs. Over an island, hung so the lower rim sits above eye level for anyone standing, they light the working surface directly rather than lighting the whole room, which is the difference between a counter you can comfortably chop on and a counter that is merely visible. Over a dining table, spaced evenly along its length, they put warmth on plates and faces and leave the rest of the room dim, which is exactly the atmosphere you want at dinner and exactly what a single bright ceiling fixture destroys. The same pair also works flanking a mirror in a hallway, on either side of a bed in place of nightstand lamps where the surface is too narrow, or down the length of a breakfast bar. Because each shade is compact, they do not block sightlines across an open plan room, and the downward beam keeps glare out of the eyes of anyone seated opposite. In a kitchen with pale cabinets and stone or timber worktops, the travertine picks up on materials already present in the room instead of fighting with them for attention.\u003c\/p\u003e\u003cp\u003eBuying pendants as a pair matters more than it sounds. Two lights hung together are read as a single gesture, and shades ordered separately can differ enough in tone to look accidental rather than deliberate. Taking them as a set gives you two shades supplied together, so the natural variation between them stays inside the range that reads as genuine stone instead of as a mistake. The material itself is the other argument. Solid travertine has to be cored and finished by hand, which is why the shade has weight and why the pores continue into the surface rather than sitting on top of a printed film. Stone also ages without changing: no yellowing plastic, no flaking paint, no coating that goes dull after a few years of steam above a hob. The oak fitting will darken very slightly with time, which most owners regard as an improvement rather than wear. This pair suits people finishing a kitchen renovation who already have island wiring in place, anyone replacing a single harsh ceiling light over a dining table, and buyers who want warm, material lighting in a room that spends most of its evening life under artificial light. Taken together the pair also costs less than two single pendants bought individually.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, oak fitting\u003c\/li\u003e\n\u003cli\u003eSet contents: 2 pendant lights\u003c\/li\u003e\n\u003cli\u003eMedium size: diameter 120 mm x height 100 mm per shade\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, directional\u003c\/li\u003e\n\u003cli\u003eStyle: modern, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores, banding and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019304263,"sku":"FBC-TRV-017","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_212213_2a1c98a9-ef95-4c3d-b838-6c0024d21798.jpg?v=1787419008"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-bundel-1","title":"Mirella Travertine and Oak Pendant Set of 2","description":"\u003cp\u003eThis bundle is two complete Mirella pendants, supplied with two light sources and two ceiling plates. Each shade is a cylinder of solid travertine, a natural stone with a warm beige ground and a texture that keeps changing as you look at it: fine horizontal banding from the way the stone was laid down in mineral springs, scattered open pores, and here and there a filled void that reads as a small paler patch. The stone is not printed or applied over a metal core, so the cut edge shows the same material as the face and the weight in the hand is unmistakable. Above the cylinder sits a wooden fitting, and that pairing is the reason the piece works: oak has a straight open grain and a light honey tone, travertine has a granular, chalky surface and a cooler beige, so the two warm materials sit next to each other without matching and the contrast keeps the top of the lamp interesting. Light leaves through the open bottom in a controlled downward column, warm and clearly edged, which means the shade itself stays quiet and the light lands where you point it. Because both units come from different sections of stone, the pair will be related rather than identical, which is exactly how natural material should behave when you hang two of it.\u003c\/p\u003e\u003cp\u003eA pair of downward pendants is a dining table solution before it is anything else. Hung along the centre line of a table for four to six, spaced roughly 70 to 80 centimetres apart and set so the bottom of the shade sits about 75 centimetres above the tabletop, the two pools overlap slightly in the middle and cover the table without touching the faces of the people sitting at it. That is the whole trick of good dining light, and a narrow cylinder does it better than a wide dome. Over a kitchen island the same spacing works, with the pools falling on the working surface and the room around them left comfortably dark. In a living room the pair can be split: one over a reading chair, one over a side table or plant, which turns a single purchase into two separate pockets of light in one room. They also work in a stairwell hung at different lengths, since the cord on each is set independently. Travertine warms a kitchen of pale stone, steel or lacquer more effectively than timber does, because it introduces texture rather than another wood tone, and it holds its own against a dark painted wall without disappearing into it.\u003c\/p\u003e\u003cp\u003eBuying two together solves the problem of matching later. Stone varies from batch to batch, and a second pendant ordered six months after the first can arrive a visibly different beige, so the bundle keeps both shades within the range of the same quarrying run while still allowing the natural variation you want between them. Both units arrive complete, with the bulb and the ceiling plate included, so there is no separate hunt for a light source that fits a narrow cylinder without glaring out of the bottom. The cylindrical shape is the second reason to choose Mirella over a shaded or globe pendant: it is narrow enough that two, three or four in a row do not clutter a ceiling, and the light it throws is contained rather than scattered, which keeps a room feeling composed after dark. The wooden fitting keeps the top of the lamp from looking industrial and softens the transition to the ceiling. This is a set for someone furnishing a dining space or an island in a quiet, natural register, who wants real material overhead and is happy to accept the small differences in tone and pore density that make each shade genuinely one of a kind.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncluded: 2 lamps, 2 light sources and 2 ceiling plates\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone with wooden fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, downward light\u003c\/li\u003e\n\u003cli\u003eAdjustable hanging height\u003c\/li\u003e\n\u003cli\u003eEach stone shade differs in tone and pattern\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019337031,"sku":"FBC-TRV-018","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/7d41ec0b-f8ad-4819-9077-fe79bef7419a_1400x1400_75877629-f661-4afc-823d-c78622630e3c.jpg?v=1787419008"},{"product_id":"eu-vieve-travertine-hanglamp","title":"Vieve Travertine \u0026 Walnut Pendant Light","description":"\u003cp\u003eThe Vieve is a cylindrical pendant cut from natural travertine and finished with a solid wooden ring at the top, in walnut or oak. The shade measures seventeen centimetres across and twelve and a half high, which gives it the squat proportion of a drum rather than a tube, and the walls are thick enough that the open end shows the full section of the stone. Travertine is a limestone formed in mineral springs, so the block is layered and porous: honed flat, the surface shows soft horizontal banding in sand, cream and pale grey, with small open cavities scattered across it that catch light at a raking angle. The wooden ring sits directly on top and reads as a warm dark line closing the cylinder, walnut going deeper brown with age, oak staying pale and open-grained. The fixture takes an E27 lamp and is supplied with a warm white LED, and the light leaves the open bottom as a soft-edged circle. Because the source sits up inside the shade, you do not see it from a normal standing or seated position, and the inner wall of the stone picks up a warm halo that is visible from directly underneath.\u003c\/p\u003e\u003cp\u003eThis is a pendant for a defined spot rather than a whole room. Its rated coverage is roughly three to five square metres, which is another way of saying it lights a table, a counter section or a corner, not a living room. Over a dining table for two to four, hung with the bottom edge around seventy centimetres above the surface, it puts a warm circle on the tabletop and leaves the walls to fall away, which is what makes a small dining area feel enclosed in the evening. Beside a bed it replaces the nightstand lamp and clears the surface for a book and a glass; hung so the shade sits just above shoulder height when seated, the light lands on the page rather than on your face, and the stone edge blocks it from your partner's side. In a reading corner it does the same over a chair. It also works in pairs over a narrow kitchen counter. The material keeps it quiet in all these positions: beige stone and dark wood next to linen, wool, oak and plaster, with nothing shiny to catch a reflection. In a small room the compact shade matters as much as the light, since a wide pendant at close range dominates everything under it.\u003c\/p\u003e\u003cp\u003eAt this size and price most pendants are metal or moulded composite, and the ones that look like stone are printed. Vieve is solid travertine with a real wooden ring, which changes both how it feels and how it ages: the stone is cool and heavy, the pores are actual holes rather than texture, and the wood darkens slowly with light and handling. Every shade differs, since the seventeen centimetre disc is sawn from a different part of the block each time, so the banding may run straight or diagonally, the colour may lean warm cream or cooler grey, and one piece may carry a large open void near the rim. The E27 fitting is worth noting, because it means you keep control of the light: choose a warmer lamp for a bedroom and a brighter one over a table, and replace it in ten years without replacing the fixture, which is not true of sealed integrated units. The wide voltage range covers standard European supply. It suits small dining rooms, bedrooms and reading corners in Japandi, Scandinavian and warm minimal interiors, and it is the sensible entry point for anyone who wants to try natural stone lighting on one spot before committing to a whole room.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine and wood (solid walnut or oak ring)\u003c\/li\u003e\n\u003cli\u003eDimensions: 17 cm diameter x 12.5 cm high\u003c\/li\u003e\n\u003cli\u003eVoltage: 110-240 V\u003c\/li\u003e\n\u003cli\u003eLight source: LED, warm white\u003c\/li\u003e\n\u003cli\u003eSocket: E27\u003c\/li\u003e\n\u003cli\u003eCoverage: approx. 3-5 m2, suited to small and medium spaces\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling plate\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019402567,"sku":"FBC-TRV-019","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_104949_3af0b2f4-5725-418c-8cf7-45433158b371.jpg?v=1787419010"},{"product_id":"eu-mirella-travertine-hanglamp-eiken","title":"Mirella Travertine Pendant, Oak, Medium","description":"\u003cp\u003eMirella in the medium size is a single pendant with a cylindrical shade cut from solid travertine and a fitting turned from oak. The stone is the reason the piece exists. Travertine builds up in thin layers around mineral springs, and cutting through those layers exposes a warm beige surface scattered with open pores and marked by faint banding, a texture that changes noticeably depending on where in the block the cylinder was taken from. Nothing about it is uniform, and that is the material behaving as it should. The oak fitting above the shade is the counterpoint: pale, open grained, warm in tone, and light enough that the stone stays the focus rather than competing with a heavy metal canopy. Light travels straight down out of the cylinder, so this is a directional pendant. It does not fill a room; it marks a place in one, laying a clear warm circle on whatever sits beneath it while the rim of the stone catches a low glow from the inside. The delivery includes the lamp itself, a light source and a ceiling plate, so the fitting arrives as a complete unit rather than as a shade you then have to match to a cord set.\u003c\/p\u003e\u003cp\u003eA single pendant asks a specific question: what exactly is it lighting? Mirella answers well over a small round dining table, where one central light is correct and two would be crowded. It works over a kitchen worktop, over a console in an entrance hall, or beside a bed hung low on a long cord in place of a table lamp, which frees the whole nightstand and gives the bedroom a considered look that a lamp on a surface rarely achieves. In a stairwell or a landing it hangs at whatever height the space allows and gives the area its own pool of warmth. In a hallway a single pendant near the door does the useful job of lighting the spot where you drop keys and take off shoes. Because the shade is compact and the light is aimed downward, it stays out of sightlines and does not glare into the eyes of anyone sitting under or opposite it. The material reads warm against white walls and settles quietly into rooms already using oak, linen, wool or clay plaster, adding texture rather than adding another colour to keep track of. One practical note on height: hang it so the lower rim of the shade sits just above the eye level of anyone seated beneath it, and the bulb stays hidden from every chair at the table.\u003c\/p\u003e\u003cp\u003eThe medium is the size most people should start with, because it is large enough to have presence at eye level and small enough not to dominate a modest room. It is also the version that scales: buy one now for the hallway, add a second and a third over a counter later, and the family of shades will relate to each other while still differing in the way real stone always does. Solid travertine is worked rather than moulded, so each shade is cored and finished individually, and it has the weight in the hand that a stone effect coating never has. Practically, stone is an easy material to live with: it does not yellow the way white plastic does above a cooker, it does not chip its paint, and dust wipes off the honed surface without leaving marks. The complete delivery matters too, since a light source and a ceiling plate are included and the fitting can go up in one visit rather than two. This pendant suits people replacing a bare bulb or a builder's fitting, anyone furnishing a first proper flat who wants one good piece rather than several disposable ones, and buyers who prefer natural materials they can see and feel.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, oak fitting\u003c\/li\u003e\n\u003cli\u003eSize: medium\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 pendant, 1 light source, 1 ceiling plate\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, directional\u003c\/li\u003e\n\u003cli\u003eStyle: modern, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores, banding and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019631943,"sku":"FBC-TRV-025","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_111058_6d325077-3717-476b-975d-f5b6aecbe929.jpg?v=1787419016"},{"product_id":"eu-gerini-travertine-hanglamp-3-delig-1","title":"Gerini Travertine Pendant Light Set of 3","description":"\u003cp\u003eGerini is a three piece pendant set with shades cut from solid travertine and held in a walnut fitting. Each shade is compact, either a round profile of 65 millimetres diameter by 185 millimetres high or a square section of 65 by 65 by 185 millimetres, which puts it firmly in the slim column category rather than the shade category. Travertine is a natural stone formed in mineral springs, and its warm beige ground is crossed by the fine horizontal layering that formed as the deposit built up, with open pores scattered across the face. Because the material is solid through, the bottom edge shows the same layers in section and the piece has the weight of stone rather than the lightness of a shell. Walnut at the fitting brings a deep brown with a straight, close grain, and that darker timber against pale stone is a sharper contrast than the more common oak pairing, which keeps the top of each pendant from disappearing into a white ceiling. The light leaves the open bottom as a narrow warm column with a defined edge, so these are precise instruments rather than ambient ones. Three of them together let you build a line of light instead of a single point, which is a different and more useful thing over a long surface.\u003c\/p\u003e\u003cp\u003eThree narrow pendants are made for a long table or an island. Hang them along the centre line with roughly 60 to 70 centimetres between each and the bottoms about 75 centimetres above the surface, and the three pools merge into a continuous band of light down the length of the table while the faces of the people sitting there stay out of the beam. The narrow profile is what makes this possible: three wide shades at that spacing would read as a barrier across the room, whereas three 65 millimetre columns keep the sight line open from one end of the space to the other, which matters enormously in an open plan kitchen and dining area. Over a kitchen island the same arrangement puts working light exactly where the chopping happens and nowhere else, so the rest of the room can stay low and calm in the evening. If a straight run does not suit the room, hang the three at staggered heights in a stairwell or a double height corner, where the differing drops turn them into a composition rather than a row. In a living room they can be clustered above a low table to make a single dense pool with a slightly complicated edge.\u003c\/p\u003e\u003cp\u003eThe case for buying three at once is the same as with any natural stone: colour and pore density drift between quarrying runs, and three shades sourced together stay within one family while keeping the individual variation that makes stone worth hanging in the first place. The choice between round and square profiles is worth thinking about. The round column is softer and reads almost as a piece of hardware, while the square section catches light on its four flat faces at different intensities and gives a more graphic, architectural result on the same ceiling. Both come with the walnut fitting, and both throw the same tight warm column. Compared with a large single pendant over a table, a run of three is more forgiving of a room that is not perfectly symmetrical, easier to balance against a long dining surface, and easier to live with when the table is used for work as well as meals. This set is for someone finishing a kitchen or dining area in a natural, restrained register who wants light to be linear rather than central. Accept that each shade will differ slightly in tone, that the stone is porous by nature, and that this is the point.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncluded: 3 pendant lights with walnut wood fitting\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone and walnut\u003c\/li\u003e\n\u003cli\u003eDimensions round: 65 mm diameter x 185 mm high\u003c\/li\u003e\n\u003cli\u003eDimensions square: 65 x 65 x 185 mm\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, warm focused\u003c\/li\u003e\n\u003cli\u003eAdjustable hanging height per lamp\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019664711,"sku":"FBC-TRV-026","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/IMG-3638.jpg?v=1787419016"},{"product_id":"eu-mirella-travertine-hanglamp-1","title":"Mirella Travertine \u0026 Walnut Pendant Large","description":"\u003cp\u003eThe Mirella large is a cylindrical pendant with a shade cut from solid travertine and a walnut fitting above it. Travertine is a limestone formed in mineral springs, which is why the block is not uniform: it is layered, with bands of warm beige running through paler and darker mineral deposits, and it is porous, with small open cavities left where gas escaped as the stone formed. Cutting a cylinder out of that block exposes all of it at once, so the outer wall shows the banding as horizontal lines around the shade and the pores as scattered pits you can feel with a fingertip. The wall thickness gives the piece its mass, and the open bottom edge shows the full section of stone. Because the shade is closed at the top and open below, the light goes one direction only: a warm, soft-edged column falling straight down. The walnut fitting caps the cylinder in dark brown, a deliberate contrast against the pale mineral surface, and it is the part that keeps the pendant from reading as a plain stone tube. Under the lamp the inside wall of the shade picks up a warm glow, so the fixture has a lit interior as well as a lit floor.\u003c\/p\u003e\u003cp\u003eA downward cylinder is table lighting. Over a dining table, hung so the bottom edge sits around seventy centimetres above the surface, Mirella lays a defined circle of warm light across the middle of the table and lets the room fall back around it. That separation is what makes a table feel like the centre of an evening, and it is the reason a directed shade is better here than a diffusing globe, which lights the ceiling and the chairs equally. Over a kitchen island it delivers the same focused pool onto the worktop, bright where you cut and read, without washing the cabinet fronts. In a living room, dropped low beside a sofa or over a side table, it becomes a defined reading spot rather than general light. On a long table the large size can stand alone in the centre, or two can be spaced along the length. The material decides the mood: beige stone with visible pores next to oak, wool, linen and plaster, warm rather than sharp, and honed so it never throws a hard reflection. Hang it lower than instinct suggests, because a table pendant that clears every sightline is usually too high to do its job.\u003c\/p\u003e\u003cp\u003eMirella exists in several sizes and bundles, and the large single is the version to choose when one pendant has to carry the table on its own. Solid travertine is the reason: at this size the shade has real presence, and the mineral surface holds up to being looked at from a metre away in a way a printed stone finish does not. Every shade is sawn from a different part of the seam, so the banding may run tight or loose, one piece may show a large open void near the rim and another almost none, and the beige may lean cream or grey. That variation is the character of the material, not a flaw in the batch. The walnut fitting is a small part with a large effect, warming the top of the fixture and tying it to a wooden table or floor. Practically, it arrives complete with a light source and a ceiling plate, so there is nothing to source separately before it goes up. It suits dining rooms, kitchens and open-plan spaces in Japandi, Scandinavian and warm minimal interiors, and it suits anyone who would rather buy one considered fixture than several small ones that never quite agree.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine natural stone with walnut fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, open at the bottom\u003c\/li\u003e\n\u003cli\u003eSize: large\u003c\/li\u003e\n\u003cli\u003eLight: warm, directed downward\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling pendant\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling plate\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, banding and pores vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019730247,"sku":"FBC-TRV-027","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_103023_f282f54d-0cab-49ee-b9e7-3dc4be1bd6f2.jpg?v=1787419018"},{"product_id":"eu-mirella-travertine-hanglamp-set","title":"Mirella Travertine \u0026 Walnut Pendant Duo","description":"\u003cp\u003eThis pair of Mirella pendants combines solid travertine shades with walnut fittings, and comes as two complete lamps with two light sources and two ceiling caps. Walnut is the decisive choice here. Where oak keeps a stone lamp pale and quiet, walnut is a deep chocolate brown with a visible, sometimes wavy figure, and against warm beige limestone it creates a clear two tone composition rather than a single soft blur. The travertine shades are cylinders cut from natural stone, their surfaces open and pitted, banded faintly where the original sediment layers were cut through. No two shades match exactly, and the pair is deliberately supplied that way. Light leaves each cylinder downward only, because the stone walls are solid and thick, so what you get below is a defined pool of warm light and a ceiling that stays dark. Hung as a pair, the two pools overlap slightly and the surface underneath is lit evenly without the flatness of a ceiling spot. The dark wooden fittings also do something practical at eye level: they read as small dark points against a white ceiling, which anchors the composition and makes the drop heights look intentional even when they are staggered.\u003c\/p\u003e\u003cp\u003eUse this pair where the room already contains something dark. A walnut dining table, a dark oak floor, black window frames, a smoked glass cabinet: walnut fittings tie the lighting into that palette in a way pale wood cannot. Over a dining table for four to six, hang them along the axis with a metre or so between them and the table becomes the focus of the room after dark, everything around it dropping away. Over a kitchen island the same pair gives you working light without glare, positioned so that neither lamp sits directly in your eyeline when you stand at the counter. In a living room the two can be separated, hung at different heights over a console and a side table, and treated as part of a layered scheme rather than a matched set. What walnut and travertine do together is provide the contrast that all beige rooms eventually need. Warm neutral schemes go flat without a dark note somewhere, and two small dark fittings overhead supply it more elegantly than a dark piece of furniture would. Against white plaster the pairing is graphic; against a warm clay or deep green wall it becomes richer and quieter.\u003c\/p\u003e\u003cp\u003eBuy the walnut version when you want the wood to be seen. This is the difference between a lamp that disappears into a pale ceiling and one that registers as a deliberate object, and it is worth deciding on purpose rather than by default. The rest of the argument is material: solid quarried travertine shades rather than stone veneer over plastic, real walnut rather than a printed foil, and pores left open rather than filled and polished so the stone looks like a synthetic sheet. The natural variation between the two shades is not a defect to be tolerated but the reason to buy stone at all. The set of two is sized for tables and islands between roughly 160 and 220 centimetres; longer than that and the set of three is the better proportion. It suits a room already committed to natural materials and to some warmth, and a buyer who wants their lighting to look like furniture rather than equipment. Walnut is also the more forgiving choice in rooms with strong daylight, since a pale fitting can bleach out against a bright ceiling while a dark one stays legible all day. If you need a lot of even light across a whole kitchen, plan these as the focused layer and add another source elsewhere, because two directed stone pendants will not do that job alone.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine natural stone shades, walnut fittings\u003c\/li\u003e\n\u003cli\u003eIncluded: 2 lamps, 2 light sources, 2 ceiling caps\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shades, directed downward light\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendants, available in several drop heights\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and walnut, tone and grain vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019763015,"sku":"FBC-TRV-028","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_7.jpg?v=1787419019"},{"product_id":"eu-mirella-travertine-hanglamp-set-2","title":"Mirella Travertine Pendant Duo Set","description":"\u003cp\u003eThis is the complete two lamp version of Mirella: two pendants, two light sources and two ceiling plates in one delivery. Each shade is a cylinder of solid travertine, a natural stone with a warm beige body, open pores across the face and faint horizontal banding left behind by the layers in which it formed. The surface is honed rather than polished, so it reads matt and slightly chalky and the pores hold a shallow shadow instead of throwing back a reflection. Every cylinder is cut from a different section of the block, which is why the two shades in your box will be clearly related without being identical twins. The fitting on each is wood, pale and open grained, which keeps the visual weight at the stone where it belongs. Light leaves the open bottom of each cylinder and travels downwards, so the pair produces two defined circles of warm light rather than a general wash, and the lower rim of the stone glows faintly from the inside. Because everything needed is in the box, both lamps go up in a single session, with no separate order for bulbs or ceiling covers and no half finished ceiling waiting on a delivery.\u003c\/p\u003e\u003cp\u003eA pair of pendants is the standard solution for two situations, and this set covers both. The first is a dining table long enough that one light leaves the ends in shadow: hang them a third of the way in from each end and the whole table is evenly lit at plate height while the room around it stays dim and comfortable. The second is a kitchen island, where two lights spaced across the working length put usable brightness on the surface you actually cut and prepare on, rather than lighting the ceiling and hoping some of it comes back down. The set also works split between rooms, one over a hallway console and one over a kitchen counter, which quietly ties two spaces together with a repeated material. Hung either side of a bed at cord length, the pair replaces two nightstand lamps and empties both surfaces. Whichever way you use them, the downward beam keeps the light out of people's eyes and the compact shades keep open plan sightlines clear. In kitchens with pale cabinetry, wood worktops or terrazzo, travertine belongs to the same material family and settles in without effort. If the two lamps hang over a table, measure from the tabletop rather than from the floor, since roughly 70 to 80 cm of clearance keeps the shades out of the sightline between people sitting opposite each other.\u003c\/p\u003e\u003cp\u003eThe reason to buy the two lamp set rather than two separate lamps is consistency at delivery. Natural stone varies between blocks, sometimes considerably, and pendants ordered weeks apart can arrive different enough in colour that the pair reads as a mismatch across a table. Supplied together, the two shades sit within a range that looks intentional. The second reason is completeness: two light sources and two ceiling plates included means the installation happens once, which matters if you are paying an electrician by the visit. Beyond that, the argument is the material. Solid travertine is heavy, cored by hand, and honest about what it is, unlike the stone printed films that dominate this price bracket and start lifting at the seams after a few years above a hob. Stone does not discolour with heat or steam, so a kitchen is a reasonable place for it. This set suits people finishing a kitchen or dining room and wanting the lighting to be the last considered decision rather than the forgotten one, and anyone who has lived under a single bright ceiling fixture long enough to know they want warm, directed light instead. It is also the straightforward answer if you already own one Mirella and want the room to look finished rather than half done, since the shades come from the same family of stone and hang at whatever length the ceiling asks for.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shades, wooden fittings\u003c\/li\u003e\n\u003cli\u003eSet contents: 2 pendants, 2 light sources, 2 ceiling plates\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, directional\u003c\/li\u003e\n\u003cli\u003eForm: cylindrical shade\u003c\/li\u003e\n\u003cli\u003eStyle: modern, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores, banding and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019795783,"sku":"FBC-TRV-029","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_9.jpg?v=1787419020"},{"product_id":"eu-mirella-travertine-hanglamp-set-3","title":"Mirella Travertine Pendant Light Set of 3","description":"\u003cp\u003eThis set contains three complete Mirella pendants, with three light sources and three ceiling plates in the box. Each shade is turned from solid travertine into a plain cylinder, and the stone does all the decorating. Travertine is deposited in layers around mineral springs, so the face of every shade carries fine horizontal banding in beige, oatmeal and occasionally a rustier tone, along with the open pores that give the material its slightly chalky, granular surface. It is stone throughout rather than a coating over metal, which you can confirm at the lower edge where the cut shows the same layers in section, and which you notice the moment you lift one. A wooden fitting sits above the cylinder and forms the transition to the cord: the timber grain runs vertically against the horizontal banding of the stone, and that small opposition is what stops the top of the lamp looking like a bought part. Light leaves the open bottom in a warm, clearly bounded column. Nothing passes through the shade, so the cylinder itself reads as a solid pale form in the room and the illumination stays where you aim it. Buying three together gives you the range of a natural material without the risk of three unrelated beiges.\u003c\/p\u003e\u003cp\u003eThree pendants in a row is the standard answer to a long dining table, and it is standard because it works. Set them on the centre line about 60 to 70 centimetres apart, with the bottom edge roughly 75 centimetres above the tabletop, and the pools join into an even band down the length of the table while leaving eye level clear for conversation across it. Over a kitchen island the same run turns the whole working surface into the brightest thing in the room, which lets you cook without switching on a ceiling light at all. Because each cord is adjusted separately, the three do not have to be used as a row: hung at three different drops in a stairwell, a hall with a tall ceiling or a corner of a double height room, they become a vertical composition and the varying heights read as intentional. In a living space, three clustered close together over a coffee table give one deeper pool with a soft, layered edge. The material choice matters in each of these rooms. Stone brings texture rather than colour, so it lifts kitchens full of smooth lacquer, quartz or steel, and it keeps its warmth against dark painted walls where a metal shade would go cold.\u003c\/p\u003e\u003cp\u003eThe strongest reason to take the set of three rather than assembling one at a time is consistency of stone. Travertine varies by block, and three shades supplied together are drawn from the same run, so they share a family tone while still differing in banding and pore density, which is exactly the balance you want in a row over a table. Everything needed is included, so there are three bulbs and three ceiling plates in the box and nothing to source separately, and the light source is one that suits a narrow cylinder without glaring out of the bottom. Against a single wide pendant, a run of three is more flexible: it fits a long table properly, it can be split across two rooms later, and it copes with a ceiling that is not centred on the table. Against metal or glass alternatives, the argument is texture at close range, since these hang at head height and you look at them for the length of a dinner. It suits interiors in a Japandi, Wabi Sabi or quiet modern direction, where a few honest materials do the work. Expect visible pores, tonal drift between the three, and the occasional filled void, all of which are the character of the stone.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncluded: 3 lamps, 3 light sources and 3 ceiling plates\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone with wooden fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, downward light\u003c\/li\u003e\n\u003cli\u003eHanging height adjustable per lamp\u003c\/li\u003e\n\u003cli\u003eTone and pattern vary between shades\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019828551,"sku":"FBC-TRV-030","price":549.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_10.jpg?v=1787419021"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-set","title":"Mirella Travertine \u0026 Oak Pendant Set","description":"\u003cp\u003eMirella is a set of three pendants, each with a cylindrical shade cut from solid travertine and finished with a wooden fitting where the cord meets the stone. The travertine is warm beige, a stone that never settles into one flat colour: pale straw runs into deeper honey across the body, the horizontal banding of the material wraps around the cylinder, and the small open pores stay unfilled so the surface keeps a dry, matte, slightly rough character. Run a hand over it and it feels like stone, not like a coating. Because the walls are opaque, none of the light passes through them. It leaves through the open base as a warm, softly edged cone, so each pendant puts a defined circle of light on the surface below rather than spilling in every direction. The result is comfortable to sit under: no visible bulb from normal eye level, no hard glare, and a lit surface with a gentle falloff at the rim. The oak fitting gives the drop its warm middle tone, its straight grain reading against the irregular seams of the stone, and it keeps the transition from cord to shade slim so the shade looks as though it is simply hanging in the air. Switched off, the three cylinders read as pale weights against the ceiling.\u003c\/p\u003e\u003cp\u003eThree pendants exist to describe a line, and the room that benefits most is the one built around a long surface. Over a kitchen island, Mirella hangs at even intervals so the beams overlap slightly at worktop height and the whole surface reads as evenly lit, while the cylinders stay narrow enough to keep sightlines open across an open-plan space. Over a dining table the arrangement does the harder job well: light lands on plates, glass and hands, while the faces around the table stay in softer light, which is what makes a dinner feel intimate instead of clinical. Set the drop so the shades sit above the eyeline of a seated guest and nothing blocks the conversation across the table. In a living room the set does not have to stay in formation. One over a reading chair, one above a sideboard and one in the corner beside a plant will light three separate zones with the same warm circle, which is often more useful in the evening than a single ceiling fixture. In a stairwell they hang at staggered lengths. Because every shade brings a piece of warm stone into the room, the set softens hard kitchens of tile, glass and lacquer more than any lamp shade in metal ever does.\u003c\/p\u003e\u003cp\u003eBuying pendants one at a time is how ceilings end up mismatched, and with natural stone the risk is real, because a shade cut next year comes from a different block and can be noticeably paler or more heavily banded. Mirella removes that problem by shipping as a complete set of three, cut together, related in tone and still individual enough that nobody would mistake them for machine copies. That is the honest position with travertine: variation within a family, not uniformity. The stone is solid throughout, cut and finished rather than cast, which you notice in the weight of a single shade in the hand and in the way the banding continues around the rim instead of stopping at a seam. Oak was chosen for the fitting because it stays out of the way, warm enough to belong with the beige of the stone and pale enough not to draw the eye off it. The set is complete on arrival, with three lamps, three light sources and three ceiling plates, so a single installation session finishes the job. It suits a kitchen or dining room where the surface is the centre of the household, and anyone who would rather solve the lighting of a long table properly in one purchase.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid travertine natural stone, cylindrical\u003c\/li\u003e\n\u003cli\u003eFitting: oak wood\u003c\/li\u003e\n\u003cli\u003eLight character: warm, directional downward cone\u003c\/li\u003e\n\u003cli\u003eSet: 3 pendants\u003c\/li\u003e\n\u003cli\u003eIncluded: 3 lamps, 3 light sources, 3 ceiling plates\u003c\/li\u003e\n\u003cli\u003eAvailable in several heights and bundle sizes\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, suspended\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019926855,"sku":"FBC-TRV-031","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_11.jpg?v=1787419023"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-set-1","title":"Mirella Travertine \u0026 Oak Pendant Set of 2","description":"\u003cp\u003eThis Mirella set contains two cylindrical pendants, each with a shade cut from solid travertine and an oak fitting at the top. Travertine forms in mineral springs, so the stone is banded and porous: warm beige bodies crossed by paler and darker sedimentary layers, with small open cavities scattered through them. Turning a cylinder from that material exposes the whole structure, so the outer wall carries the banding as lines running around the shade and the pores as small pits with real depth, and the open lower edge shows the full wall thickness. Oak sets a different contrast than walnut does: it is pale, open-grained and stays light, so the top of each pendant reads as a soft line rather than a dark cap, and the whole fixture holds one warm tonal range from stone to wood. Each shade is closed above and open below, which sends a warm, soft-edged column of light straight down and keeps the source hidden from anyone standing next to it. Seen from underneath, the inner wall of the stone glows warm around the lamp, and the pores on the inside face show as small dark points inside that glow. The two pendants are supplied complete with their own light sources and ceiling plates, so a pair goes up in a single installation rather than in two rounds of ordering and fitting.\u003c\/p\u003e\u003cp\u003eTwo pendants exist for surfaces that one cannot cover. A kitchen island longer than a metre and a half is lit badly by a single central fixture, because the ends of the working surface fall into the shadow of whoever stands at it; two shades spaced evenly along the length put light where you actually chop, plate and read, and the pools overlap enough that there is no dark middle. The same applies over a dining table for six, where a pair keeps every place setting lit instead of only the centre. Spacing is simple: divide the length into three and hang one pendant at each of the two inner points, with the bottom edges about seventy centimetres above the surface. The two can also be split between rooms, one over a breakfast counter and one over a side table, when the connection between two areas of an open-plan floor needs to be made visually. Oak and beige travertine sit comfortably in exactly the kind of interior this suits: pale timber floors, plaster or clay walls, linen, wool and matt cabinet fronts. Nothing in the fixture is glossy, so a row of two does not turn into a row of reflections when daylight comes across the room.\u003c\/p\u003e\u003cp\u003eThe set is the sensible way to buy this fixture, because two pendants over one surface should relate to each other and shades bought months apart will not come from the same run. Both cylinders in a set are cut from the same production batch, so the tonal range matches, while the detail still varies the way real stone does: one may show a broad pale band, the other a tighter grain or a larger open pore near the rim. That is a pair, not a matched product, and it is the difference between stone and a printed finish. The oak version is worth choosing deliberately. Walnut gives contrast, oak gives continuity, so in a kitchen with light timber fronts or a pale floor the oak fitting lets the pendants sit into the room rather than punctuate it. Both pendants arrive complete with light sources and ceiling plates, which means one order and one installation visit rather than a second round of parts. It suits kitchens with a real working island, dining rooms with a long table, and open-plan interiors in Japandi, Scandinavian or warm minimal style. If you are already committed to one Mirella, this is how you finish the run.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSet: 2 pendants\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone with oak fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shades, open at the bottom\u003c\/li\u003e\n\u003cli\u003eLight: warm, directed downward\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling pendants\u003c\/li\u003e\n\u003cli\u003eIncluded: 2 lamps, 2 light sources, 2 ceiling plates\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, banding and pores vary per shade\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020057927,"sku":"FBC-TRV-032","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_12.jpg?v=1787419023"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-set-2","title":"Mirella Travertine \u0026 Oak Pendant Trio","description":"\u003cp\u003eThe Mirella bundle of three is a full lighting solution in one box: three cylindrical shades in solid travertine, three oak fittings, three light sources and three ceiling caps. Travertine is a warm beige limestone laid down in layers by mineral water, and cutting it into cylinders exposes both the open pores that give the surface its grain and the faint horizontal banding that runs around each body. Because the three shades come from different sections of stone, they will differ slightly in tone and in the density of the pores. Hung in a row this reads as a natural material used honestly, not as an inconsistency. Oak is the fitting timber here, pale and straight grained, so the wood recedes and the stone stays the subject. Each shade sends its light straight down in a contained column, since the solid walls block any sideways spill, and three overlapping pools produce even coverage along a long surface without the flatness of a track of spotlights. Several drop heights are available, so the three can hang level for a formal, symmetrical result or be staggered for something looser. Every fitting is independent, which also means the three do not have to stay together.\u003c\/p\u003e\u003cp\u003eThree pendants is the right count for a long surface, and getting the count right matters more than the model you choose. Over a kitchen island of two and a half metres or more, three lamps at even spacing light the whole working length instead of leaving bright middle and dim ends. Over a long dining table for six to eight, they give every seat its own light and turn the table into the brightest thing in a dark room, which is the effect that makes a dinner feel like an occasion. In an open plan space the three can be split: two over the island and one over the sink, or two over the table and one in the adjoining hallway, since each lamp arrives complete with its own cap and source. What three of them do to a room is establish rhythm. The eye reads repetition as intent, and a run of three identical stone cylinders at one height is one of the simplest ways to make a large space feel composed. Beige stone also warms an open plan kitchen, which is usually the coolest room in a house, full of hard cabinet fronts, tile and stainless steel that reflect light without adding any warmth of their own.\u003c\/p\u003e\u003cp\u003eThe trio is the version to buy when you have a genuinely long surface, and the mistake most people make is buying two for a space that needed three. Under lit long islands look unfinished from every angle. Beyond the count, the argument is the same as for the single: solid quarried travertine shades rather than a stone effect wrapped around plastic, real oak fittings, and pores left open instead of filled to force uniformity. Buying the bundle also means the three arrive as a considered group with all mounting parts included, at a better price than three separate lamps. Choose oak rather than walnut when the kitchen or dining room is pale and you want the lighting to read as light and airy; walnut is the choice for darker rooms that need an anchor overhead. This suits someone finishing a kitchen or a large dining room in one decision, working in a warm minimalist, Japandi or slow living direction, and unwilling to hang three black metal domes to solve the problem. Because each lamp is independent, the trio also survives a change of plan: if you later move house or rearrange the kitchen, the three can be separated and hung in three different rooms without buying any extra parts. If you only need one focused light over a small table, buy the single and keep your ceiling quiet.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine natural stone shades, oak fittings\u003c\/li\u003e\n\u003cli\u003eIncluded: 3 lamps, 3 light sources, 3 ceiling caps\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shades, directed downward light\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendants, available in several drop heights\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and oak, tone and grain vary per shade\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020090695,"sku":"FBC-TRV-033","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_13.jpg?v=1787419024"}],"url":"https:\/\/fabiandco.com\/collections\/pendant-lights.oembed","provider":"fabiandco","version":"1.0","type":"link"}