{"title":"Neuheiten","description":"\u003cp\u003eThe full Fabi collection. Natural stone and glass lighting, shipped free from the Netherlands across Europe.\u003c\/p\u003e","products":[{"product_id":"eu-juju-marmeren-tafellamp","title":"Lulu Rechargeable Marble Table Lamp","description":"\u003cp\u003eLulu is a cordless table lamp built from natural marble and woven linen, two materials that behave very differently once a light is switched on behind them. The base is cut from solid marble, cool to the touch and polished until the veining reads clearly across the whole surface. Because every block is quarried separately, the veins never run the same way twice, so the piece that arrives at your door carries a pattern that exists exactly once. Above the stone sits a rounded shade in linen. Linen is not a neutral diffuser like frosted plastic: the weave scatters the light unevenly, softens the beam and lets a faint warm haze pass through the fabric itself, so the lamp glows rather than shines. The LED inside is tuned to warm white, close to the colour of late afternoon sun, and it stays hidden, which means you get illumination without a bright point to look at directly. There is no plug and no trailing cable. Lulu charges over USB and is switched by touch, so a single tap on the body brings it up or takes it down again. That quietly changes where a table lamp can live: a windowsill with no socket nearby, the middle of a dining table, a balcony after dark. At roughly 275 mm tall and 190 mm across it reads first as a small object and second as a light.\u003c\/p\u003e\u003cp\u003eThis is a lamp for the surfaces you use in the evening rather than the ones you light for work. On a bedside table it earns its place immediately, because the touch control means you never hunt for a switch in the dark and the linen shade keeps the glow below eye level, so nothing wakes you fully when you reach for a glass of water at three in the morning. In a living room it belongs on a sideboard, a low shelf or a side table, where it pulls a warm circle out of the wall behind it and stops the corners of the room going flat and black once the ceiling light is off. In a home office it does a related job for a different reason: a low warm pool of light beside a screen cuts the harshness of the display without throwing glare across it. Because it runs on its own battery, it also travels. Take it to the kitchen counter while you cook, carry it to the table for dinner, leave it on a bookshelf through a long evening and put it back on the nightstand afterwards. Marble is heavy enough that the lamp stays exactly where you set it down and does not tip when someone brushes past. In a room built from textiles and pale walls, the polished stone adds the one cool, hard surface that keeps the whole scheme from reading as soft.\u003c\/p\u003e\u003cp\u003eMost rechargeable lamps are moulded plastic or thin spun aluminium, because those materials are light and cheap to pair with a battery. Lulu goes the other way and puts real quarried marble at the bottom, which is why it feels solid in the hand and why it sits still on an uneven surface. That weight is the whole point, and it is what separates a portable lamp from a gadget. The linen shade is the second decision that sets this one apart. Fabric ages differently from glass or metal, settling into a slightly softer surface over the years rather than showing every fingerprint, and it carries a warmth that opal glass, for all its evenness, never quite reaches. Between them, the two materials cover both halves of a room: the cool mineral and the warm textile. Lulu suits people who move around their home during the evening and want the light to move with them, anyone renting a flat where the sockets are in the wrong places, and anyone furnishing in a Japandi or minimalist direction who would rather have one honest natural material than a painted finish pretending to be one. It also makes a practical gift, because it works straight out of the box with no wiring, no electrician and no bulb to source. Expect the veining on yours to differ from every photograph you have seen of it.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid marble base, woven linen shade\u003c\/li\u003e\n\u003cli\u003eLight source: LED, warm white\u003c\/li\u003e\n\u003cli\u003ePower: USB rechargeable, cordless, no plug required\u003c\/li\u003e\n\u003cli\u003eControl: touch switch on the lamp body\u003c\/li\u003e\n\u003cli\u003eDimensions: H 275 mm x D 190 mm\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, Japandi\u003c\/li\u003e\n\u003cli\u003eNatural stone: veining and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018157383,"sku":"FBC-TRV-001","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_104159_233e3cf5-9d57-4c47-9617-48903f66f50d.jpg?v=1787418991"},{"product_id":"eu-sorell-marmeren-wandlamp","title":"Sorell Travertine Wall Light","description":"\u003cp\u003eThe Sorell pairs a plate of natural travertine with a single round glass diffuser. Travertine is a stone laid down slowly in mineral springs, and the cut used here keeps its open pores and fine horizontal banding on show instead of filling them flat and sanding them into anonymity. You feel the surface before you read it: shallow pits, a faint ripple of sand and cream running across the face, an occasional darker seam where iron settled during formation. Every block is sawn from a different point in the bed, so no two Sorell plates carry the same drawing, and the piece that arrives will not match the photograph line for line. The globe stands proud of the stone on a gilded collar, and the LED built into it gives a low, even warmth rather than a beam. Light leaves the sphere in every direction, so part of it washes straight back onto the travertine and rakes the face at a shallow angle. That is the moment the stone earns its place: the pores fill with tiny shadows and the banding stops being a printed pattern and becomes relief you can read from across the room. Switched off, the piece reads as a pale sphere resting against a sand coloured rectangle, closer to a small wall sculpture than to hardware. Switched on, it gives about the light of a clustered group of candles.\u003c\/p\u003e\u003cp\u003eOn a bedroom wall this behaves as a reading and settling light, not as general illumination. Fixed at roughly shoulder height beside a bed, the globe sits below eye line, so you get glow rather than glare, and the stone plate behind it stops the output from bleaching a wide patch of paint. A pair either side of a headboard reads as matched without looking like hotel hardware, because the travertine differs plate to plate and the two will never be twins. In a living room the Sorell wants a long, uninterrupted wall, where the pool it casts becomes the only bright thing at that height and the rest of the room quietly recedes. It is a useful counterweight to a ceiling fixture: leave the ceiling dark, switch these on, and the room reorganises itself around two soft spheres and two warm patches of stone. In a hallway the shallow projection is what matters most. The lamp keeps close to the plaster, so it does not catch shoulders or bags in a narrow corridor, while the upward spill grazes the ceiling and makes a tight passage feel taller than its measurements. Against white plaster the sand tone warms the whole wall by a shade. Against clay, greige or a deep olive paint the stone settles into the colour and only the lit globe stays forward.\u003c\/p\u003e\u003cp\u003eMost stone wall lights go one of two wrong ways. They either bury the material behind a heavy metal frame, or they polish it until it looks like an offcut from a kitchen worktop. Sorell does neither. The travertine is left as a plain rectangle with its face open, the fitting is deliberately small, and the gilded collar is the only decorative move on the entire piece: one thin warm line between pale stone and pale glass. That restraint is why it sits happily beside almost anything, from oiled oak and linen to black steel or bare brick. Because the LED is integrated there is no socket or bulb outline to break the silhouette, and nothing to source or colour match a year from now. The wide 90 to 260 volt input means it runs on European mains without an adaptor. This is a piece for someone furnishing slowly, who would rather own one honest material than a fixture imitating one, and who accepts the trade real stone asks for: natural pitting, colour that shifts across the plate, and no guarantee of a perfect pair. If you need exact repeatability, ceramic or plaster will serve you better. If you want a wall light that looks quarried rather than assembled, and that becomes more interesting as evening light rakes across it, this is the one.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural travertine and glass\u003c\/li\u003e\n\u003cli\u003eFinish: gilded detail on the fitting\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, 1 light source\u003c\/li\u003e\n\u003cli\u003eVoltage: 90-260V\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted\u003c\/li\u003e\n\u003cli\u003eEach stone plate is unique in pattern and tone\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018190151,"sku":"FBC-TRV-002","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260310_192455_272f0ec1-eac6-43f7-9c92-9250a62d82f7.jpg?v=1787418991"},{"product_id":"eu-rizo-travertine-hanglamp-eiken","title":"Rizo Travertine \u0026 Oak Pendant Light","description":"\u003cp\u003eThe Rizo pendant pairs a shallow dish-shaped shade cut from solid travertine with a warm oak top and a milk glass globe hanging beneath it. Travertine is a sedimentary stone laid down in water, full of small open pores and drifting mineral bands, so the surface of every shade reads as a landscape rather than a finish: cream and sand tones running in soft horizontal seams, a scatter of pinholes catching shadow, no two shades alike. The oak cap sits directly on the stone, its grain running across the seams and lifting the beige of the travertine with a slightly redder, warmer note. The milk glass globe does the optical work. It is opal through the full thickness of the glass rather than sprayed on the inside, which means the light source disappears completely and the globe glows as one even surface. Look straight up into it from a bar stool and you see brightness without a hot spot. The dish above catches part of that glow and sends a wash back onto the stone, so the pores and seams are lit from below and the texture stays legible even when the lamp is running. The light falls warm and low in contrast, closer to candle than to spotlight, and pools on the surface underneath in a soft circle roughly as wide as the shade, fading out at the edge instead of stopping.\u003c\/p\u003e\u003cp\u003eRizo was drawn for the places where you stand or sit close to the light. Over a kitchen island it hangs low enough to define the working surface without cutting the room in half; the milk glass keeps glare out of your eyes while you chop, and the travertine dish throws enough light upward to keep the ceiling from going black, which is the usual failure of a downward-only pendant. Hung in pairs or threes along a long island, the stone shades line up as a row of solid objects and give the kitchen a horizon line it did not have before. Beside a bed the lamp does something different: dropped to just above the nightstand it frees the whole surface for books and a glass of water, and at low output the opal globe becomes a small warm moon you can read next to without waking the person on the other side. In a dining corner or on a stair landing it works as a single anchor, the one heavy natural element in a room otherwise built from paint and textile. Because travertine is genuinely matte it absorbs daylight rather than bouncing it, so through the day the lamp reads as a quiet stone form and only after dark does it become the brightest thing in the room. Ceilings from roughly two and a half metres upward carry it comfortably.\u003c\/p\u003e\u003cp\u003eWhat separates Rizo from the many stone-look pendants on the market is that the shade is cut from a solid block, not moulded in resin and printed with a stone pattern. You can feel the difference: the piece has real weight in the hand, the pores are open and faintly abrasive along the rim, and the veining continues around the edge instead of stopping where a printed wrap would end. That also means the piece cannot be repeated. Two Rizo lamps ordered on the same day will differ in tone and in the direction their seams run, which is the point rather than a defect, and it is worth hanging a set together so the variation reads as deliberate. The three-material palette of stone, oak and opal glass is intentionally narrow. There is no metal trim, no visible screw and no painted finish that can chip, so nothing here will date faster than the room around it. It suits interiors built on natural materials: Japandi, wabi-sabi, warm minimalism, plaster walls and oak floors, or a modern kitchen that needs one soft object to break up a long run of cabinetry. It is a sensible choice for anyone tired of black metal fixtures who wants the ceiling to carry something that ages the way the rest of the house does. Each lamp ships with its light source and a matching ceiling cap.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid natural travertine, dish-shaped, unfilled pores\u003c\/li\u003e\n\u003cli\u003eTop: oak\u003c\/li\u003e\n\u003cli\u003eDiffuser: opal milk glass globe\u003c\/li\u003e\n\u003cli\u003eLight character: warm, fully diffused, downward with an upward wash\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, suspended on cord with ceiling cap\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling cap\u003c\/li\u003e\n\u003cli\u003eEvery shade differs in tone and veining\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018222919,"sku":"FBC-TRV-003","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260730_141057_3ad17c9e-201e-4cae-a8df-b40d7c68424c.png?v=1787418993"},{"product_id":"eu-muzay-travertine-hanglamp","title":"Muzay Travertine Pendant Light","description":"\u003cp\u003eThe Muzay is a slim travertine cylinder on a cord, 330 mm tall and 120 mm across. Travertine is a freshwater limestone that forms in layers around mineral springs, and the coring leaves it full of small open pores and faint horizontal banding. On the Muzay those pores stay visible rather than being filled and lacquered flat, so at close range the body reads as quarried stone and not as a smooth beige tube. The colour moves from pale sand to a deeper honey where the bands thicken, and because every body is cut from a different part of the block, the pattern on the lamp you receive is not the pattern in the photograph. Inside the cylinder a G9 source sits behind glass, and that pairing does the real work: the glass takes the hard edge off a small bright point, so what leaves the open bottom is an even wash instead of a visible disc. Output runs from roughly 249 to 2000 lumen depending on the source fitted, and the lamp runs on AC 90 to 260 V. The detail worth waiting for is the rim. A little light escapes sideways and grazes the outside of the stone for a few centimetres, catching each pore and turning the surface into a fine grain of tiny shadows. Switched off, it is simply cut stone hanging on a wire.\u003c\/p\u003e\u003cp\u003eHung low over a dining table, the Muzay behaves like a spotlight with manners. The stone wall blocks sideways glare completely, so the beam lands on the table and the faces around it stay out of the light. Plates, glasses and a wooden tabletop get the attention while the ceiling above stays dark, which is what makes a long dinner feel enclosed rather than merely lit. Drop it to roughly 70 centimetres above the surface and the pool of light will cover most of a table for four. In a hallway the same narrow body works differently. Hung in a stairwell or above a console it becomes a vertical marker you walk towards, and because the cylinder is only 120 mm wide it does not crowd a narrow corridor or block the sightline down the hall. In a living room, place it off to one side rather than in the middle of the ceiling, over a reading chair or beside a shelf, and let it do the close work while a floor lamp handles the rest. The stone also changes the temperature of a room in a way that is hard to photograph. Beige limestone next to white plaster warms the whole wall by a shade, and it sits comfortably with oak, linen, wool and unglazed ceramics. Against high gloss kitchens and cool grey it supplies the contrast those rooms usually lack.\u003c\/p\u003e\u003cp\u003eMost stone pendants at this size are a thin stone veneer wrapped around a plastic or metal core, and you can tell by the weight and by the way the seam runs. The Muzay is solid travertine turned as a single piece, which is why it costs what it does and why the pores continue around the body without interruption. That solidity is also the reason the light is so controlled: there is no leakage through a shell, only the opening at the bottom and the faint halo at the rim. The design itself is deliberately reticent. No visible fixings, no decorative collar, no colour beyond what the quarry supplied. It is a shape that dates from nothing in particular and therefore ages badly nowhere, which is the point of buying stone rather than a finish. Travertine cannot chip its coating because it has none, and a mark on the surface can usually be taken back with a soft cloth. This is a lamp for someone furnishing slowly, who already owns one or two good pieces and wants the lighting to sit under them rather than compete with them. It suits Japandi and warm minimalist rooms, and it is the right call if you want a single quiet object above a table instead of a cluster. If you want a fixture that people comment on immediately, buy something else.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine body with glass diffuser\u003c\/li\u003e\n\u003cli\u003eDimensions: 330 x 120 x 120 mm\u003c\/li\u003e\n\u003cli\u003eLight source: G9 LED, included\u003c\/li\u003e\n\u003cli\u003eLuminous flux: 249 to 2000 lumen\u003c\/li\u003e\n\u003cli\u003ePower supply: AC 90 to 260 V\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendant\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eNote: natural stone, veining and pore pattern vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018288455,"sku":"FBC-TRV-004","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_183334_ba76a2c6-e4ad-46ce-904c-7af3e77a26ed.png?v=1787418995"},{"product_id":"eu-jama-tafellamp","title":"Yama Travertine \u0026 Opal Glass Table Lamp","description":"\u003cp\u003eYama is a table lamp made from two materials chosen for the way they handle light rather than for how they photograph. The base is a solid block of travertine, a sedimentary stone formed slowly around mineral springs, and it carries the evidence of that history on its surface: open pores scattered across the face, faint horizontal banding where the layers built up over time, colour shifting between cream, sand and pale ochre within a single block. The stone is cut, never cast, so no two bases are identical, and the pores catch a shallow shadow at their edges whenever light rakes across them. Above the base sits a rounded shade in opal glass. Opal is not clear glass with a coating sprayed on the inside; the milkiness runs all the way through the material, which means the bulb disappears completely and the shade itself becomes the light source, an even glowing form with no hot spot and no visible filament. What you get is a diffuse warm pool rather than a beam, the kind of light that flatters a room after dark instead of exposing every surface in it. The fitting is a standard E27, so the character of the light is partly yours to decide: a warm bulb around 2700 K for a soft evening glow, or something with more output if the lamp has to work harder. The lamp measures 22 x 22 x 19 cm.\u003c\/p\u003e\u003cp\u003eYama belongs on the surfaces at the edge of a room rather than in the middle of the action. On a living room sideboard it does the job an overhead fixture never manages: it lights the wall behind itself, throws a soft halo across whatever stands nearby, and gives the eye somewhere warm to rest once the ceiling light is switched off. Put one at each end of a long console and the whole wall starts to read as deliberate. In a bedroom it works as a proper bedside lamp, compact enough at 22 cm wide to leave space for a book and a glass, and diffuse enough that it never throws a hard bright edge onto the ceiling while you read late. In a home office it sits well beside a monitor, where the glowing shade softens the contrast between a bright screen and a dark room and makes long evening sessions noticeably easier on the eyes. The stone base is heavy, which matters on a narrow nightstand or a shelf, where a lightweight lamp shifts every time you brush past it. Visually the lamp does something specific to a room: travertine reads as warm and mineral, so it grounds interiors built around pale walls, oak floors and natural textiles, adding real texture without introducing another colour into the scheme.\u003c\/p\u003e\u003cp\u003eThere is a lot of travertine-look lighting on the market, most of it a printed film or a stone-effect resin wrapped over a hollow core. Yama uses the actual stone, and you can tell within seconds of picking it up. Real travertine is cold on first contact, warms slowly in the hand, and shows pores that continue down into the material instead of stopping at a printed surface. It is also honest about ageing. Stone does not peel or discolour, it simply keeps its surface, and small differences in tone from one block to the next are a property of the material rather than a fault in the batch. The second reason to choose this particular lamp is the E27 fitting. Integrated LED units are fixed for life, and when the diode finally dims, the lamp is finished with it. Here you change a bulb, which means you can retune the mood of the room at any point by swapping colour temperature or brightness. Yama suits people furnishing in a Japandi, minimalist or warm modern direction who want one substantial natural object per surface instead of several small decorative ones. It also suits anyone who has bought cheap lighting before, found that it looked thin in daylight, and would now rather buy a single piece with genuine weight and keep it for a decade.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine base, opal glass shade\u003c\/li\u003e\n\u003cli\u003eLight source: E27 fitting\u003c\/li\u003e\n\u003cli\u003eType: table lamp\u003c\/li\u003e\n\u003cli\u003eDimensions: 22 x 22 x 19 cm\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, Japandi\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores, banding and colour vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018321223,"sku":"FBC-TRV-005","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_120107_4e93191f-96bf-415b-9955-99b648f5c5a1.jpg?v=1787418995"},{"product_id":"eu-calira-goude-marmeren-wandlamp","title":"Calira Black Marble Wall Light","description":"\u003cp\u003eThe Calira is a slim cylinder of solid black marble carried on a small metal wall base. Marble is a compressed limestone, and its calcite veining is the record of that pressure: here it runs through a near black ground as pale grey and white seams, some no wider than a thread, others opening into broader drifts that cross the whole tube. The surface is polished, so it stays cool under the hand and picks up a quiet reflection of whatever stands opposite. Because the cylinder is turned from solid stone rather than wrapped in stone veneer, the veining continues around the back of the tube where nobody looks, and the edges show the same pattern in section. The 12 watt LED sits inside and is never visible. Light escapes from the open top and bottom of the cylinder in two cones, so the fixture draws a long soft column on the wall behind it rather than lighting the room in general. Close to the stone that column is bright and narrow, then it widens and fades. At the point where the beam leaves the tube, a little of it catches the polished rim, which puts a thin bright line on the edge of the marble. Off, the piece reads as a dark solid bar. On, it looks like a lit seam in the wall.\u003c\/p\u003e\u003cp\u003eThis is architectural light rather than task light, so place it where a wall is worth drawing on. In a living room it is at its best on a chimney breast, beside a tall bookcase, or flanking a doorway in a pair, where the two vertical columns of light frame the opening and give a flat wall a rhythm it did not have. The upward cone lifts the ceiling line and the downward cone anchors the piece, so a single unit on a large empty wall still feels deliberate rather than lost. In a bedroom, mounted just above the height of a bedside table, the downward cone lands roughly where a book would be and the upward cone keeps the rest of the room dim. That split makes it a genuinely useful bedside fitting for anyone who reads while someone else sleeps. In a hallway, run two or three along one side at even spacing and the corridor stops feeling like a passage and starts feeling like a room. Black marble does something specific to a wall colour: against off white it is a hard graphic full stop, against deep green, navy or charcoal it almost vanishes in daylight and reappears only when lit. Warm timber floors and brass hardware take to it especially well.\u003c\/p\u003e\u003cp\u003eThe reason to choose Calira over a painted metal tube of the same shape is that the material is doing all the work. There is no shade, no decorative bracket and no visible fastening to distract from a single turned cylinder, so the veining has nowhere to hide and has to be good. Solid marble also means weight and a cold, dense feel that reads immediately as real the first time you touch it, which is the part no photograph transmits. The integrated LED removes the usual weak point of a minimal wall light, where a visible bulb ruins the line the designer drew, and the wide 85 to 260 volt input means it runs anywhere on European mains. Practically, it is a fixture with almost no maintenance: nothing to dust inside, no glass to clean, one wipe with a dry cloth. It suits someone building a restrained, material led interior, the sort where a room holds three or four things and each one has to be worth looking at. It will not suit a room that needs brightness from the walls, because the output is deliberately directional and atmospheric. Every tube is cut from a different block, so the veining you receive is yours alone, and slight variation between two units bought as a pair is the nature of the stone rather than a fault.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid natural marble and metal\u003c\/li\u003e\n\u003cli\u003eColour: black marble with natural veining\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, 12W\u003c\/li\u003e\n\u003cli\u003eVoltage: AC 85-260V\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted, up and down light\u003c\/li\u003e\n\u003cli\u003eEvery cylinder carries a unique vein pattern\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018353991,"sku":"FBC-GEN-001","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260308_132433_d3b9af46-ef99-476a-916e-c155b9a42b81.png?v=1787418996"},{"product_id":"eu-kaito-travertine-plafondlamp-kopie","title":"Kaito Travertine Ceiling Light","description":"\u003cp\u003eKaito is a compact ceiling light built from a single cylinder of sand yellow travertine with a frosted opal glass lens closing the underside. The stone is cut across the bed, so each cylinder shows the horizontal drift that travertine forms as it settles: pale straw bands, warmer ochre bands, and the small irregular voids that are the signature of the material. Those pores are left open rather than filled and polished flat, which gives the surface a dry, chalky touch and a matte reflectance that never throws a highlight back at you. At twelve centimetres square and fourteen centimetres tall the body is deliberately small, closer to a bollard than to a dome, and it sits tight against the ceiling with no visible hardware to interrupt the silhouette. The opal glass underneath diffuses through its full thickness, so the light source vanishes and the disc reads as one even luminous plane. Because that glass sits flush in the base of the cylinder, the beam leaves in a wide, soft cone rather than a hard shaft, and the pool it makes on the floor fades out at the rim instead of ending in a line. The stone walls pick up a little of the same light and glow faintly from inside along the lower edge, a warm halo about a finger wide that makes the cylinder look lit rather than merely illuminated.\u003c\/p\u003e\u003cp\u003eA hallway is where this shape earns its keep. Corridors are usually the narrowest part of a home and the least forgiving of a large fixture, and Kaito solves that by taking almost no headroom while still giving the ceiling a real object to hold. Run two or three of them down the length of a hall and the stone repeats like stepping stones, warming a space that would otherwise be a pass-through. In a bedroom it works as the general layer above the bed, quiet enough that you can look straight up at it from the pillow without discomfort, and warm enough that the room reads as restful the moment the switch goes on. Over a kitchen work zone or in a pantry it delivers clean, shadow-soft task light without the visual bulk of a pendant, which matters when the ceiling already carries extractor hoods and cabinet lines. It is equally at home on a landing, in a walk-in wardrobe, or in a small utility room. In every one of these rooms the effect is the same: the beige of the stone pulls the colour temperature of the whole space toward warm, plaster and wood look softer, and cool grey paint gains a touch of life it does not have under a plain white fixture. The scale suits ceilings that are ordinary rather than grand.\u003c\/p\u003e\u003cp\u003eSmall ceiling lights are usually where interiors give up. The market is full of plastic domes, chrome rings and thin metal discs chosen because nobody looks at the ceiling, and they quietly cheapen a room that has been carefully finished everywhere else. Kaito is the argument against that. It puts a genuine piece of quarried stone in the place where most homes put something disposable, at a size that suits real corridors and low ceilings rather than showroom halls. Because each cylinder is cut from natural travertine, the banding and pore pattern belong to that block alone; buy three for a hallway and you get three related but distinct pieces, which is exactly what keeps a repeated fixture from looking mass-produced. The sand yellow tone is the warmest end of the travertine range and pairs naturally with oak, rattan, linen, lime plaster and unlacquered brass, so it slots into Japandi, Mediterranean and warm minimalist schemes without argument. It is for the person renovating an apartment who has spent the budget on floors and walls and refuses to finish the job with something cheap overhead, and for anyone who wants the ceiling to feel considered without the room having to be tall. Compact enough for a hall, quiet enough for a bedroom, and made from a material that only looks better as the years pass.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: natural yellow travertine (natural stone), cylindrical\u003c\/li\u003e\n\u003cli\u003eDiffuser: opal milk glass\u003c\/li\u003e\n\u003cli\u003eDimensions: 12 cm length x 12 cm width x 14 cm height\u003c\/li\u003e\n\u003cli\u003eColour: sand yellow \/ beige with natural banding\u003c\/li\u003e\n\u003cli\u003eLight character: warm, fully diffused, wide soft cone\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, sits flush against the surface\u003c\/li\u003e\n\u003cli\u003eSuited to low ceilings and narrow corridors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018452295,"sku":"FBC-TRV-006","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260731_130357_7b8888a8-e055-47a6-850e-f92720347e47.png?v=1787418998"},{"product_id":"eu-tomi-ronde-travertine-plafondlamp","title":"Tomi Round Travertine Ceiling Light","description":"\u003cp\u003eThe Tomi is a small round ceiling light built from a ring of natural yellow travertine and a globe of milk glass held inside it. Travertine is a spring-formed limestone, and the yellow variety carries a sand-toned body crossed by darker mineral bands, with the open pores that give the stone its name in the trade: a honed surface that still shows the small pits and channels left by the water it grew in. The ring is cut from solid stone, not clad, so the pores continue around the rim and the colour shifts slightly from one side of the fixture to the other. Inside it, the frosted glass globe holds the light source out of sight. Because the glass is diffusing rather than clear, the sphere lights evenly and throws light in every direction, including sideways onto the ceiling around the fitting, which softens the shadow line that most flush lights cast. Under the globe you get a warm, even wash rather than a hard spot, and looking up at it there is no bright point to squint at. At sixteen centimetres in each direction the whole fixture is compact, so it sits close to the ceiling and reads as a small stone ring with a lit centre.\u003c\/p\u003e\u003cp\u003eTomi is made for the rooms where a pendant will not fit. In a hallway with a standard ceiling height, anything that hangs gets in the way of a door swing or a tall person; a flush fitting sixteen centimetres deep does not, and because the light goes sideways as well as down it lifts the whole corridor instead of leaving dark ends. On a landing or a stairwell head it does the same job and stays out of reach of anyone carrying something up the stairs. In a bedroom it works as the general layer above the room, warm enough that switching it on at night does not feel clinical, and quiet enough overhead that it does not become the first thing you look at from the bed. In a small kitchen or a utility corner it gives usable all-round light without the grease trap of an open shade. The sand-yellow stone reads warm against white plaster and warmer still against clay or beige walls, and it pairs naturally with oak, cane and brushed metal fittings. Because the stone is honed rather than glossy, it does not reflect daylight from a window and looks the same at noon as it does at night, which matters in a hall where the fixture is in view all day.\u003c\/p\u003e\u003cp\u003eThe small round ceiling light is usually the most disappointing fitting in a house: a plastic or pressed-metal disc chosen because something had to go there. Tomi replaces that with a piece of cut stone, and the difference shows most in the places you pass through rather than sit in. The travertine ring gives the fixture real thickness and a visible edge, so it looks like an object fitted to the ceiling rather than a cover screwed over a hole. Every ring comes out of a different part of the block, which means the depth of the yellow, the run of the banding and the size of the open pores change from piece to piece; two Tomis fitted in the same hallway will not match exactly, and that is the point of using real stone. Practically, it is easy to live with. There is no hanging cord to align, nothing to swing, and the milk glass wipes clean. It suits flats and houses with normal ceiling heights, renovation projects where every hallway and landing needs a fitting and none of them should look cheap, and anyone building a Japandi or warm minimal interior who wants the same material language overhead as on the floor and furniture. Buy several and treat the small ceiling light as a finish rather than an afterthought.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural yellow travertine (natural stone) and milk glass\u003c\/li\u003e\n\u003cli\u003eDimensions: 16 x 16 x 16 cm\u003c\/li\u003e\n\u003cli\u003eColour: sand-yellow travertine\u003c\/li\u003e\n\u003cli\u003eDiffuser: frosted globe, light spread in all directions\u003c\/li\u003e\n\u003cli\u003eMounting: flush ceiling mount\u003c\/li\u003e\n\u003cli\u003eLight: warm, soft and even\u003c\/li\u003e\n\u003cli\u003eFinish: honed natural stone, pores and banding vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018485063,"sku":"FBC-TRV-007","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260731_124749_acc4e850-ba45-4165-99b3-281d358dd385.png?v=1787419000"},{"product_id":"eu-mito-travertine-plafondlamp-2","title":"Mito Travertine Ceiling Light","description":"\u003cp\u003eThe Mito is a short travertine cylinder mounted flat against a wooden ceiling plate, available with the plate in oak or in walnut. The shade is solid natural stone rather than a veneer, and the block it comes from has a noticeably deep grain: travertine is laid down in bands over long periods, and cutting across those bands exposes open pores and lines that run around the body. Where the wall of the cylinder is thinnest the beige turns faintly translucent, which is why the switched on lamp glows through the stone itself and not only out of the opening. The wooden plate is the second half of the design. Oak gives you a pale, straight, open grain that keeps the whole fixture light and Scandinavian in feel; walnut is darker and browner, with more figure, and it grounds the stone instead of matching it. Both are real timber, so the plate carries its own variation. Because the body is compact the light stays soft and close: a wide, low pool directly beneath, fading quickly rather than throwing across the room. There is no glare from below unless you stand under it and look straight up. Every piece differs, since the stone is quarried rather than manufactured, and the difference between two Mito lamps hung side by side is visible and entirely intentional.\u003c\/p\u003e\u003cp\u003eThis is the lamp for a ceiling you can almost touch. In a hallway with a low soffit, or a bedroom in a converted attic, a pendant is either in the way or hangs at head height. The Mito solves that by sitting flush and still bringing texture to a surface that is usually flat white. Along a corridor, three or four of them in a line give you rhythm and enough working light without a single harsh fixture, and the wooden plate breaks up the white plaster in daylight when the lamp is off. In a bedroom it produces the general light you actually want in a bedroom, which is dim, low and warm rather than clinical, especially with the plate matched to the bed frame or the floor. In a living room it earns its place as accent lighting rather than the main source: put it over a reading corner, a shelf run or a picture and let it wash the wall behind. It also handles the space above a stairwell landing, where a hanging fixture would swing every time someone passes. What the Mito does to a room is subtle. It replaces a white disc on a white ceiling with two natural materials at noticeable scale, and that alone is enough to make the ceiling feel considered instead of ignored.\u003c\/p\u003e\u003cp\u003eThe reason to choose Mito over a standard flush fitting is that both components are honest. The stone is solid travertine, thick enough to have real weight and real depth in the pores, and the plate is genuine oak or walnut rather than a printed foil. That matters over time. A painted metal ceiling light looks new for two years and tired afterwards; stone and wood simply get older, which they do gracefully. The deeper grain in this particular stone is the point of difference against smoother, more uniform travertine, and it is worth choosing deliberately if you want the material to be obvious rather than discreet. Pick oak if your room is pale and you want the fixture to disappear into the ceiling until you look at it properly. Pick walnut if the room already has dark timber, or if you want the light to read as a small dark anchor overhead. This suits a buyer who has low ceilings, dislikes recessed spots, and does not want a plastic ring light, but who also does not want a fixture that shouts. It is a considered replacement for something forgettable. If you need a lot of lumens covering a large room from a single point, this compact body is not the right tool, and a pendant or a multi point layout will serve you better.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, solid wood ceiling plate\u003c\/li\u003e\n\u003cli\u003eWood options: oak or walnut\u003c\/li\u003e\n\u003cli\u003eMounting: flush ceiling mount, suitable for low ceilings\u003c\/li\u003e\n\u003cli\u003eShape: compact cylinder, downward light\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and wood, grain and colour vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018517831,"sku":"FBC-TRV-008","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_114053_d8a1c37a-163d-407a-90a8-36dee93e82b6.jpg?v=1787418998"},{"product_id":"eu-matsuya-travertine-tafellamp-1","title":"Matsuya Travertine Table Lamp","description":"\u003cp\u003eMatsuya is a small table lamp with a body of travertine and a softly glowing rounded glass diffuser, and at 20 cm tall with a 10 cm diameter it is deliberately compact. Travertine is a limestone laid down around warm mineral springs, and that process leaves it full of small open pores and faint horizontal banding that runs through the block rather than sitting on the surface. On a piece this size the texture is close to the eye, so you notice it: the shallow pits catching a sliver of shadow, the drift from cream through sand to a warmer ochre within a few centimetres, the slightly chalky matt finish stone takes when it is honed rather than polished to a mirror. The glass sits on top and takes over the moment the light comes on. It rounds off the point source and turns it into a small warm sphere, so the lamp reads as one soft glowing form rather than a bulb behind a cover, and there is no glare when you look straight at it from a seat beside it. The E14 LED is included, so nothing needs to be sourced before the lamp works. Because the light is thrown low and wide rather than up at the ceiling, the effect on a dark room is a defined pool rather than general brightness.\u003c\/p\u003e\u003cp\u003eThe size decides where this lamp goes. On a bedside table it takes up almost nothing, leaving room for a book, a phone and a glass of water, and its low warm output is the right level for the last half hour before sleep rather than for reading fine print. On a side table beside a sofa it does the same job for the living room, marking a corner with warmth so the space does not collapse into a single overhead light. On a desk it works as a secondary source: not a task lamp, but the thing you switch on beside a screen so your eyes are not jumping between a bright display and a dark wall. It also suits the awkward places most lamps are too large for, such as a narrow hallway console, a windowsill, a shelf in a home office or the top of a bookcase. Because the base is stone it has real weight for its footprint, so it does not skate across a smooth surface when the cable is tugged. In a room with a lot of white and pale wood, the mineral warmth of travertine gives the eye a textured surface to land on, and it pairs particularly well with linen, ceramics, wool and unfinished oak. Two of them in one room, at different heights, work better than one.\u003c\/p\u003e\u003cp\u003eSmall lamps are usually where manufacturers cut corners, because nobody expects much from an object this size. Matsuya is the opposite case: it is solid stone at a compact scale, which is harder to make than a large piece, because the block has to be cut and hollowed without cracking. That is also why it feels unexpectedly heavy the first time you lift it. Every lamp comes from a different section of travertine, so the density of the pores, the direction of the banding and the exact tone vary between units. Two standing side by side will be visibly related but never identical, which is the whole point of buying stone rather than a printed finish. The included E14 LED means the lamp is usable within a minute of unpacking, and because that is a standard socket rather than a sealed unit, the lamp outlives the bulb. This one suits people who already own a large light in the room and need the small warm one that completes it, anyone furnishing a small flat where a full size table lamp would dominate, and anyone looking for a gift with real material substance at a sane price. It is also the easiest way into natural stone lighting if you want to see how travertine behaves in your own rooms first.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine and glass\u003c\/li\u003e\n\u003cli\u003eLight source: E14 LED, included\u003c\/li\u003e\n\u003cli\u003eType: table lamp\u003c\/li\u003e\n\u003cli\u003eDimensions: H 20 cm x diameter 10 cm\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018550599,"sku":"FBC-TRV-009","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_123457_630fc31b-f63d-4df9-9f55-3ae9f3512e26.jpg?v=1787418999"},{"product_id":"eu-mooz-travertine-tafellamp","title":"Mooz Travertine and Opal Glass Table Lamp","description":"\u003cp\u003eThe Mooz sets a rounded opal glass shade on a solid travertine base, and the whole lamp stands 320 millimetres tall with a diameter of 250 millimetres. The two materials are chosen for opposite reasons. Travertine is porous, matte and full of incident: sawn from a bed formed in mineral springs, it carries open pits, a soft horizontal grain and a colour that drifts between sand, oatmeal and pale honey across a single block. Opal glass is the opposite, closed and uniform, with enough milk in it to swallow the bulb completely. Put an E27 lamp inside and you see no filament, no hot spot and no reflection of the socket, only a shade that glows evenly from edge to edge like a small moon set on a rock. Because the glass is round and the light leaves it in every direction, a good part of the output falls straight down onto the stone. That is worth watching: the beam strikes the travertine at a steep angle, drops shadow into every pore, and turns a base that looks quite plain in daylight into something textured and alive after dark. The lamp weighs what real stone weighs, so it stays where you put it, and the base is broad enough that it does not tip if a sleeve catches the shade.\u003c\/p\u003e\u003cp\u003eAt 32 centimetres this is a bedside lamp before it is anything else. The height puts the glowing shade just above the level of a pillow, which is exactly where you want diffuse light for reading and exactly where a bare bulb would be unbearable. Opal glass solves that: the surface brightness is low, so you can look straight at it without flinching, and the light it gives is broad enough to reach a book without waking the other side of the bed. In a living room it works as a side table lamp on a console or a low cabinet, where its job is not to light the room but to put a warm point of interest at seated height so the ceiling fixture can stay off all evening. Three or four such points around a room will do more for the atmosphere than any single overhead ever does. In a home office it sits nicely at the back corner of a desk, lifting the wall behind a screen so your eyes are not swinging between a bright display and a black room, which is the usual cause of evening screen fatigue. It also suits a hall console or a windowsill, where the daylight side of the stone and the lit side of the glass give you two different objects at two different times of day.\u003c\/p\u003e\u003cp\u003eWhat separates Mooz from the many stone based table lamps now on the market is proportion. The glass sphere is large relative to the base, so the lamp reads as a light object resting on a heavy one rather than as a decorative pebble with a bulb stuck on top, and that slight top heaviness is what gives it presence on a table. The E27 socket is the second reason to choose it. An integrated LED locks you into one colour temperature forever, whereas here you pick the bulb, which means you can run a warm 2200 kelvin lamp for evenings, a brighter 2700 kelvin for a working desk, or a dimmable model if your socket allows it, and replace it in ten seconds when it fails. The travertine base is not veneered or reconstituted, so the pattern runs through it and the chipped or filled pores that stone people look for are present and honest. It is a lamp for someone assembling a Japandi or quiet modern interior who wants natural material at close range, where hands and eyes actually meet it, rather than as a distant ceiling gesture. Expect variation in stone tone between individual lamps, and expect the base to feel considerably heavier than it looks.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine and opal glass\u003c\/li\u003e\n\u003cli\u003eDimensions: height 320 mm x diameter 250 mm\u003c\/li\u003e\n\u003cli\u003eLight source: E27 socket\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, Japandi\u003c\/li\u003e\n\u003cli\u003eSolid stone base, no two identical\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018616135,"sku":"FBC-TRV-010","price":799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_121749_f471a5e5-40d5-45c7-b5bd-36eb28a52e92.jpg?v=1787419000"},{"product_id":"eu-muzai-travertine-hanglamp-set","title":"Muzai Travertine Pendant Set","description":"\u003cp\u003eMuzai is a set of slender cylindrical pendants, each shade turned from a solid piece of travertine and hung from an adjustable cord against a dark ceiling plate. The proportion is the first thing you notice: the cylinders are narrow and tall rather than wide, which is a Japanese habit of drawing, and it makes a group of them read as a line of vertical marks rather than a row of bowls. The travertine itself is warm beige, banded and openly porous, and the walls of the cylinder are thick enough that the stone stays opaque; light does not pass through it, it leaves at the open bottom. That gives Muzai a directional beam, a defined warm circle beneath each shade with a clean edge, which is unusual in a stone lamp and is what makes it useful over a work surface. The dark ceiling plate is deliberate contrast, a small hard shadow at the top of the drop that pushes the pale stone forward and makes the cord read as a drawn line rather than a cable. Walnut is used at the fitting, its close brown grain sitting between the black plate and the beige stone as the middle tone. Switched on, the interior of each cylinder glows faintly at the rim while the stone body stays matte and quiet.\u003c\/p\u003e\u003cp\u003eA set of pendants asks a different question from a single lamp: not where does it go, but how do they space. Over a kitchen counter or an island, Muzai works hung in a line at even intervals, dropped low enough that the beam lands on the worktop and the shade sits just below eye level for someone standing. The narrow diameter matters here because it keeps sightlines open across the room, so the kitchen still reads as one space rather than being screened off. In an entrance hall a pair of them flanking a console table gives you two pools of light on the surface where keys and post land, and the vertical cylinders read as sculpture next to a mirror. Beside a bed the adjustable cord earns its place: you can set one at reading height on each side, hung close to the wall so the beam falls on the page instead of the room, and the nightstand stays clear. In a stairwell they hang at staggered lengths and make the drop visible. In every case the directional beam is the tool. This is a lamp for lighting specific surfaces rather than filling a room evenly, and it works best alongside a softer general light that carries the corners.\u003c\/p\u003e\u003cp\u003eMuzai is an ode to Japanese minimalism, and that shows in what has been removed rather than what has been added. There is no shade rim, no decorative collar, no visible fastening, just stone, cord and plate. The result belongs naturally in Japandi and wabi-sabi interiors, where the value sits in material honesty and in the acceptance that a natural surface is irregular. Travertine is the right stone for that conversation, because its pores are not flaws to be filled but the record of how the rock formed, and each cylinder carries its own pattern of them. Buying a set rather than a single lamp is the sensible route here: the pieces are related by shape and vary by stone, so a group looks composed rather than repeated, and you get the rhythm that a single pendant cannot produce. The adjustable cord means you can commit to the set before you have decided on the exact drop, then tune it once the furniture is in place. It suits a serene, pared-back interior with wood floors and plaster walls, and it suits anyone who prefers a lamp that does one thing precisely over a fixture that tries to light everything at once. Each lamp arrives complete with its light source and ceiling plate.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid travertine natural stone, slim cylinder\u003c\/li\u003e\n\u003cli\u003eDetail: walnut wood\u003c\/li\u003e\n\u003cli\u003eCeiling plate: dark finish\u003c\/li\u003e\n\u003cli\u003eLight character: warm and directional, focused downward beam\u003c\/li\u003e\n\u003cli\u003eCord: adjustable drop height\u003c\/li\u003e\n\u003cli\u003eSold as a set of pendants\u003c\/li\u003e\n\u003cli\u003eIncluded: lamp, light source and ceiling plate per pendant\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018976583,"sku":"FBC-TRV-011","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260128_100105_df790db3-47a3-4d85-96f8-aa7d7d1b912b.png?v=1787419003"},{"product_id":"eu-jaza-ronde-travertine-hanglamp","title":"Jaza Round Travertine Pendant Light","description":"\u003cp\u003eThe Jaza is a round travertine pendant reduced to one shape and one material. The shade is a solid disc of natural travertine, twenty centimetres across and twelve high, turned so the profile curves gently from the rim to the centre. Travertine is formed in mineral springs, so the block it comes from is full of veins and small open cavities, and the turning process cuts straight through them: what you see on the finished surface is the inside of the stone, a warm beige body crossed by paler and darker bands with pores scattered across the face. Where the stone is thinnest at the rim, the edge picks up a faint glow when the lamp is on. The light itself is directed downward out of the open underside, so the disc works as a shade in the literal sense and keeps the source hidden from anyone standing beside it. Above the shade, the ceiling cap is turned from wood, a small warm detail at the point where the fixture meets the plaster, and the cord is adjustable up to one hundred and fifty centimetres, so the drop can be set for a low table or a high ceiling. The finished object is closer to a bowl than to a lamp, which is exactly the impression it should give.\u003c\/p\u003e\u003cp\u003eJaza was designed for the table. Hung sixty to seventy-five centimetres above a dining top, the disc puts a clean circle of warm light on the surface, holds it there, and leaves the rest of the room to whatever else is lit. That contrast is what makes an evening table feel like a place rather than part of the room, and it is why a directed shade beats a diffusing globe over a table. Over a kitchen island the same drop gives working light without lighting the ceiling, and the stone stays comfortable to look at from the far side of the counter because there is no visible source. In a living room, hung lower in a corner beside a chair, it becomes a reading light with a fixed pool underneath it, and the wood cap keeps the connection to the ceiling from looking industrial. The material sets the tone in all three rooms: beige stone with visible pores sits naturally next to oak, paper, wool and plaster, and reads calm rather than decorative. Fit two or three in a row over a long table if the table is more than one hundred and sixty centimetres, spaced evenly, so the pools of light overlap slightly and no seat sits in the gap between them.\u003c\/p\u003e\u003cp\u003eThere are many round pendants at this size and most of them are spun metal painted to look warm. Jaza is cut stone, and the difference is obvious from underneath, where you see actual mineral structure instead of a coating. Because the disc is solid travertine it has real mass, so it hangs still, it does not ring when something knocks it, and the shape holds up from every angle rather than only head-on. It also means every one is different. The banding may run flat across the face or tilt, the pores may cluster on one side, and the beige may lean warmer or greyer; a photograph can only show one example. The adjustable cord is more useful than it sounds, because table pendants are almost always hung too high, and having a hundred and fifty centimetres to work with lets you get the shade down where it actually shades. It suits Japandi, Scandinavian and modern interiors built on natural materials, and it suits anyone who wants one clear object over the table rather than a cluster of small fittings. If you are furnishing a dining room from scratch, this is the piece to choose first, since the table then gets its position from the light.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine with wooden ceiling cap\u003c\/li\u003e\n\u003cli\u003eShade dimensions: 20 cm diameter x 12 cm high\u003c\/li\u003e\n\u003cli\u003eCord: adjustable up to 150 cm\u003c\/li\u003e\n\u003cli\u003eLight: directed downward from the open underside\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling cap\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, veining and pores vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019009351,"sku":"FBC-TRV-012","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/image_15.jpg?v=1787419002"},{"product_id":"eu-mirella-travertine-hanglamp","title":"Mirella Travertine Pendant Light Medium","description":"\u003cp\u003eThe Mirella in its medium size is a single cylindrical shade cut from solid travertine, hung from a slim wooden fitting. The stone is a warm beige natural limestone with the open, pitted texture travertine is known for, and a fine banding that runs around the cylinder where the original sediment layers were cut through. It is a surface that rewards a second look: matte, slightly irregular, catching daylight differently at each hour rather than reflecting it back flat. The wooden fitting above the shade is the deliberate contrast, a warm, fine grained timber against cool, porous stone, and the two materials meet without a metal collar or visible screw between them. Light leaves the shade downward in a controlled column. Because the walls are solid stone, nothing escapes sideways, so you get a defined circle on the surface below and a room that stays comparatively dark around it. That is the quality people mean when they say a lamp is atmospheric: high contrast between the lit zone and everything else. The set arrives complete with one lamp, one light source and one ceiling cap, so there is nothing else to buy. Mirella is offered in several drop heights, which matters more than it sounds when you are hanging over a specific piece of furniture at a specific ceiling height.\u003c\/p\u003e\u003cp\u003eThe medium Mirella is sized for the jobs a single pendant does best. Over the end of a kitchen island or a breakfast bar it gives you a working pool of light at exactly the right diameter, close enough to be useful for chopping and far enough above the counter that it does not sit in your eyeline. Over a small dining table for two or four it centres the whole arrangement, and the dark ceiling around the fitting makes the table feel like its own room after dark. Beside a bed, hung on a long drop in place of a nightstand lamp, it frees the whole surface of the nightstand and puts the light where a book is, not where a glass of water is. In a living room it is best used low, over a side table or a plant, rather than stranded in the centre of the ceiling. What the stone does to the room is a warming effect: beige limestone reads as sunlight even at night, and it stops a room of white walls and pale wood from tipping into coldness. It also settles disagreements between materials, sitting equally well next to oak, brushed steel, linen and dark clay.\u003c\/p\u003e\u003cp\u003eA single medium pendant is the version to buy when you want one clear gesture rather than a composition. Mirella is also sold as a bundle of two or three, and those are the right answer over a long island or a long table, but a lot of rooms are actively spoiled by a cluster where one lamp was enough. Buy the medium single if you have one spot that needs light and you would rather that spot be handled with a good object than three cheap ones. The reason to choose this over a mass produced stone lamp is the shade: solid travertine, cut and finished as one piece, with pores that are visibly open rather than filled with resin to look uniform. Uniformity is exactly what you are not paying for. The natural variation means the piece you hang is a specific piece of stone, and if you later add a second one the pair will not be twins, which is the honest result of using quarried material. It suits Japandi, warm minimalist and slow furnished interiors, and anyone tired of black metal fixtures. If your room needs bright even light across a wide area, this focused downward pendant is the wrong tool.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine natural stone shade, wooden fitting\u003c\/li\u003e\n\u003cli\u003eSize: medium\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling cap\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, directed downward light\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendant, available in several drop heights\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone, colour and texture vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019107655,"sku":"FBC-TRV-013","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_101440_96380d17-f6e7-4f85-a18a-e087442c1267_1.jpg?v=1787419004"},{"product_id":"eu-mito-travertine-plafondlamp","title":"Mito Travertine \u0026 Oak Ceiling Light","description":"\u003cp\u003eMito is a compact ceiling light that puts two natural materials directly against each other: a cylindrical shade cut from solid travertine, and a flat ceiling plate turned from oak or walnut. The stone is the part you notice from below. Travertine forms in layers around mineral springs, so a cut block shows open pores and a deep, visible grain running through it, and no two cylinders leave the workshop looking the same. Held against a white ceiling, the beige and sand tones read warm rather than grey, and the pores give the surface a texture that plaster and paint never have. The wooden plate is the quieter half of the design. Oak brings a pale, open grain that keeps the whole fixture light; walnut runs darker and browner and gives more contrast against the stone. Light leaves the cylinder downwards, so instead of flooding the room evenly the fixture drops a defined warm pool beneath itself while the lower rim of the stone picks up a soft edge glow. The overall form is short and cylindrical, which is a practical decision rather than a stylistic one: it means the light sits close to the ceiling and takes up almost no vertical space in a room that has none to give away.\u003c\/p\u003e\u003cp\u003eThis fixture is made for rooms with low ceilings, and that is a much larger group of rooms than most lighting catalogues admit. In a hallway a hanging pendant is simply in the way, while a flat plastic disc reads as a builder's default; Mito sits close to the ceiling but still has the presence of a solid object, so the corridor gets a proper sequence of warm pools rather than one flat wash. In a bedroom it works over the centre of the room or offset above a chest of drawers, where the downward light is soft enough not to be harsh when you switch it on at night. In a living room it works best as accent lighting rather than as the only source, marking a reading corner or an alcove and leaving the rest of the room to lamps at lower levels. It also suits attic rooms with sloping ceilings, entrance halls, walk in wardrobes and the top of a staircase, all places where headroom rules out anything that hangs. Because the fixture combines stone with real wood, it settles naturally into interiors that already use oak floors, linen curtains or clay plaster, and it gives a plain white ceiling one point of material interest without turning into a centrepiece.\u003c\/p\u003e\u003cp\u003eThe usual answer to a low ceiling is a flat, featureless fitting chosen because it stays out of the way. Mito solves the same problem without giving up the material. Solid travertine has to be cored and shaped rather than moulded, so the shade is a genuine piece of quarried stone with weight and depth, and the variation between units is real: pore density, banding direction and the exact warmth of the beige all shift from one block to the next. The choice between oak and walnut lets you tune the fixture to the room instead of accepting a single finish, with oak keeping things pale and Scandinavian and walnut pulling the piece towards something warmer and more traditional. This light suits people renovating older flats with limited headroom, anyone furnishing a hallway or landing that has never had a decent fixture, and buyers who want ceiling lighting that belongs to the interior rather than a compromise hidden above eye level. It also works well in multiples down a corridor, where the natural variation between stone shades stops a repeated fixture from looking mass produced. Expect the piece you receive to differ from the photographs, because the material guarantees that it will, and that difference is the reason to buy stone in the first place.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, wooden ceiling plate\u003c\/li\u003e\n\u003cli\u003eWood options: oak or walnut\u003c\/li\u003e\n\u003cli\u003eType: ceiling light, close to ceiling mount\u003c\/li\u003e\n\u003cli\u003eForm: compact cylinder, suited to low ceilings\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: grain, pores and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019140423,"sku":"FBC-TRV-014","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_102451_8fbb3ad7-3a66-4209-921c-5d318eb2dc71.jpg?v=1787419005"},{"product_id":"eu-muzai-travertine-hanglamp","title":"Muzai Travertine Pendant Light","description":"\u003cp\u003eThe Muzai is a slim cylinder of solid travertine hung on an adjustable cord from a dark ceiling plate, with walnut used at the fitting. The shade is stone the whole way through, not a stone effect coating, so the sawn edge at the bottom shows the same open pores and pale banding you see on the outside face. Travertine forms in layers around mineral springs, and those layers survive the cut as soft horizontal lines in sand, biscuit and occasionally a rustier brown, with small natural voids scattered through the surface. Because the cylinder is closed at the sides, none of the light passes through the stone. It all leaves from the open bottom in a defined column, which makes this a directional fixture rather than a room filler. The pool it drops is roughly the diameter of the shade at close range and widens gradually below that, with a clean edge and a warm centre. What you get above the shade is a dark cylinder with a single bright ring at its lower rim, and that contrast between the near black ceiling plate, the pale stone and the dark walnut collar is the whole idea: rough against polished, natural against made. The cord is adjustable, so the drop can be set to the ceiling you actually have.\u003c\/p\u003e\u003cp\u003eDirectional light of this kind belongs over a surface, so the strongest place for a single Muzai is above a worktop or a kitchen island end, where the column lands on the counter and leaves the cabinets in shadow. Hung around 70 to 80 centimetres above a work surface it lights hands and boards without shining into the eyes of anyone standing opposite, which is the failure mode of most open bottomed pendants set too high. Beside a bed it replaces a table lamp entirely and gives back the whole surface of the nightstand. Dropped to just above the level of a seated shoulder, the pool falls on the book and not on the sleeping half of the bed, and there is nothing to knock over in the dark. In a hallway, a single pendant over a console makes a small pool of arrival light that is far more welcoming than a ceiling fitting flooding the whole corridor. It also suits a stairwell corner, an alcove or the dead space beside a wardrobe. The stone brings warmth to rooms that tend to run cold in material terms, so it is particularly effective in a kitchen of pale lacquer or a bathroom style bedroom of tile and plaster, where everything else is smooth and nothing else is porous.\u003c\/p\u003e\u003cp\u003eMuzai is a complete fitting rather than a shade you then have to finish. The lamp, the light source and the ceiling plate all come in the box, which matters more than it sounds: solid stone pendants are frequently sold bare, and matching a bulb that suits a narrow cylinder without glaring out of the bottom is a nuisance. The proportions are the second argument. It is deliberately narrow, so it can be used singly without dominating, or repeated in a row without the ceiling looking crowded, and the dark ceiling plate keeps the attention on the stone rather than on the hardware holding it. Every shade is cut from a different section of the bed, so tone varies from a cool grey beige to a warm sand, and the density of the natural voids varies with it. That is the point of the material and not a defect. It is made for interiors that lean Japandi, Wabi Sabi or plainly modern, where the appeal is in honest material and restraint rather than in shape or colour. If you want a pendant that lights an entire room from one point, look at a wider or glass shaded fixture instead. If you want a small warm column of light and a piece of quarried stone hanging in the air, this is it.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural travertine stone and walnut wood\u003c\/li\u003e\n\u003cli\u003eIncluded: lamp, light source and ceiling plate\u003c\/li\u003e\n\u003cli\u003eAdjustable cord length\u003c\/li\u003e\n\u003cli\u003eLight direction: downward\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, Wabi Sabi, minimalist\u003c\/li\u003e\n\u003cli\u003eEvery stone shade is unique\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019173191,"sku":"FBC-TRV-015","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_152302_55465bc3-e95e-440b-9a38-38db7fe1efc2.png?v=1787419006"},{"product_id":"eu-gerini-travertine-hanglamp-3-delig","title":"Gerini Travertine Pendant Set of 3","description":"\u003cp\u003eGerini is a three-piece pendant set, each shade machined from solid travertine and paired with a walnut fitting at the top of the drop. The shades are small and deliberately so, sixty-five millimetres across and one hundred and eighty-five tall, available round or square, which puts them closer in scale to a drinking glass than to a conventional pendant shade. At that size the stone stops being a surface and becomes an object: you see the full height of the banding at once, the warm beige running through paler and darker seams, and the open pores that give travertine its dry, tactile face. The walls stay opaque, so all the light leaves through the open base in a tight, warm cone. Beneath each shade you get a defined circle of light with a soft outer edge, and above it the walnut fitting picks up a little of the spill, its close reddish-brown grain reading as the warmest tone in the piece. The square version squares that circle slightly at the corners and reads more graphic from below; the round version is softer and disappears more readily into a busy ceiling. Grouped, the three shades hang as a set of small solid weights, and the stone keeps its texture visible even when the lamps are switched off.\u003c\/p\u003e\u003cp\u003eThree pendants at this scale are built for a line. Over a dining table they hang along the centre axis, low enough that the beams land on plates and glassware and high enough that they clear sightlines across the table, which is the whole trick with dining light: you want the table lit and the faces around it left in soft shadow. The tight cone does exactly that, putting light where food and hands are rather than washing the whole room. Over a kitchen island the same arrangement gives you three pools that overlap slightly at working height, so the surface reads as continuously lit while the fixtures stay visually small and the cabinetry behind them stays legible. In a living room the set can break formation: hung at three different drops in a stairwell void, over a sideboard, or clustered in a corner above a reading chair, they behave as a small constellation. Because each shade is only a few centimetres wide, the set adds very little visual mass to a ceiling, which matters in rooms with beams, sloping planes or existing track. The stone brings warmth into spaces dominated by hard surfaces, and in a room of glass, tile and lacquer these three small beige weights are often the only soft element overhead.\u003c\/p\u003e\u003cp\u003eMost three-piece pendant sets are sold as one large statement broken into parts, which leaves you committed to a single arrangement. Gerini works the other way. The shades are small, identical in form and independent in fitting, so the set can be lined up over a table today and split across two rooms later without looking broken up. That flexibility is worth as much as the material. And the material is real: solid travertine, cut and finished rather than cast, with the pores left open so the surface stays matte and slightly rough to the fingertip. Because each shade comes from natural stone, the three in a set are cousins rather than copies, differing in banding and in the exact warmth of the beige, which is what stops a repeated fixture from looking industrial. Walnut was chosen over oak at the fitting for its depth, giving the drop a darker anchor and keeping the eye on the stone. The set suits interiors that already work in natural materials and want lighting to follow the same logic, and it suits anyone furnishing a long table or island who would rather buy the full arrangement once than add pendants one at a time and hope the batches match.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid travertine natural stone, round or square\u003c\/li\u003e\n\u003cli\u003eRound dimensions: 65 mm diameter x 185 mm height\u003c\/li\u003e\n\u003cli\u003eSquare dimensions: 65 mm x 65 mm x 185 mm height\u003c\/li\u003e\n\u003cli\u003eFitting: walnut wood\u003c\/li\u003e\n\u003cli\u003eLight character: warm, directional downward cone\u003c\/li\u003e\n\u003cli\u003eSet: three pendants\u003c\/li\u003e\n\u003cli\u003eAvailable in several heights and finishes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019205959,"sku":"FBC-TRV-016","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_223542_df621ef8-2d22-4cce-ae3a-0d9504b34547.jpg?v=1787419005"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-bundel","title":"Mirella Travertine Pendant Set of 2","description":"\u003cp\u003eMirella is a pendant light built around a cylinder of solid travertine, and this listing covers a matched pair of them. The shade is cut from natural stone with a warm beige tone and the open, pitted texture travertine develops as it forms in layers around mineral springs. Because each cylinder comes from a different part of the block, the pores sit differently on every piece, the banding runs at a different angle, and the tone drifts between cream and sand from one shade to the next. Above the stone the fitting is oak, and the pairing does real work: the pale open grain of the wood sits against the denser, cooler surface of the stone so neither material disappears into the other. Light leaves the cylinder straight down, which makes this a directional pendant rather than a room filler. Hung over a surface it lays a defined warm circle across it, and the stone itself picks up a faint glow at the lower rim where the light passes closest to the material. In the medium size each shade measures roughly 120 mm across and 100 mm high, small enough that two of them line up over a table without visually crowding it or blocking the view across the room.\u003c\/p\u003e\u003cp\u003eTwo pendants is the number that suits a kitchen island or a dining table, and that is where this pair belongs. Over an island, hung so the lower rim sits above eye level for anyone standing, they light the working surface directly rather than lighting the whole room, which is the difference between a counter you can comfortably chop on and a counter that is merely visible. Over a dining table, spaced evenly along its length, they put warmth on plates and faces and leave the rest of the room dim, which is exactly the atmosphere you want at dinner and exactly what a single bright ceiling fixture destroys. The same pair also works flanking a mirror in a hallway, on either side of a bed in place of nightstand lamps where the surface is too narrow, or down the length of a breakfast bar. Because each shade is compact, they do not block sightlines across an open plan room, and the downward beam keeps glare out of the eyes of anyone seated opposite. In a kitchen with pale cabinets and stone or timber worktops, the travertine picks up on materials already present in the room instead of fighting with them for attention.\u003c\/p\u003e\u003cp\u003eBuying pendants as a pair matters more than it sounds. Two lights hung together are read as a single gesture, and shades ordered separately can differ enough in tone to look accidental rather than deliberate. Taking them as a set gives you two shades supplied together, so the natural variation between them stays inside the range that reads as genuine stone instead of as a mistake. The material itself is the other argument. Solid travertine has to be cored and finished by hand, which is why the shade has weight and why the pores continue into the surface rather than sitting on top of a printed film. Stone also ages without changing: no yellowing plastic, no flaking paint, no coating that goes dull after a few years of steam above a hob. The oak fitting will darken very slightly with time, which most owners regard as an improvement rather than wear. This pair suits people finishing a kitchen renovation who already have island wiring in place, anyone replacing a single harsh ceiling light over a dining table, and buyers who want warm, material lighting in a room that spends most of its evening life under artificial light. Taken together the pair also costs less than two single pendants bought individually.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, oak fitting\u003c\/li\u003e\n\u003cli\u003eSet contents: 2 pendant lights\u003c\/li\u003e\n\u003cli\u003eMedium size: diameter 120 mm x height 100 mm per shade\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, directional\u003c\/li\u003e\n\u003cli\u003eStyle: modern, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores, banding and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019304263,"sku":"FBC-TRV-017","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_212213_2a1c98a9-ef95-4c3d-b838-6c0024d21798.jpg?v=1787419008"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-bundel-1","title":"Mirella Travertine and Oak Pendant Set of 2","description":"\u003cp\u003eThis bundle is two complete Mirella pendants, supplied with two light sources and two ceiling plates. Each shade is a cylinder of solid travertine, a natural stone with a warm beige ground and a texture that keeps changing as you look at it: fine horizontal banding from the way the stone was laid down in mineral springs, scattered open pores, and here and there a filled void that reads as a small paler patch. The stone is not printed or applied over a metal core, so the cut edge shows the same material as the face and the weight in the hand is unmistakable. Above the cylinder sits a wooden fitting, and that pairing is the reason the piece works: oak has a straight open grain and a light honey tone, travertine has a granular, chalky surface and a cooler beige, so the two warm materials sit next to each other without matching and the contrast keeps the top of the lamp interesting. Light leaves through the open bottom in a controlled downward column, warm and clearly edged, which means the shade itself stays quiet and the light lands where you point it. Because both units come from different sections of stone, the pair will be related rather than identical, which is exactly how natural material should behave when you hang two of it.\u003c\/p\u003e\u003cp\u003eA pair of downward pendants is a dining table solution before it is anything else. Hung along the centre line of a table for four to six, spaced roughly 70 to 80 centimetres apart and set so the bottom of the shade sits about 75 centimetres above the tabletop, the two pools overlap slightly in the middle and cover the table without touching the faces of the people sitting at it. That is the whole trick of good dining light, and a narrow cylinder does it better than a wide dome. Over a kitchen island the same spacing works, with the pools falling on the working surface and the room around them left comfortably dark. In a living room the pair can be split: one over a reading chair, one over a side table or plant, which turns a single purchase into two separate pockets of light in one room. They also work in a stairwell hung at different lengths, since the cord on each is set independently. Travertine warms a kitchen of pale stone, steel or lacquer more effectively than timber does, because it introduces texture rather than another wood tone, and it holds its own against a dark painted wall without disappearing into it.\u003c\/p\u003e\u003cp\u003eBuying two together solves the problem of matching later. Stone varies from batch to batch, and a second pendant ordered six months after the first can arrive a visibly different beige, so the bundle keeps both shades within the range of the same quarrying run while still allowing the natural variation you want between them. Both units arrive complete, with the bulb and the ceiling plate included, so there is no separate hunt for a light source that fits a narrow cylinder without glaring out of the bottom. The cylindrical shape is the second reason to choose Mirella over a shaded or globe pendant: it is narrow enough that two, three or four in a row do not clutter a ceiling, and the light it throws is contained rather than scattered, which keeps a room feeling composed after dark. The wooden fitting keeps the top of the lamp from looking industrial and softens the transition to the ceiling. This is a set for someone furnishing a dining space or an island in a quiet, natural register, who wants real material overhead and is happy to accept the small differences in tone and pore density that make each shade genuinely one of a kind.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncluded: 2 lamps, 2 light sources and 2 ceiling plates\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone with wooden fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, downward light\u003c\/li\u003e\n\u003cli\u003eAdjustable hanging height\u003c\/li\u003e\n\u003cli\u003eEach stone shade differs in tone and pattern\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019337031,"sku":"FBC-TRV-018","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/7d41ec0b-f8ad-4819-9077-fe79bef7419a_1400x1400_75877629-f661-4afc-823d-c78622630e3c.jpg?v=1787419008"},{"product_id":"eu-gine-marmeren-wandlamp","title":"Gine Marble Wall Light","description":"\u003cp\u003eGine is a wall light built from a flat plate of natural white marble with a single opal glass sphere set at one end. The marble is polished rather than honed, so the surface is smooth and cool under the hand and carries a low sheen that shifts as you move past it. Its veining is the reason to choose stone here: grey and faintly warm lines that drift across the plate in one direction, sometimes fine as a pencil mark, sometimes broad and forked, and never the same twice, because each plate is cut from a different part of the block. That veining also sets the character of the whole fixture. Against it, the opal globe reads as a warm, solid point of white. The glass is opalescent through its full thickness, which hides the integrated LED completely and turns the sphere into an even, glare-free light source you can look straight at. The colour is warm white, and it sits in deliberate contrast to the cool polished stone: one element radiating, one absorbing. Light spills from the globe in all directions, so a low pool falls on the wall behind the plate and the marble is lit from the side, which is exactly the angle that makes veining most visible. The metal fixings sit behind the plate and stay out of sight.\u003c\/p\u003e\u003cp\u003eA hallway is the natural first home for Gine. Corridors have wall and nothing else, and a marble plate with a glowing sphere gives that blank surface something to hold at eye level rather than overhead. Mounted in a run at even spacing, the sconces light the floor and the wall together, which makes a narrow corridor feel wider than a ceiling fixture ever will. In a bedroom the reason changes. Fixed on each side above the bed, the globes free the nightstands completely, and because opal glass has no visible filament you can lie with your head next to one without being dazzled. The three sizes matter here: the thirty-five centimetre version suits a single bed or a tight alcove, forty-four is the standard bedside proportion, and sixty is the version that holds its own beside a wide headboard or on a large blank living room wall. In a living room the light works flanking a fireplace, above a sideboard, or in the dead corner beside a sofa that no floor lamp reaches comfortably. Because the light is soft and multidirectional it flatters plaster, textured paint and textile, and it will not throw the hard-edged shadows that a downward-only sconce leaves on a wall.\u003c\/p\u003e\u003cp\u003eMarble in a light fixture is usually decorative, a base or a disc chosen for the look of it. In Gine it does something structural: the plate is the body of the lamp, carrying the globe and the driver behind it, which is why the fixture can be so visually simple. Only two elements are on show, stone and glass, with no arm, no shade rim and no exposed hardware. That reduction is what puts it in modern, minimalist and Japandi-luxe interiors, where the material is expected to carry the interest instead of the form. Because the LED is integrated rather than a replaceable bulb, the sphere could be made perfectly clean, with no cap, no socket shadow and no thread visible through the glass, and the fitting stays slim against the wall. Choosing natural marble does mean accepting variation: the plate you receive will have its own veining, and if you order a pair for a bedroom they will be siblings rather than twins. That is the trade for real stone, and it is the reason a pair looks like a considered choice rather than a stock item. Gine suits anyone who wants to free their bedside surfaces, and anyone renovating a hall who wants light at eye level instead of a ceiling grid.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePlate: natural marble, white with natural veining\u003c\/li\u003e\n\u003cli\u003eDiffuser: opal glass globe\u003c\/li\u003e\n\u003cli\u003eFrame and fixings: metal\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, warm white\u003c\/li\u003e\n\u003cli\u003eSizes: S 35 x 12 cm, M 44 x 12 cm, L 60 x 12 cm\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, Japandi luxe\u003c\/li\u003e\n\u003cli\u003eMounting: wall\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019369799,"sku":"FBC-GEN-002","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_171044_4d394a26-4c84-4bd7-b922-6d8dfe95d03f.png?v=1787419011"},{"product_id":"eu-vieve-travertine-hanglamp","title":"Vieve Travertine \u0026 Walnut Pendant Light","description":"\u003cp\u003eThe Vieve is a cylindrical pendant cut from natural travertine and finished with a solid wooden ring at the top, in walnut or oak. The shade measures seventeen centimetres across and twelve and a half high, which gives it the squat proportion of a drum rather than a tube, and the walls are thick enough that the open end shows the full section of the stone. Travertine is a limestone formed in mineral springs, so the block is layered and porous: honed flat, the surface shows soft horizontal banding in sand, cream and pale grey, with small open cavities scattered across it that catch light at a raking angle. The wooden ring sits directly on top and reads as a warm dark line closing the cylinder, walnut going deeper brown with age, oak staying pale and open-grained. The fixture takes an E27 lamp and is supplied with a warm white LED, and the light leaves the open bottom as a soft-edged circle. Because the source sits up inside the shade, you do not see it from a normal standing or seated position, and the inner wall of the stone picks up a warm halo that is visible from directly underneath.\u003c\/p\u003e\u003cp\u003eThis is a pendant for a defined spot rather than a whole room. Its rated coverage is roughly three to five square metres, which is another way of saying it lights a table, a counter section or a corner, not a living room. Over a dining table for two to four, hung with the bottom edge around seventy centimetres above the surface, it puts a warm circle on the tabletop and leaves the walls to fall away, which is what makes a small dining area feel enclosed in the evening. Beside a bed it replaces the nightstand lamp and clears the surface for a book and a glass; hung so the shade sits just above shoulder height when seated, the light lands on the page rather than on your face, and the stone edge blocks it from your partner's side. In a reading corner it does the same over a chair. It also works in pairs over a narrow kitchen counter. The material keeps it quiet in all these positions: beige stone and dark wood next to linen, wool, oak and plaster, with nothing shiny to catch a reflection. In a small room the compact shade matters as much as the light, since a wide pendant at close range dominates everything under it.\u003c\/p\u003e\u003cp\u003eAt this size and price most pendants are metal or moulded composite, and the ones that look like stone are printed. Vieve is solid travertine with a real wooden ring, which changes both how it feels and how it ages: the stone is cool and heavy, the pores are actual holes rather than texture, and the wood darkens slowly with light and handling. Every shade differs, since the seventeen centimetre disc is sawn from a different part of the block each time, so the banding may run straight or diagonally, the colour may lean warm cream or cooler grey, and one piece may carry a large open void near the rim. The E27 fitting is worth noting, because it means you keep control of the light: choose a warmer lamp for a bedroom and a brighter one over a table, and replace it in ten years without replacing the fixture, which is not true of sealed integrated units. The wide voltage range covers standard European supply. It suits small dining rooms, bedrooms and reading corners in Japandi, Scandinavian and warm minimal interiors, and it is the sensible entry point for anyone who wants to try natural stone lighting on one spot before committing to a whole room.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine and wood (solid walnut or oak ring)\u003c\/li\u003e\n\u003cli\u003eDimensions: 17 cm diameter x 12.5 cm high\u003c\/li\u003e\n\u003cli\u003eVoltage: 110-240 V\u003c\/li\u003e\n\u003cli\u003eLight source: LED, warm white\u003c\/li\u003e\n\u003cli\u003eSocket: E27\u003c\/li\u003e\n\u003cli\u003eCoverage: approx. 3-5 m2, suited to small and medium spaces\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling plate\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019402567,"sku":"FBC-TRV-019","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_104949_3af0b2f4-5725-418c-8cf7-45433158b371.jpg?v=1787419010"},{"product_id":"eu-firosa-eiken-travertine-wandlamp-kopie","title":"Firosa Oak \u0026 Travertine Wall Light","description":"\u003cp\u003eFirosa is a wall light built from two blocks and a metal joint: a wooden element in oak or walnut and a travertine element, stacked into a compact geometric shape that stands 20 cm high, measures 11.5 cm across and projects 12 cm from the wall. The stone is real travertine, a porous limestone whose surface holds small open cavities and faint layer lines, so at close range the beige is not a colour but a texture. The wood is solid, with a straight visible grain that runs against the randomness of the stone; oak keeps the piece pale and light, walnut makes it darker and heavier looking. Between and around them, metal handles the structure, and it is the metal that gives the design its precise edges and its slightly playful, stacked look. The lamp takes an E27 source, so the character of the light is yours to choose: a clear bulb will throw a harder pattern, a frosted or opal one will keep the output smooth. Light leaves the body and washes the wall above and below, which is the more interesting way to light a vertical surface, because the beam grazes the plaster and reveals its texture instead of flattening it.\u003c\/p\u003e\u003cp\u003eA wall light is the fitting that changes a room's mood most for the least effort, because it puts light at eye level instead of overhead. In a hallway, a pair of Firosa lights on one long wall turns a corridor from a passage into a sequence, and the 12 cm projection is shallow enough that you can pass without brushing them. Beside a bed they replace table lamps entirely, freeing the nightstand and putting the glow above shoulder height where it will not shine into your partner's face. In a living room they work best flanking something already worth looking at, a fireplace, a large picture, a run of shelves, and used at night alongside a floor lamp they give you a low warm layer rather than a single bright source. Because the piece is built from stacked geometric volumes, it also behaves like a small sculpture in daylight, which matters on a wall you look at all day. The material pairing is what makes it flexible in practice: oak with beige stone is a combination that agrees with almost any warm palette, and the metal detailing keeps it from becoming rustic. Against white plaster the beige reads as light itself, and against a deep clay or olive wall it warms up further.\u003c\/p\u003e\u003cp\u003eWhat separates Firosa from most wall lights in this price range is that the volumes are real material rather than a shell. Solid oak or walnut, real travertine, metal used where structure is needed and nowhere else. The playful geometry is the other half of the argument: many natural material sconces are simply a cylinder, and this one has a stacked, deliberately composed shape that keeps its interest in daylight when the lamp is off. Because it uses a standard E27 socket you are not locked into an integrated LED that eventually dies with the lamp; you choose the colour temperature, the brightness and the bulb shape, and you replace it in seconds years from now. That is a practical advantage that outlasts most design details. Choose oak for a bright, pale room where the light should feel airy, walnut for a room with darker timber or a stronger wall colour. It is a good choice for someone lighting a hallway or a bedroom properly for the first time, or replacing builder grade fittings after moving in. If you want an adjustable reading spot you can aim at a page, this fixed wall wash is not that lamp, and a directional model will suit you better.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: oak or walnut, travertine natural stone, metal\u003c\/li\u003e\n\u003cli\u003eDimensions: height 20 cm, diameter 11.5 cm, wall projection 12 cm\u003c\/li\u003e\n\u003cli\u003eBase type: E27\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted, light directed up and down\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, geometric\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and wood, texture and grain vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019435335,"sku":"FBC-TRV-020","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_111033_f0e1fe55-e9b2-453b-a2b3-4c56b3c5ee6f.jpg?v=1787419011"},{"product_id":"eu-firosa-noten-travertine-wandlamp","title":"Firosa Walnut \u0026 Travertine Wall Light","description":"\u003cp\u003eFirosa is a wall light that sets wood and stone against each other in a strictly geometric form: a turned body in walnut or oak carrying a section of travertine, with the whole piece standing 20 cm high, 11.5 cm across and projecting 12 cm from the wall. Neither material is there for decoration, because both are doing something to the light. Travertine is a porous limestone, and where it is cut thin the surface catches a warm edge glow while the pores read as tiny shadows across the face, giving the piece a texture that shifts as you walk past it. The wood is the counterweight: walnut runs dark chocolate brown with a tight, wavy grain, while oak stays pale and open, and each of them changes the mood of the fitting entirely. The proportions are what give the lamp its character. Cylinders stacked cleanly, no visible fixings, nothing tapered or ornamental. Behind that restraint sits a standard E27 socket, so the actual quality of the light is a decision you make with the bulb rather than one made for you at the factory. Choose a warm filament style bulb and the fitting reads soft and traditional; choose a bright opal LED and it becomes a working light for a corridor.\u003c\/p\u003e\u003cp\u003eWall lights solve the problem that ceiling lights create, which is that a single source overhead flattens a room and drops shadows under everything in it. Firosa is small enough to work where a lamp cannot: a hallway too narrow for a console table, a stairwell, the strip of wall beside a bed where the nightstand is already full. In a hallway a pair spaced along the wall breaks the corridor into sections and makes it read as a room rather than as a route to somewhere else. Beside a bed it puts light exactly where you need it for reading without taking a centimetre of surface space, and at 12 cm of projection it never intrudes into the walking line. In a living room it works on the wall beside a sofa or above a sideboard, adding a second lighting level so that evenings do not depend on the ceiling fixture. It also handles the awkward wall above a staircase, where almost nothing else can be fitted safely. Because the piece mixes stone with real wood, it belongs in interiors that already use natural materials, and the small format means you can run several of them through a hallway without the wall starting to feel busy.\u003c\/p\u003e\u003cp\u003eMost affordable wall lights are pressed metal finished in white or black, chosen specifically to disappear. Firosa is meant to be looked at, which is why it uses two materials with visible character rather than one painted surface. The travertine carries the pores and colour drift of real stone, so every unit differs slightly from the next, and the wood keeps its grain rather than hiding under thick lacquer. Over years both materials improve rather than degrade: walnut deepens, oak warms, and stone simply stays as it is. The E27 socket is the practical argument. Sealed LED wall lights are disposable by design, since the whole fitting goes in the bin when the diode fails. Here you replace a bulb and keep the lamp. Firosa suits people renovating a hallway or staircase who want something better than a builder's fitting, couples who need bedside light but have no room for lamps, and anyone building a lighting scheme in layers instead of relying on one fixture overhead. It is also a sensible choice in a rented flat, since the small footprint means minimal damage to the wall and the piece comes with you when you move out again. Put the circuit on a dimmer and the same fitting covers both a bright morning corridor and a very low evening one.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: walnut or oak with travertine\u003c\/li\u003e\n\u003cli\u003eLight source: E27 fitting\u003c\/li\u003e\n\u003cli\u003eType: wall light\u003c\/li\u003e\n\u003cli\u003eDimensions: H 20 cm x diameter 11.5 cm x D 12 cm wall projection\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, geometric\u003c\/li\u003e\n\u003cli\u003eNatural stone and wood: grain and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019468103,"sku":"FBC-TRV-021","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_110719_ce54bb42-fb1b-465e-822e-32e937ddcfd7.png?v=1787419013"},{"product_id":"eu-mito-travertine-plafondlamp-eiken","title":"Mito Round Travertine Ceiling Light in Oak","description":"\u003cp\u003eThe Mito is a compact ceiling light built from a gently domed disc of natural yellow travertine set on a base of oak and walnut, measuring 15 centimetres across. Yellow travertine is the warmer end of the family: where a grey travertine reads almost neutral, this cut carries a sand to butter tone with rustier bands running through it, and the surface keeps the open pores that give the stone its name in the trade. The dome is worked into a soft organic curve rather than a flat plate, so the natural banding wraps around the form and the light that grazes it changes as you walk underneath. Because the stone is solid and the curve closes the top, all of the output leaves downward. That gives a defined, warm pool directly beneath the fitting with a clear edge to it, closer in character to a discreet downlight than to a diffused ceiling lamp. Under the rim you see the sawn edge of the stone, which shows the same pores and layers in section and confirms that the material runs right through. The timber base carries the fixture flush to the ceiling: oak brings a light honey grain, walnut a darker chocolate one, and the two woods sit against the pale stone as a quiet three tone composition.\u003c\/p\u003e\u003cp\u003eAt 15 centimetres in diameter this is a fitting for rooms where a hanging lamp would be in the way. A hallway is the obvious case, especially one with a low ceiling: the fixture sits tight against the plaster, so nothing catches a raised arm or a tall wardrobe door, and a run of two or three down a corridor gives a rhythm of warm pools rather than one flat wash. On a landing or above a stairwell head it does the same job safely, lighting the treads below without a cord in the swing zone. In a bedroom it works well centred above the foot of the bed or over a wardrobe run, where the downward light picks out the floor and the hanging space without ever shining into your eyes from the pillow. In a kitchen the compact size suits the ceiling above a run of tall units or a galley, where a wide shade would look heavy. Because the light is directional, plan for it to accent rather than to flood. Two or three Mito units placed with intent give a more considered room than a single large central fitting, and they leave the ceiling itself uncluttered.\u003c\/p\u003e\u003cp\u003eSmall ceiling lights are usually where design gives up, which is why so many of them are opal plastic discs. Mito is the argument against that. It uses two real materials, keeps the silhouette to a low curved dome, and hides all the hardware inside the timber base so there is nothing visible to date it. The organic curve rather than a flat cylinder is the detail that makes it: it catches ambient light across its face during the day, so the fixture reads as an object on the ceiling rather than a blank cap, and it softens the join between plaster and stone. Every dome is cut and shaped from a different piece of the bed, so tone runs from pale sand to a distinctly golden yellow, and the density of the natural pores varies with it. Two units bought together will be relatives rather than twins. This is for someone renovating a hallway, landing or bedroom who has already ruled out a pendant on practical grounds and does not want to settle for a spotlight or a flat plate. If you need a single fixture to light a whole living room, this is not that lamp. If you want warm, contained, well made light in a tight space, it does that with real stone and real timber.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural yellow travertine, walnut and oak wood\u003c\/li\u003e\n\u003cli\u003eDimensions: diameter 15 cm\u003c\/li\u003e\n\u003cli\u003eMounting: flush ceiling mount\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, focused warm light\u003c\/li\u003e\n\u003cli\u003eEvery stone dome is unique in tone and texture\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019500871,"sku":"FBC-TRV-022","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260730_111326_04d1feb6-6fa7-439f-b81f-7c141ca2b31e.png?v=1787419013"},{"product_id":"eu-mito-ronde-travertine-plafondlamp-noten","title":"Mito Round Travertine Ceiling Light","description":"\u003cp\u003eMito Round is a compact ceiling light whose shade is a low, organically domed cap of natural yellow travertine sitting on a base of oak and walnut. Fifteen centimetres across, it reads from below as a soft circle rather than a disc, because the stone is worked with a gentle curve instead of a flat face and catches light across that curve in a graded way. Travertine at the yellow end of the range is the warmest stone you can put on a ceiling: straw and honey tones drifting in horizontal bands, with the small open pores that the material forms as it precipitates, left unfilled so the surface stays matte and slightly chalky to the touch. Under raking light those pores throw tiny shadows and the shade looks textured even from across a room. The wooden base gives the fixture its second character, the close grain of walnut running darker against the pale stone and the oak keeping the tone warm where the piece meets the ceiling. Light leaves downward in a defined cone, because the stone body is opaque and the opening is at the base. That gives you a bright, warm circle beneath the lamp with a gently faded edge, and a shade that stays visually calm rather than becoming a glowing object itself.\u003c\/p\u003e\u003cp\u003eThis is a fixture for rooms with ordinary ceilings and real traffic. A hallway takes it well because the whole assembly projects only a little from the plane above, so nothing hangs into the space you walk through, and the downward cone throws a clean pool onto the floor exactly where you need to see. Run several in a line and the circles overlap into a lit path. In a bedroom the light works as the main layer, and the narrow downward beam is a genuine advantage there: it lights the floor and the foot of the bed without shining flat into the eyes of anyone lying down, which is where most bedroom ceiling lights fail. Above a kitchen worktop or in a pantry it delivers focused warm light on the surface without the bulk of a pendant, useful under low ceilings or where cabinets run to the ceiling and there is no room to hang anything. It suits a landing, a walk-in wardrobe, a small study, or the strip of ceiling above a run of coat hooks. Anywhere the beige stone appears it pulls the room warmer, and oak floors, rattan, linen and lime plaster all pick up the same tone.\u003c\/p\u003e\u003cp\u003eThe round version of Mito exists because a cylinder is not always right. A hard-edged shade is graphic and deliberate; this one is softer, its curve reading as something worn smooth rather than machined, which sits more easily in rooms where the other shapes are already rectilinear: door frames, cabinet runs, corridors. The material argument is straightforward. This is quarried stone, cut and shaped, not a resin copy with a printed pattern, and it behaves like stone: it has weight, its pores are open at the rim, and its banding runs around the whole form instead of stopping at a seam. Pairing it with both oak and walnut is a small thing that reads clearly from below, because the two woods give you a light and a dark tone in the same base and let the lamp sit comfortably against either a pale or a dark ceiling detail. Each shade is unique in banding and colour depth, so a set installed together looks assembled rather than mass-ordered. Mito Round is for someone finishing a renovation who wants the ceiling to carry a natural material at a modest size and price, and for anyone whose ceilings are too low for a pendant but who refuses to settle for a plain white dome.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: natural yellow travertine (natural stone), rounded dome\u003c\/li\u003e\n\u003cli\u003eBase: oak and walnut wood\u003c\/li\u003e\n\u003cli\u003eDiameter: 15 cm\u003c\/li\u003e\n\u003cli\u003eColour: warm yellow-beige with natural banding\u003c\/li\u003e\n\u003cli\u003eLight character: warm, directed downward\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, low projection\u003c\/li\u003e\n\u003cli\u003eEach shade unique in veining and tone\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019533639,"sku":"FBC-TRV-023","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260730_114715_bcab142a-8f06-4fd8-8d6d-20bf08842f41.png?v=1787419015"},{"product_id":"eu-mane-wandlamp-travertine-en-eiken","title":"Mane Travertine \u0026 Walnut Wall Light","description":"\u003cp\u003eThe Mane wall light puts a solid travertine spot on a round walnut wall plate. The spot is a cylinder of natural stone five centimetres across and twelve long, cut from a block of spring-formed limestone, so the barrel shows the material in section: warm beige with paler and darker sedimentary bands running through it and small open pores scattered along the surface. The wall plate behind it is turned from walnut, ten centimetres across, and the dark warm brown of the wood sets off the pale stone directly rather than through a metal bracket. Between the two sits an adjustable hinge, which is the working part of the design. Because the spot pivots, the light is not fixed where the installer left it: you can aim it down a wall, across a picture, onto a page or straight at the floor, and change your mind later. The light source is an integrated LED sitting inside the barrel, so the beam leaves the open end with a defined edge and the source itself stays out of view from the side. The result on a wall is a shape rather than a haze: a bright area with a soft boundary, and darkness around it. Switched off, the fixture reads as two shapes, a stone cylinder on a wooden disc, and nothing else, which is why it survives being mounted at eye level where every detail is visible.\u003c\/p\u003e\u003cp\u003eA directional spot on a small plate belongs where light has to do a specific job. Beside a bed it is the reading light that finally frees the nightstand: mounted at shoulder height above the mattress, angled down onto the page, it lights a book without lighting the room and without spilling across to the other side of the bed. Two of them, one on each side, is the standard arrangement and the reason the hinge matters, since two readers rarely want the same angle. In a hallway the fixture solves a different problem, because corridors are usually lit from overhead and end up flat; a spot aimed along the wall grazes the surface and makes plaster, brick or panelling visible again, and a pair of them turns a passage into a sequence. In a study or home office, mounted above a desk or a shelf, it puts task light exactly where the work happens without a lamp taking up desk space. It also works over art. In each of these positions the ten centimetre plate keeps the footprint small, which matters on a narrow wall between a door and a corner, and the beige stone stays warm against white, clay and greige paint.\u003c\/p\u003e\u003cp\u003eMost adjustable wall spots are metal, and they look like hardware because they are hardware. Mane uses the same mechanism inside two natural materials, so the fixture reads as furniture on a wall rather than as equipment. The stone barrel gives it weight and a temperature you can feel, and the walnut plate ties it to a bed frame, a desk or a floor, which a black or white metal disc never does. Because the travertine is solid and cut, no two spots are identical: the banding may run along the barrel or across it, the pores may be fine or open, and the beige may sit warmer or greyer than the sample photograph. The integrated LED keeps the head small, which is why the spot can be this compact while still throwing a usable beam, and it means there is no visible lamp to look at when the light is aimed towards you. Fitted in pairs it becomes a bedroom system; fitted singly it becomes a quiet accent. It suits Japandi, natural and minimalist interiors, and it is the right choice for anyone tired of clip-on reading lamps, cables down the wall and nightstands full of everything except a book.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine natural stone and walnut wood\u003c\/li\u003e\n\u003cli\u003eBase: 10 cm diameter\u003c\/li\u003e\n\u003cli\u003eSpot: 5 cm diameter x 12 cm long\u003c\/li\u003e\n\u003cli\u003eAdjustment: pivoting hinge, directional beam\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, natural, minimalist\u003c\/li\u003e\n\u003cli\u003eUse: bedroom reading light, hallway, study, living room\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019566407,"sku":"FBC-TRV-024","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260820_102123_cb78b204-e8b5-4a1b-8ea3-f9393b769d46.png?v=1787419015"},{"product_id":"eu-mirella-travertine-hanglamp-eiken","title":"Mirella Travertine Pendant, Oak, Medium","description":"\u003cp\u003eMirella in the medium size is a single pendant with a cylindrical shade cut from solid travertine and a fitting turned from oak. The stone is the reason the piece exists. Travertine builds up in thin layers around mineral springs, and cutting through those layers exposes a warm beige surface scattered with open pores and marked by faint banding, a texture that changes noticeably depending on where in the block the cylinder was taken from. Nothing about it is uniform, and that is the material behaving as it should. The oak fitting above the shade is the counterpoint: pale, open grained, warm in tone, and light enough that the stone stays the focus rather than competing with a heavy metal canopy. Light travels straight down out of the cylinder, so this is a directional pendant. It does not fill a room; it marks a place in one, laying a clear warm circle on whatever sits beneath it while the rim of the stone catches a low glow from the inside. The delivery includes the lamp itself, a light source and a ceiling plate, so the fitting arrives as a complete unit rather than as a shade you then have to match to a cord set.\u003c\/p\u003e\u003cp\u003eA single pendant asks a specific question: what exactly is it lighting? Mirella answers well over a small round dining table, where one central light is correct and two would be crowded. It works over a kitchen worktop, over a console in an entrance hall, or beside a bed hung low on a long cord in place of a table lamp, which frees the whole nightstand and gives the bedroom a considered look that a lamp on a surface rarely achieves. In a stairwell or a landing it hangs at whatever height the space allows and gives the area its own pool of warmth. In a hallway a single pendant near the door does the useful job of lighting the spot where you drop keys and take off shoes. Because the shade is compact and the light is aimed downward, it stays out of sightlines and does not glare into the eyes of anyone sitting under or opposite it. The material reads warm against white walls and settles quietly into rooms already using oak, linen, wool or clay plaster, adding texture rather than adding another colour to keep track of. One practical note on height: hang it so the lower rim of the shade sits just above the eye level of anyone seated beneath it, and the bulb stays hidden from every chair at the table.\u003c\/p\u003e\u003cp\u003eThe medium is the size most people should start with, because it is large enough to have presence at eye level and small enough not to dominate a modest room. It is also the version that scales: buy one now for the hallway, add a second and a third over a counter later, and the family of shades will relate to each other while still differing in the way real stone always does. Solid travertine is worked rather than moulded, so each shade is cored and finished individually, and it has the weight in the hand that a stone effect coating never has. Practically, stone is an easy material to live with: it does not yellow the way white plastic does above a cooker, it does not chip its paint, and dust wipes off the honed surface without leaving marks. The complete delivery matters too, since a light source and a ceiling plate are included and the fitting can go up in one visit rather than two. This pendant suits people replacing a bare bulb or a builder's fitting, anyone furnishing a first proper flat who wants one good piece rather than several disposable ones, and buyers who prefer natural materials they can see and feel.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, oak fitting\u003c\/li\u003e\n\u003cli\u003eSize: medium\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 pendant, 1 light source, 1 ceiling plate\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, directional\u003c\/li\u003e\n\u003cli\u003eStyle: modern, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores, banding and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019631943,"sku":"FBC-TRV-025","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_111058_6d325077-3717-476b-975d-f5b6aecbe929.jpg?v=1787419016"},{"product_id":"eu-gerini-travertine-hanglamp-3-delig-1","title":"Gerini Travertine Pendant Light Set of 3","description":"\u003cp\u003eGerini is a three piece pendant set with shades cut from solid travertine and held in a walnut fitting. Each shade is compact, either a round profile of 65 millimetres diameter by 185 millimetres high or a square section of 65 by 65 by 185 millimetres, which puts it firmly in the slim column category rather than the shade category. Travertine is a natural stone formed in mineral springs, and its warm beige ground is crossed by the fine horizontal layering that formed as the deposit built up, with open pores scattered across the face. Because the material is solid through, the bottom edge shows the same layers in section and the piece has the weight of stone rather than the lightness of a shell. Walnut at the fitting brings a deep brown with a straight, close grain, and that darker timber against pale stone is a sharper contrast than the more common oak pairing, which keeps the top of each pendant from disappearing into a white ceiling. The light leaves the open bottom as a narrow warm column with a defined edge, so these are precise instruments rather than ambient ones. Three of them together let you build a line of light instead of a single point, which is a different and more useful thing over a long surface.\u003c\/p\u003e\u003cp\u003eThree narrow pendants are made for a long table or an island. Hang them along the centre line with roughly 60 to 70 centimetres between each and the bottoms about 75 centimetres above the surface, and the three pools merge into a continuous band of light down the length of the table while the faces of the people sitting there stay out of the beam. The narrow profile is what makes this possible: three wide shades at that spacing would read as a barrier across the room, whereas three 65 millimetre columns keep the sight line open from one end of the space to the other, which matters enormously in an open plan kitchen and dining area. Over a kitchen island the same arrangement puts working light exactly where the chopping happens and nowhere else, so the rest of the room can stay low and calm in the evening. If a straight run does not suit the room, hang the three at staggered heights in a stairwell or a double height corner, where the differing drops turn them into a composition rather than a row. In a living room they can be clustered above a low table to make a single dense pool with a slightly complicated edge.\u003c\/p\u003e\u003cp\u003eThe case for buying three at once is the same as with any natural stone: colour and pore density drift between quarrying runs, and three shades sourced together stay within one family while keeping the individual variation that makes stone worth hanging in the first place. The choice between round and square profiles is worth thinking about. The round column is softer and reads almost as a piece of hardware, while the square section catches light on its four flat faces at different intensities and gives a more graphic, architectural result on the same ceiling. Both come with the walnut fitting, and both throw the same tight warm column. Compared with a large single pendant over a table, a run of three is more forgiving of a room that is not perfectly symmetrical, easier to balance against a long dining surface, and easier to live with when the table is used for work as well as meals. This set is for someone finishing a kitchen or dining area in a natural, restrained register who wants light to be linear rather than central. Accept that each shade will differ slightly in tone, that the stone is porous by nature, and that this is the point.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncluded: 3 pendant lights with walnut wood fitting\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone and walnut\u003c\/li\u003e\n\u003cli\u003eDimensions round: 65 mm diameter x 185 mm high\u003c\/li\u003e\n\u003cli\u003eDimensions square: 65 x 65 x 185 mm\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, warm focused\u003c\/li\u003e\n\u003cli\u003eAdjustable hanging height per lamp\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019664711,"sku":"FBC-TRV-026","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/IMG-3638.jpg?v=1787419016"},{"product_id":"eu-mirella-travertine-hanglamp-1","title":"Mirella Travertine \u0026 Walnut Pendant Large","description":"\u003cp\u003eThe Mirella large is a cylindrical pendant with a shade cut from solid travertine and a walnut fitting above it. Travertine is a limestone formed in mineral springs, which is why the block is not uniform: it is layered, with bands of warm beige running through paler and darker mineral deposits, and it is porous, with small open cavities left where gas escaped as the stone formed. Cutting a cylinder out of that block exposes all of it at once, so the outer wall shows the banding as horizontal lines around the shade and the pores as scattered pits you can feel with a fingertip. The wall thickness gives the piece its mass, and the open bottom edge shows the full section of stone. Because the shade is closed at the top and open below, the light goes one direction only: a warm, soft-edged column falling straight down. The walnut fitting caps the cylinder in dark brown, a deliberate contrast against the pale mineral surface, and it is the part that keeps the pendant from reading as a plain stone tube. Under the lamp the inside wall of the shade picks up a warm glow, so the fixture has a lit interior as well as a lit floor.\u003c\/p\u003e\u003cp\u003eA downward cylinder is table lighting. Over a dining table, hung so the bottom edge sits around seventy centimetres above the surface, Mirella lays a defined circle of warm light across the middle of the table and lets the room fall back around it. That separation is what makes a table feel like the centre of an evening, and it is the reason a directed shade is better here than a diffusing globe, which lights the ceiling and the chairs equally. Over a kitchen island it delivers the same focused pool onto the worktop, bright where you cut and read, without washing the cabinet fronts. In a living room, dropped low beside a sofa or over a side table, it becomes a defined reading spot rather than general light. On a long table the large size can stand alone in the centre, or two can be spaced along the length. The material decides the mood: beige stone with visible pores next to oak, wool, linen and plaster, warm rather than sharp, and honed so it never throws a hard reflection. Hang it lower than instinct suggests, because a table pendant that clears every sightline is usually too high to do its job.\u003c\/p\u003e\u003cp\u003eMirella exists in several sizes and bundles, and the large single is the version to choose when one pendant has to carry the table on its own. Solid travertine is the reason: at this size the shade has real presence, and the mineral surface holds up to being looked at from a metre away in a way a printed stone finish does not. Every shade is sawn from a different part of the seam, so the banding may run tight or loose, one piece may show a large open void near the rim and another almost none, and the beige may lean cream or grey. That variation is the character of the material, not a flaw in the batch. The walnut fitting is a small part with a large effect, warming the top of the fixture and tying it to a wooden table or floor. Practically, it arrives complete with a light source and a ceiling plate, so there is nothing to source separately before it goes up. It suits dining rooms, kitchens and open-plan spaces in Japandi, Scandinavian and warm minimal interiors, and it suits anyone who would rather buy one considered fixture than several small ones that never quite agree.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine natural stone with walnut fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, open at the bottom\u003c\/li\u003e\n\u003cli\u003eSize: large\u003c\/li\u003e\n\u003cli\u003eLight: warm, directed downward\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling pendant\u003c\/li\u003e\n\u003cli\u003eIncluded: 1 lamp, 1 light source, 1 ceiling plate\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, banding and pores vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019730247,"sku":"FBC-TRV-027","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_103023_f282f54d-0cab-49ee-b9e7-3dc4be1bd6f2.jpg?v=1787419018"},{"product_id":"eu-mirella-travertine-hanglamp-set","title":"Mirella Travertine \u0026 Walnut Pendant Duo","description":"\u003cp\u003eThis pair of Mirella pendants combines solid travertine shades with walnut fittings, and comes as two complete lamps with two light sources and two ceiling caps. Walnut is the decisive choice here. Where oak keeps a stone lamp pale and quiet, walnut is a deep chocolate brown with a visible, sometimes wavy figure, and against warm beige limestone it creates a clear two tone composition rather than a single soft blur. The travertine shades are cylinders cut from natural stone, their surfaces open and pitted, banded faintly where the original sediment layers were cut through. No two shades match exactly, and the pair is deliberately supplied that way. Light leaves each cylinder downward only, because the stone walls are solid and thick, so what you get below is a defined pool of warm light and a ceiling that stays dark. Hung as a pair, the two pools overlap slightly and the surface underneath is lit evenly without the flatness of a ceiling spot. The dark wooden fittings also do something practical at eye level: they read as small dark points against a white ceiling, which anchors the composition and makes the drop heights look intentional even when they are staggered.\u003c\/p\u003e\u003cp\u003eUse this pair where the room already contains something dark. A walnut dining table, a dark oak floor, black window frames, a smoked glass cabinet: walnut fittings tie the lighting into that palette in a way pale wood cannot. Over a dining table for four to six, hang them along the axis with a metre or so between them and the table becomes the focus of the room after dark, everything around it dropping away. Over a kitchen island the same pair gives you working light without glare, positioned so that neither lamp sits directly in your eyeline when you stand at the counter. In a living room the two can be separated, hung at different heights over a console and a side table, and treated as part of a layered scheme rather than a matched set. What walnut and travertine do together is provide the contrast that all beige rooms eventually need. Warm neutral schemes go flat without a dark note somewhere, and two small dark fittings overhead supply it more elegantly than a dark piece of furniture would. Against white plaster the pairing is graphic; against a warm clay or deep green wall it becomes richer and quieter.\u003c\/p\u003e\u003cp\u003eBuy the walnut version when you want the wood to be seen. This is the difference between a lamp that disappears into a pale ceiling and one that registers as a deliberate object, and it is worth deciding on purpose rather than by default. The rest of the argument is material: solid quarried travertine shades rather than stone veneer over plastic, real walnut rather than a printed foil, and pores left open rather than filled and polished so the stone looks like a synthetic sheet. The natural variation between the two shades is not a defect to be tolerated but the reason to buy stone at all. The set of two is sized for tables and islands between roughly 160 and 220 centimetres; longer than that and the set of three is the better proportion. It suits a room already committed to natural materials and to some warmth, and a buyer who wants their lighting to look like furniture rather than equipment. Walnut is also the more forgiving choice in rooms with strong daylight, since a pale fitting can bleach out against a bright ceiling while a dark one stays legible all day. If you need a lot of even light across a whole kitchen, plan these as the focused layer and add another source elsewhere, because two directed stone pendants will not do that job alone.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine natural stone shades, walnut fittings\u003c\/li\u003e\n\u003cli\u003eIncluded: 2 lamps, 2 light sources, 2 ceiling caps\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shades, directed downward light\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendants, available in several drop heights\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and walnut, tone and grain vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019763015,"sku":"FBC-TRV-028","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_7.jpg?v=1787419019"},{"product_id":"eu-mirella-travertine-hanglamp-set-2","title":"Mirella Travertine Pendant Duo Set","description":"\u003cp\u003eThis is the complete two lamp version of Mirella: two pendants, two light sources and two ceiling plates in one delivery. Each shade is a cylinder of solid travertine, a natural stone with a warm beige body, open pores across the face and faint horizontal banding left behind by the layers in which it formed. The surface is honed rather than polished, so it reads matt and slightly chalky and the pores hold a shallow shadow instead of throwing back a reflection. Every cylinder is cut from a different section of the block, which is why the two shades in your box will be clearly related without being identical twins. The fitting on each is wood, pale and open grained, which keeps the visual weight at the stone where it belongs. Light leaves the open bottom of each cylinder and travels downwards, so the pair produces two defined circles of warm light rather than a general wash, and the lower rim of the stone glows faintly from the inside. Because everything needed is in the box, both lamps go up in a single session, with no separate order for bulbs or ceiling covers and no half finished ceiling waiting on a delivery.\u003c\/p\u003e\u003cp\u003eA pair of pendants is the standard solution for two situations, and this set covers both. The first is a dining table long enough that one light leaves the ends in shadow: hang them a third of the way in from each end and the whole table is evenly lit at plate height while the room around it stays dim and comfortable. The second is a kitchen island, where two lights spaced across the working length put usable brightness on the surface you actually cut and prepare on, rather than lighting the ceiling and hoping some of it comes back down. The set also works split between rooms, one over a hallway console and one over a kitchen counter, which quietly ties two spaces together with a repeated material. Hung either side of a bed at cord length, the pair replaces two nightstand lamps and empties both surfaces. Whichever way you use them, the downward beam keeps the light out of people's eyes and the compact shades keep open plan sightlines clear. In kitchens with pale cabinetry, wood worktops or terrazzo, travertine belongs to the same material family and settles in without effort. If the two lamps hang over a table, measure from the tabletop rather than from the floor, since roughly 70 to 80 cm of clearance keeps the shades out of the sightline between people sitting opposite each other.\u003c\/p\u003e\u003cp\u003eThe reason to buy the two lamp set rather than two separate lamps is consistency at delivery. Natural stone varies between blocks, sometimes considerably, and pendants ordered weeks apart can arrive different enough in colour that the pair reads as a mismatch across a table. Supplied together, the two shades sit within a range that looks intentional. The second reason is completeness: two light sources and two ceiling plates included means the installation happens once, which matters if you are paying an electrician by the visit. Beyond that, the argument is the material. Solid travertine is heavy, cored by hand, and honest about what it is, unlike the stone printed films that dominate this price bracket and start lifting at the seams after a few years above a hob. Stone does not discolour with heat or steam, so a kitchen is a reasonable place for it. This set suits people finishing a kitchen or dining room and wanting the lighting to be the last considered decision rather than the forgotten one, and anyone who has lived under a single bright ceiling fixture long enough to know they want warm, directed light instead. It is also the straightforward answer if you already own one Mirella and want the room to look finished rather than half done, since the shades come from the same family of stone and hang at whatever length the ceiling asks for.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shades, wooden fittings\u003c\/li\u003e\n\u003cli\u003eSet contents: 2 pendants, 2 light sources, 2 ceiling plates\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, directional\u003c\/li\u003e\n\u003cli\u003eForm: cylindrical shade\u003c\/li\u003e\n\u003cli\u003eStyle: modern, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores, banding and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019795783,"sku":"FBC-TRV-029","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_9.jpg?v=1787419020"},{"product_id":"eu-mirella-travertine-hanglamp-set-3","title":"Mirella Travertine Pendant Light Set of 3","description":"\u003cp\u003eThis set contains three complete Mirella pendants, with three light sources and three ceiling plates in the box. Each shade is turned from solid travertine into a plain cylinder, and the stone does all the decorating. Travertine is deposited in layers around mineral springs, so the face of every shade carries fine horizontal banding in beige, oatmeal and occasionally a rustier tone, along with the open pores that give the material its slightly chalky, granular surface. It is stone throughout rather than a coating over metal, which you can confirm at the lower edge where the cut shows the same layers in section, and which you notice the moment you lift one. A wooden fitting sits above the cylinder and forms the transition to the cord: the timber grain runs vertically against the horizontal banding of the stone, and that small opposition is what stops the top of the lamp looking like a bought part. Light leaves the open bottom in a warm, clearly bounded column. Nothing passes through the shade, so the cylinder itself reads as a solid pale form in the room and the illumination stays where you aim it. Buying three together gives you the range of a natural material without the risk of three unrelated beiges.\u003c\/p\u003e\u003cp\u003eThree pendants in a row is the standard answer to a long dining table, and it is standard because it works. Set them on the centre line about 60 to 70 centimetres apart, with the bottom edge roughly 75 centimetres above the tabletop, and the pools join into an even band down the length of the table while leaving eye level clear for conversation across it. Over a kitchen island the same run turns the whole working surface into the brightest thing in the room, which lets you cook without switching on a ceiling light at all. Because each cord is adjusted separately, the three do not have to be used as a row: hung at three different drops in a stairwell, a hall with a tall ceiling or a corner of a double height room, they become a vertical composition and the varying heights read as intentional. In a living space, three clustered close together over a coffee table give one deeper pool with a soft, layered edge. The material choice matters in each of these rooms. Stone brings texture rather than colour, so it lifts kitchens full of smooth lacquer, quartz or steel, and it keeps its warmth against dark painted walls where a metal shade would go cold.\u003c\/p\u003e\u003cp\u003eThe strongest reason to take the set of three rather than assembling one at a time is consistency of stone. Travertine varies by block, and three shades supplied together are drawn from the same run, so they share a family tone while still differing in banding and pore density, which is exactly the balance you want in a row over a table. Everything needed is included, so there are three bulbs and three ceiling plates in the box and nothing to source separately, and the light source is one that suits a narrow cylinder without glaring out of the bottom. Against a single wide pendant, a run of three is more flexible: it fits a long table properly, it can be split across two rooms later, and it copes with a ceiling that is not centred on the table. Against metal or glass alternatives, the argument is texture at close range, since these hang at head height and you look at them for the length of a dinner. It suits interiors in a Japandi, Wabi Sabi or quiet modern direction, where a few honest materials do the work. Expect visible pores, tonal drift between the three, and the occasional filled void, all of which are the character of the stone.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncluded: 3 lamps, 3 light sources and 3 ceiling plates\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone with wooden fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shade, downward light\u003c\/li\u003e\n\u003cli\u003eHanging height adjustable per lamp\u003c\/li\u003e\n\u003cli\u003eTone and pattern vary between shades\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019828551,"sku":"FBC-TRV-030","price":549.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_10.jpg?v=1787419021"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-set","title":"Mirella Travertine \u0026 Oak Pendant Set","description":"\u003cp\u003eMirella is a set of three pendants, each with a cylindrical shade cut from solid travertine and finished with a wooden fitting where the cord meets the stone. The travertine is warm beige, a stone that never settles into one flat colour: pale straw runs into deeper honey across the body, the horizontal banding of the material wraps around the cylinder, and the small open pores stay unfilled so the surface keeps a dry, matte, slightly rough character. Run a hand over it and it feels like stone, not like a coating. Because the walls are opaque, none of the light passes through them. It leaves through the open base as a warm, softly edged cone, so each pendant puts a defined circle of light on the surface below rather than spilling in every direction. The result is comfortable to sit under: no visible bulb from normal eye level, no hard glare, and a lit surface with a gentle falloff at the rim. The oak fitting gives the drop its warm middle tone, its straight grain reading against the irregular seams of the stone, and it keeps the transition from cord to shade slim so the shade looks as though it is simply hanging in the air. Switched off, the three cylinders read as pale weights against the ceiling.\u003c\/p\u003e\u003cp\u003eThree pendants exist to describe a line, and the room that benefits most is the one built around a long surface. Over a kitchen island, Mirella hangs at even intervals so the beams overlap slightly at worktop height and the whole surface reads as evenly lit, while the cylinders stay narrow enough to keep sightlines open across an open-plan space. Over a dining table the arrangement does the harder job well: light lands on plates, glass and hands, while the faces around the table stay in softer light, which is what makes a dinner feel intimate instead of clinical. Set the drop so the shades sit above the eyeline of a seated guest and nothing blocks the conversation across the table. In a living room the set does not have to stay in formation. One over a reading chair, one above a sideboard and one in the corner beside a plant will light three separate zones with the same warm circle, which is often more useful in the evening than a single ceiling fixture. In a stairwell they hang at staggered lengths. Because every shade brings a piece of warm stone into the room, the set softens hard kitchens of tile, glass and lacquer more than any lamp shade in metal ever does.\u003c\/p\u003e\u003cp\u003eBuying pendants one at a time is how ceilings end up mismatched, and with natural stone the risk is real, because a shade cut next year comes from a different block and can be noticeably paler or more heavily banded. Mirella removes that problem by shipping as a complete set of three, cut together, related in tone and still individual enough that nobody would mistake them for machine copies. That is the honest position with travertine: variation within a family, not uniformity. The stone is solid throughout, cut and finished rather than cast, which you notice in the weight of a single shade in the hand and in the way the banding continues around the rim instead of stopping at a seam. Oak was chosen for the fitting because it stays out of the way, warm enough to belong with the beige of the stone and pale enough not to draw the eye off it. The set is complete on arrival, with three lamps, three light sources and three ceiling plates, so a single installation session finishes the job. It suits a kitchen or dining room where the surface is the centre of the household, and anyone who would rather solve the lighting of a long table properly in one purchase.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid travertine natural stone, cylindrical\u003c\/li\u003e\n\u003cli\u003eFitting: oak wood\u003c\/li\u003e\n\u003cli\u003eLight character: warm, directional downward cone\u003c\/li\u003e\n\u003cli\u003eSet: 3 pendants\u003c\/li\u003e\n\u003cli\u003eIncluded: 3 lamps, 3 light sources, 3 ceiling plates\u003c\/li\u003e\n\u003cli\u003eAvailable in several heights and bundle sizes\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, suspended\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019926855,"sku":"FBC-TRV-031","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_11.jpg?v=1787419023"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-set-1","title":"Mirella Travertine \u0026 Oak Pendant Set of 2","description":"\u003cp\u003eThis Mirella set contains two cylindrical pendants, each with a shade cut from solid travertine and an oak fitting at the top. Travertine forms in mineral springs, so the stone is banded and porous: warm beige bodies crossed by paler and darker sedimentary layers, with small open cavities scattered through them. Turning a cylinder from that material exposes the whole structure, so the outer wall carries the banding as lines running around the shade and the pores as small pits with real depth, and the open lower edge shows the full wall thickness. Oak sets a different contrast than walnut does: it is pale, open-grained and stays light, so the top of each pendant reads as a soft line rather than a dark cap, and the whole fixture holds one warm tonal range from stone to wood. Each shade is closed above and open below, which sends a warm, soft-edged column of light straight down and keeps the source hidden from anyone standing next to it. Seen from underneath, the inner wall of the stone glows warm around the lamp, and the pores on the inside face show as small dark points inside that glow. The two pendants are supplied complete with their own light sources and ceiling plates, so a pair goes up in a single installation rather than in two rounds of ordering and fitting.\u003c\/p\u003e\u003cp\u003eTwo pendants exist for surfaces that one cannot cover. A kitchen island longer than a metre and a half is lit badly by a single central fixture, because the ends of the working surface fall into the shadow of whoever stands at it; two shades spaced evenly along the length put light where you actually chop, plate and read, and the pools overlap enough that there is no dark middle. The same applies over a dining table for six, where a pair keeps every place setting lit instead of only the centre. Spacing is simple: divide the length into three and hang one pendant at each of the two inner points, with the bottom edges about seventy centimetres above the surface. The two can also be split between rooms, one over a breakfast counter and one over a side table, when the connection between two areas of an open-plan floor needs to be made visually. Oak and beige travertine sit comfortably in exactly the kind of interior this suits: pale timber floors, plaster or clay walls, linen, wool and matt cabinet fronts. Nothing in the fixture is glossy, so a row of two does not turn into a row of reflections when daylight comes across the room.\u003c\/p\u003e\u003cp\u003eThe set is the sensible way to buy this fixture, because two pendants over one surface should relate to each other and shades bought months apart will not come from the same run. Both cylinders in a set are cut from the same production batch, so the tonal range matches, while the detail still varies the way real stone does: one may show a broad pale band, the other a tighter grain or a larger open pore near the rim. That is a pair, not a matched product, and it is the difference between stone and a printed finish. The oak version is worth choosing deliberately. Walnut gives contrast, oak gives continuity, so in a kitchen with light timber fronts or a pale floor the oak fitting lets the pendants sit into the room rather than punctuate it. Both pendants arrive complete with light sources and ceiling plates, which means one order and one installation visit rather than a second round of parts. It suits kitchens with a real working island, dining rooms with a long table, and open-plan interiors in Japandi, Scandinavian or warm minimal style. If you are already committed to one Mirella, this is how you finish the run.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSet: 2 pendants\u003c\/li\u003e\n\u003cli\u003eMaterial: travertine natural stone with oak fitting\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shades, open at the bottom\u003c\/li\u003e\n\u003cli\u003eLight: warm, directed downward\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling pendants\u003c\/li\u003e\n\u003cli\u003eIncluded: 2 lamps, 2 light sources, 2 ceiling plates\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, banding and pores vary per shade\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020057927,"sku":"FBC-TRV-032","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_12.jpg?v=1787419023"},{"product_id":"eu-mirella-travertine-eiken-hanglamp-set-2","title":"Mirella Travertine \u0026 Oak Pendant Trio","description":"\u003cp\u003eThe Mirella bundle of three is a full lighting solution in one box: three cylindrical shades in solid travertine, three oak fittings, three light sources and three ceiling caps. Travertine is a warm beige limestone laid down in layers by mineral water, and cutting it into cylinders exposes both the open pores that give the surface its grain and the faint horizontal banding that runs around each body. Because the three shades come from different sections of stone, they will differ slightly in tone and in the density of the pores. Hung in a row this reads as a natural material used honestly, not as an inconsistency. Oak is the fitting timber here, pale and straight grained, so the wood recedes and the stone stays the subject. Each shade sends its light straight down in a contained column, since the solid walls block any sideways spill, and three overlapping pools produce even coverage along a long surface without the flatness of a track of spotlights. Several drop heights are available, so the three can hang level for a formal, symmetrical result or be staggered for something looser. Every fitting is independent, which also means the three do not have to stay together.\u003c\/p\u003e\u003cp\u003eThree pendants is the right count for a long surface, and getting the count right matters more than the model you choose. Over a kitchen island of two and a half metres or more, three lamps at even spacing light the whole working length instead of leaving bright middle and dim ends. Over a long dining table for six to eight, they give every seat its own light and turn the table into the brightest thing in a dark room, which is the effect that makes a dinner feel like an occasion. In an open plan space the three can be split: two over the island and one over the sink, or two over the table and one in the adjoining hallway, since each lamp arrives complete with its own cap and source. What three of them do to a room is establish rhythm. The eye reads repetition as intent, and a run of three identical stone cylinders at one height is one of the simplest ways to make a large space feel composed. Beige stone also warms an open plan kitchen, which is usually the coolest room in a house, full of hard cabinet fronts, tile and stainless steel that reflect light without adding any warmth of their own.\u003c\/p\u003e\u003cp\u003eThe trio is the version to buy when you have a genuinely long surface, and the mistake most people make is buying two for a space that needed three. Under lit long islands look unfinished from every angle. Beyond the count, the argument is the same as for the single: solid quarried travertine shades rather than a stone effect wrapped around plastic, real oak fittings, and pores left open instead of filled to force uniformity. Buying the bundle also means the three arrive as a considered group with all mounting parts included, at a better price than three separate lamps. Choose oak rather than walnut when the kitchen or dining room is pale and you want the lighting to read as light and airy; walnut is the choice for darker rooms that need an anchor overhead. This suits someone finishing a kitchen or a large dining room in one decision, working in a warm minimalist, Japandi or slow living direction, and unwilling to hang three black metal domes to solve the problem. Because each lamp is independent, the trio also survives a change of plan: if you later move house or rearrange the kitchen, the three can be separated and hung in three different rooms without buying any extra parts. If you only need one focused light over a small table, buy the single and keep your ceiling quiet.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine natural stone shades, oak fittings\u003c\/li\u003e\n\u003cli\u003eIncluded: 3 lamps, 3 light sources, 3 ceiling caps\u003c\/li\u003e\n\u003cli\u003eShape: cylindrical shades, directed downward light\u003c\/li\u003e\n\u003cli\u003eMounting: cord suspended pendants, available in several drop heights\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and oak, tone and grain vary per shade\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020090695,"sku":"FBC-TRV-033","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/ed2212a841fc9e3ba148c1be0be9f5fa_13.jpg?v=1787419024"},{"product_id":"eu-gine-marmeren-wandlamp-1","title":"Gine Marble Wall Light with Opal Globe","description":"\u003cp\u003eGine is a wall light built from a slim panel of natural marble with a round opal white globe set against it. The marble is polished smooth, cool to the touch, and white with the natural veining that runs through every quarried slab, grey lines drifting across the surface in a pattern that belongs to that one piece of stone and no other. Set against the flat, hard sheen of the polished panel, the globe does the opposite job: opal glass carries its milkiness through the whole thickness of the material, so the light source inside is completely hidden and the sphere becomes a soft, even glowing form with no visible filament and no hot spot. The integrated LED is warm white, which is the deliberate choice here, because a cool light against white marble would read clinical while a warm one keeps the stone looking creamy and alive. The contrast between the cool polished stone and the warm glowing sphere is the entire idea of the design. Three sizes are available: 35 x 12 cm, 44 x 12 cm and 60 x 12 cm, all of them narrow enough in projection to sit close to the wall. The metal fixings are kept minimal and out of sight, so what you see on the wall is stone, glass and light.\u003c\/p\u003e\u003cp\u003eBecause it comes in three lengths, this fitting adapts to the wall rather than the other way round. The smallest suits a hallway, where a pair either side of a mirror gives even light on a face without the shadows a single overhead source throws, or a sequence along a corridor turning a passage into a series of lit sections. The medium size is the natural bedside choice, mounted just above the height of the headboard so the glow falls onto a book without spilling across the whole room, freeing the nightstand for everything else. The largest, at 60 cm, reads as a vertical line of light and works in a living room beside a sofa, in an alcove, or as a pair framing a fireplace or a large piece of art. Because the projection is only 12 cm, none of them get in the way in a narrow space. Marble behaves differently from travertine in a room: it is cool, smooth and slightly formal, so it lifts interiors that are otherwise warm and textile heavy, and it sits well with brass, dark wood, deep colours and anything in the room already made of stone. One further point about mounting height: because the globe glows evenly in every direction, the fitting can be set lower than a downward sconce without creating glare, which is what makes it usable right beside a bed or a low armchair.\u003c\/p\u003e\u003cp\u003eWall lights are usually the point where a lighting budget quietly runs out, and the market is full of white metal boxes that no one looks at twice. Gine takes the opposite position and makes the fitting itself worth seeing during the day, when it is switched off. Real marble is the reason: it has depth, the veining runs into the material rather than being printed onto a film, and the polished surface reflects a little of the room back. Every unit is different, so the piece you receive has a pattern nobody else owns. The integrated warm white LED keeps the fitting slim, since there is no bulb housing to hide, which is what allows the panel to stay at 12 cm of projection. This light suits people finishing a bedroom or hallway who want symmetry, buyers building a scheme around white marble already present in a bathroom or kitchen, and anyone who wants their lighting to look like a considered material choice rather than a fixture. Ordering two of the same size is the usual approach, since this design gains a great deal from being used as a pair. If the wall is going to carry only one fitting, take the largest size, because the 60 cm version has enough vertical presence to hold a wall on its own where the shorter ones look best in symmetry.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural marble, glass, metal\u003c\/li\u003e\n\u003cli\u003eColour: white marble with natural veining\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, warm white\u003c\/li\u003e\n\u003cli\u003eType: wall light\u003c\/li\u003e\n\u003cli\u003eSizes: S 35 x 12 cm, M 44 x 12 cm, L 60 x 12 cm\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eNatural stone: veining varies from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020123463,"sku":"FBC-GEN-003","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_172048_bd59ca10-e1c1-426b-b797-6ec8679d0132.jpg?v=1787419024"},{"product_id":"eu-gine-marmeren-wandlamp-2","title":"Gine White Marble Wall Light","description":"\u003cp\u003eThe Gine is a flat bar of natural white marble carrying a single opal white globe, built from marble, glass and metal and offered in three lengths: 35 by 12 centimetres, 44 by 12 centimetres and 60 by 12 centimetres. The marble is polished rather than honed, so the surface is smooth and slightly reflective and stays cool to the touch, and the grey veining runs across the face in the irregular way that only real stone does, sometimes as a single dominant seam, sometimes as a scatter of fine threads. Every bar is cut from a different block, so the drawing on the plate is specific to the piece you receive. Against that cool, hard, closed surface the designer has set the warmest and softest element available: an opal glass sphere with an integrated LED behind it, glowing warm white with no visible bulb, no filament and no hot spot. The contrast is the entire design. The globe is matt and luminous, the marble is glossy and dense, and light spilling from the sphere lands on the polished stone and reflects back as a low sheen rather than a texture, which is precisely opposite to how the same fixture would behave in travertine.\u003c\/p\u003e\u003cp\u003eChoose the length for the wall, not for the room. The 35 centimetre version is a bedside piece: mounted just above a nightstand it puts the globe at the right height for reading and the short bar keeps it neat beside a headboard. The 44 centimetre version is the general purpose one, good on either side of a mirror, above a console in a hallway, or flanking a fireplace. The 60 centimetre version is a statement across a large empty wall or above a sideboard in a living room, where its length gives the fixture enough presence to stand alone. In a bedroom a pair reads as calm and symmetrical without becoming hotel-like, because the veining differs between the two plates. In a hallway the bar hugs the wall and the projection is shallow, so it survives a narrow corridor, and the warm globe at the far end of a passage acts as a marker that pulls you along it. White marble is the safest of the natural stones against pale plaster, greige or soft green, and it is the most striking against a deep colour, where the plate reads as a bright horizontal line and the globe as a point on it.\u003c\/p\u003e\u003cp\u003eGine is chosen over a plain metal sconce for one reason: at close range the material rewards the look. A polished marble face has depth to it, the veins appear to sit a fraction below the surface, and light moving across the plate during the day changes what you see, which no painted finish reproduces. The integrated LED removes the usual visual failure of a globe sconce, where a bulb outline shows through a thin diffuser, and the warm white output is a deliberate counter to the cool tone of the stone so the fixture does not feel clinical. Three sizes make it unusually adaptable: you can specify the same design at bedside, hallway and living room without any of the three looking wrong for its wall. Because the LED is built in, there is nothing to replace, nothing to shop for and no socket visible in the silhouette. It is for someone who wants stone in a room without heaviness, since a flat bar and a small sphere occupy very little visual space for the amount of quality they carry. Accept that the veining varies from unit to unit, and that a matched pair will be two versions of the same idea rather than two copies of it.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural marble, glass and metal\u003c\/li\u003e\n\u003cli\u003eSizes: S 35 x 12 cm, M 44 x 12 cm, L 60 x 12 cm\u003c\/li\u003e\n\u003cli\u003eColour: white marble with natural veining\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, warm white\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020221767,"sku":"FBC-GEN-004","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_171748_6837298f-3cbf-46be-b4db-ad618794ed89.png?v=1787419026"},{"product_id":"eu-gerini-travertine-wandlamp-eiken","title":"Gerini Travertine \u0026 Oak Wall Light","description":"\u003cp\u003eGerini is a wall light made of two clear shapes: a cylinder of travertine and the flat rectangular backplate that carries it. The cylinder is the light, the plate is the frame, and the contrast between them is the whole design. Travertine is a porous natural stone, warm beige and laid down in bands, and on a small cylinder that banding runs around the body so a seam can be followed from one side to the other. The pores are left open, which keeps the surface matte and slightly rough and stops the stone from ever looking like a plastic imitation. Because the walls are opaque, light escapes only at the top and bottom of the cylinder, and that is what produces the effect the piece is really built around: two warm cones on the wall, one washing up, one washing down, meeting the plate in the middle. On a textured wall those cones rake across the surface and make plaster, brick or lime paint visible in a way flat lighting never does. The rectangular backplate sits behind, straight-edged and modern, giving the round stone something hard to push against and lending the fixture a sculptural quality when it is off. Light wood and metal complete the assembly at the join.\u003c\/p\u003e\u003cp\u003eVertical wall washing is a corridor technique, so a hallway is the first place to put Gerini. Mounted at roughly chest to shoulder height in a run, the paired cones stack down the length of the wall and turn a blank corridor into a rhythm of light and shadow, without a single fixture hanging into the walking space. It is the least intrusive way to light a narrow passage properly. Beside a bed the fixture takes over from a table lamp: mounted on the wall it leaves the nightstand clear, the downward cone falls onto the surface where a book or a phone sits, and the upward cone keeps the wall above from going black so the corner of the room stays soft rather than cave-like. In a living room it works as evening light, one on each side of a fireplace, along the wall behind a sofa, or flanking a doorway, in each case adding a warm layer at eye level that lets you turn the ceiling light off entirely. It also suits a stairwell, where the up-and-down throw follows the direction of travel. Because the beam is shaped rather than general, it is a light for atmosphere and orientation rather than for filling a room.\u003c\/p\u003e\u003cp\u003eWhat makes Gerini worth choosing over the many small sconces on the market is that the stone is real and the geometry is honest. The cylinder is solid travertine with a genuine surface, so each piece has its own banding and pore pattern, and a pair mounted either side of a bed will differ slightly, which is the mark of natural material rather than a manufacturing fault. The straight backplate keeps the fixture firmly modern, so this is not a rustic lamp: the combination reads as contemporary design that happens to use an ancient material. At one hundred and sixty-five millimetres tall and sixty-five millimetres deep it is genuinely compact, which matters in halls and beside beds where a large fixture becomes something you walk into. The E14 fitting is included with an LED source, so it arrives ready to install and you can change the light source later to suit the warmth and output you prefer, rather than being locked to a sealed unit. It suits minimalist and nature-led interiors, plaster and wood surfaces, and it is a strong choice for anyone building a home where the lighting works in layers and the ceiling fixture is the last resort rather than the first.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: travertine natural stone cylinder\u003c\/li\u003e\n\u003cli\u003eBackplate: rectangular, light wood and metal\u003c\/li\u003e\n\u003cli\u003eDimensions: 165 x 65 x 65 mm\u003c\/li\u003e\n\u003cli\u003eLight character: warm, up and down wall wash\u003c\/li\u003e\n\u003cli\u003eLight source: LED with E14 fitting, included\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, nature-inspired\u003c\/li\u003e\n\u003cli\u003eMounting: wall\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020320071,"sku":"FBC-TRV-034","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_141938_b15c1c91-0d8f-4dbb-9f40-fa865dbc1fb2.jpg?v=1787419026"},{"product_id":"eu-gerini-wandlamp-travertine-en-noten-met-ronde-afwerking","title":"Gerini Travertine Wall Light","description":"\u003cp\u003eThe Gerini wall light is a travertine cylinder held on a slim wall mount with a rounded finish, two hundred and thirty millimetres tall and sixty-five millimetres in each other direction. The shade is cut from natural travertine, a limestone formed in mineral springs, so the stone is layered rather than uniform: warm beige running through paler and darker bands, with the small open cavities that are the signature of the material scattered across the surface. On a narrow cylinder those bands run the length of the piece, which makes the fixture read as a column of stone rather than as a lamp with a stone cover. Behind it, the mount is finished in dark wood and metal, a deliberate contrast that keeps the pale stone from disappearing into a light-coloured wall and gives the whole fixture a sculptural profile. The light leaves the open end of the cylinder in a controlled beam, so the effect on the wall is a defined shape rather than a general glow, and the boundary between lit and unlit surface is what makes the fixture visible at night. Where the stone is cut thinnest around the opening, the rim takes on a faint warm edge once the lamp is on, which is the one thing a metal shade of the same shape cannot do. It takes a standard E14 lamp and is supplied with an LED, so it works from the moment it is mounted.\u003c\/p\u003e\u003cp\u003eA narrow wall light with a directed beam is a tool for surfaces. In a hallway, mounted at head height along an otherwise blank wall, it grazes the plaster and makes the texture visible, and a run of two or three turns a corridor from a passage into a sequence of lit points. Halls are usually the worst-lit rooms in a house because they get one flat fitting overhead, and this is the direct fix. Beside a bed it works as a compact reading light that takes nothing off the nightstand: mounted above shoulder height, the beam falls onto the page and the stone body keeps it off the rest of the bed. In a living room it becomes accent light rather than main light, aimed at a bookshelf, a picture or the corner behind a sofa, and used with a floor lamp instead of a ceiling fitting it gives the whole room a lower, warmer register in the evening. In every case the sixty-five millimetre width matters, since it lets the fixture sit on a narrow pier or beside a door frame where a wide sconce would not fit. Beige stone and dark wood stay quiet against white, clay and greige paint.\u003c\/p\u003e\u003cp\u003eMost wall lights at this size are metal tubes, and they read as fittings the moment you look at them. Gerini is a cut stone column with a wooden and metal mount, so it holds up in a hallway where you pass it several times a day and it looks intentional rather than functional. The travertine is solid, which means the surface has depth: pores go into the material, bands run through the block, and the piece you receive will differ from the photograph in the run of its layers and the size of its cavities. Two fitted along the same corridor will be visibly related but not identical, and that is what real stone does. The E14 lamp is included, and the fact that it is a standard replaceable socket rather than a sealed unit means you keep control of colour temperature and can change the lamp instead of the fixture. Practically, the narrow footprint and rounded mount make it easy to place on tight walls. It suits Japandi, modern and nature-inspired interiors, and it is a good choice for anyone lighting a hall, a stairwell or a bedroom wall where the fixture will be seen close up and needs to survive that inspection.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine and dark wood\/metal\u003c\/li\u003e\n\u003cli\u003eDimensions: 230 x 65 x 65 mm\u003c\/li\u003e\n\u003cli\u003eLight source: LED, E14 socket (included)\u003c\/li\u003e\n\u003cli\u003eLight: directed beam from the open end of the cylinder\u003c\/li\u003e\n\u003cli\u003eMounting: wall mount with rounded finish\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, nature-inspired\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, banding and pores vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020418375,"sku":"FBC-TRV-035","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260806_160550_0b2e8fc9-f128-4198-93bf-e661e27d803e.png?v=1787419028"},{"product_id":"eu-valen-wandlamp-travertine-en-noten","title":"Valen Travertine \u0026 Walnut Wall Light","description":"\u003cp\u003eValen is a small directional wall light: a walnut base measuring 50 by 170 millimetres carrying a spot cut from solid travertine, 40 millimetres across and 120 millimetres long. The spot pivots, so the beam can be pointed where you actually need it rather than wherever the fitting happens to face. Travertine gives the little cylinder a surface no metal spot can imitate, a warm beige with open pores and faint banding that catches raking light along its own length. Walnut is the counterweight: dark, close grained, sometimes figured, and cool enough in tone to keep the beige from turning sweet. Nothing about the pairing is loud. The light source is an integrated LED, and the fixture is operated by a push switch built into the base, which means you can turn it on and off without hunting for a wall switch across the room, and without running a pull cord down the wall. The output is functional rather than atmospheric: a defined, warm beam that is bright enough to read by, contained enough not to light the whole room. Angled at a wall instead, the same beam grazes the plaster and reveals its texture, turning a functional spot into an accent light.\u003c\/p\u003e\u003cp\u003eThe obvious place is beside a bed, and this lamp was clearly designed with that in mind. Mounted above and slightly behind the pillow, aimed down at the page, it gives a reader enough light while leaving the rest of the bedroom dark, which is what makes shared bedrooms workable. The push switch on the base is the detail that matters at midnight: no cord to find, no phone to unlock, one press. In a study or home office the same fixture takes light off the ceiling and puts it on a shelf, a pinboard or a corner of the desk, keeping the working surface free of a lamp base. In a hallway it can be angled to wash the wall rather than the floor, which makes a narrow passage feel wider than a downward beam would. Because the whole fixture projects only a little from the wall and the base is compact, it works in the tight spots where a shaded lamp will not fit, alongside a wardrobe or in a corridor people squeeze past. In material terms it does the same thing everywhere: two natural surfaces at small scale, warming a wall that would otherwise be plain plaster and a switch plate.\u003c\/p\u003e\u003cp\u003eAdjustability is the whole reason to pick this over a fixed sconce. A wall light that cannot be aimed is decoration; one that pivots is a tool, and a reading light that puts the beam on the page instead of on your face is the difference between using it every night and never using it. The push switch belongs in the same argument: control on the fixture itself is what makes a bedside light practical in a room where the wall switch is by the door. The materials are solid rather than applied, real travertine and real walnut, so the piece has the weight and coolness in the hand that stone should have and the wood keeps its grain instead of wearing through a printed layer. Choose it for a Japandi, modern or warm minimalist bedroom, a study that needs task light without desk clutter, or a hallway where you want the wall lit rather than the floor. It suits someone who wants their functional lighting to look like a small object rather than a piece of hardware. If you want soft ambient glow across a whole room, a directional stone spot is not the fixture for that, and a wall wash or a pendant will serve better.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine natural stone spot, walnut base\u003c\/li\u003e\n\u003cli\u003eDimensions: base 50 x 170 mm, spot diameter 40 mm x height 120 mm\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED\u003c\/li\u003e\n\u003cli\u003eControl: push switch built into the base\u003c\/li\u003e\n\u003cli\u003eAdjustable: directional spot on a pivot\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, modern, minimalist\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and walnut, texture and grain vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020483911,"sku":"FBC-TRV-036","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260818_065413_df5d98de-2698-4b1b-ad66-3ac801fa4eaf.png?v=1787419028"},{"product_id":"eu-valen-wandlamp-travertine-en-eiken","title":"Valen Travertine \u0026 Oak Wall Reading Light","description":"\u003cp\u003eValen is a small adjustable wall light: a base in oak carrying a directional spot cut from solid travertine. The base measures 50 mm wide by 170 mm high, the spot 40 mm across and 120 mm long, so this is a genuinely compact fitting rather than a scaled down version of something larger. The oak is warm and open grained, and because it is real wood the colour deepens slowly with light exposure over the years. The spot is where the interesting material behaviour happens. Travertine is porous, so even a piece this small shows the little open pits and the layered banding that the stone forms with, and when the integrated LED is on the stone picks up warmth around the rim while the beam itself stays clean and directed. The spot pivots, so the light goes exactly where you point it: down onto a page, sideways along a wall, or up to graze a surface. A push switch is built into the base, which means the lamp is operated at the fitting itself rather than from a wall switch across the room, and you can turn it off without getting up. The whole fitting is small enough to disappear into the wall during the day and clear enough in its geometry that it still reads as an object when you look at it directly.\u003c\/p\u003e\u003cp\u003eThis is first and foremost a bedside reading light, and it is designed around the specific problem that a table lamp on a nightstand solves badly. A table lamp takes up the surface, throws light in all directions and wakes the person next to you. Valen fixes to the wall, uses no surface at all, and aims a defined beam at the page and nowhere else, so one person can read while the other sleeps. The push switch on the base means no fumbling for a cord in the dark. It works equally well in a study or home office, mounted above a desk to light paper without adding reflections to a screen, or beside a shelf where you keep books you actually take down. In a hallway it lights a specific thing rather than the whole corridor: a picture, a coat hook, a doorway, the step at the end. Its small size also makes it suitable for a narrow entrance where a larger fitting would catch a shoulder. Against a plain wall the oak and stone add a little warmth, and in a Japandi or natural materials interior it sits with the rest of the scheme rather than announcing itself.\u003c\/p\u003e\u003cp\u003eAdjustable lights are usually metal, painted black or white, borrowed from workshop design and dropped into a bedroom. Valen does the same job with materials that belong in the room they are lit for. The travertine spot is real stone, cut and hollowed, which is why the fitting has weight for its size and why the pores read as texture rather than as a pattern printed on a tube. Oak and travertine also age well together and neither material needs maintenance beyond dusting. The integrated push switch is a practical detail worth paying attention to, because it means the lamp is independent of the room's wiring logic: you are not tied to whatever switch the electrician chose. The light being directional rather than diffuse is the second decision that defines it, since a reading light that spills everywhere is not a reading light. Valen suits couples who read in bed at different hours, anyone whose nightstand is already too small, people fitting out a study who need focused light without a desk lamp occupying the desk, and buyers who want an adjustable fitting that still looks like part of the interior. Mounted in pairs at matching heights on either side of a bed, two of them also solve the symmetry problem that mismatched table lamps usually leave behind.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine spot, oak base\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED\u003c\/li\u003e\n\u003cli\u003eControl: built in push switch on the base\u003c\/li\u003e\n\u003cli\u003eAdjustment: directional, pivoting spot\u003c\/li\u003e\n\u003cli\u003eDimensions: base W 50 mm x H 170 mm, spot diameter 40 mm x H 120 mm\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, natural, minimalist\u003c\/li\u003e\n\u003cli\u003eUse: bedroom reading light, study, hallway\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020516679,"sku":"FBC-TRV-037","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260818_065540_7a24993d-fc9f-4bae-9d9f-6ac31b5560d6_1.png?v=1787419029"},{"product_id":"eu-jurie-wandlamp-travertine-en-noten","title":"Jurie Travertine and Walnut Wall Light","description":"\u003cp\u003eThe Jurie is built from three materials doing three different jobs. A round wall mount in solid timber sits against the plaster, a black steel arm carries the weight out from it, and a conical shade of solid travertine hangs at the end, the whole fixture measuring 200 millimetres high by 150 millimetres wide and standing 15 centimetres off the wall. Travertine is a stone laid down in mineral springs, and the cone shape shows its layering to good effect: the horizontal bands wrap the taper, widening as the cone widens, and the open pores catch shadow across the whole slope. Colour sits in the warm beige range with rustier seams where the deposit changed. Because the stone is solid, no light passes through the shade. It leaves the open mouth of the cone as a defined downward wash with a soft edge, which makes the fixture a directional one. The black steel is doing the visual work of separating warm wood from warm stone, a thin dark line that stops the two natural materials from blurring into each other. Off, the piece reads as a small sculptural assembly of three colours. On, the cone glows faintly at the rim while the light itself lands on whatever is directly below it.\u003c\/p\u003e\u003cp\u003eBecause the light falls downward, mount the Jurie above the thing you want lit rather than at eye level in an open wall. Beside a bed it is a genuine reading lamp: fixed roughly 60 centimetres above the mattress, the cone drops a pool onto the page, keeps the beam off the wall, and leaves the rest of the room dark enough for someone else to sleep. It frees the whole nightstand at the same time, which in a small bedroom is worth more than the fixture. In a living room it works over a sideboard, an armchair or a piece of art, where the wash grazes the wall and turns a vertical surface into a soft gradient. In a hallway or dining area it does the same over a console or a bench. The 15 centimetre projection is worth measuring against your corridor, since it does stand out from the wall more than a flat sconce, and that projection is exactly what lets the cone clear the wall and throw a clean pool. The material combination suits Japandi and Wabi Sabi interiors particularly well, and it holds up in a plainer modern room by supplying the only texture in it.\u003c\/p\u003e\u003cp\u003eThe reason to pick Jurie over a simpler stone sconce is that it is articulated. Most travertine wall lights are a plate with something attached, whereas this one is composed of separate parts, each in a different material, which gives it a small architectural presence on the wall and a shadow of its own. The conical shade is the second argument, since a taper controls light more precisely than a cylinder and directs the wash forward as well as down, so it can be used to light a picture or a worktop instead of just making atmosphere. The E27 socket takes a bulb that is not included, which is a genuine advantage rather than an omission: you set the colour temperature and output yourself, run something dim and warm at 2200 kelvin beside a bed or a brighter lamp over a work surface, and you replace it in seconds rather than replacing the fixture when an integrated LED fails. Solid timber, real steel and real stone mean the piece has weight and will not look tired in five years. Each stone cone differs in tone and in the number of visible pores, so a pair will be siblings rather than duplicates.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine natural stone, solid wood and iron\u003c\/li\u003e\n\u003cli\u003eDimensions: H 200 mm x W 150 mm, 15 cm from the wall\u003c\/li\u003e\n\u003cli\u003eLight source: E27 socket, bulb not included\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, Wabi Sabi, minimalist\u003c\/li\u003e\n\u003cli\u003eLight direction: downward wash\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020549447,"sku":"FBC-TRV-038","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260820_080313_c9cc113a-3896-407c-af8e-36f6e955d66b.png?v=1787419031"},{"product_id":"eu-mane-wandlamp-travertine-en-eiken-1","title":"Mane Travertine \u0026 Oak Wall Light","description":"\u003cp\u003eMane is a small adjustable wall spot built from two natural materials and one moving joint. The cylinder that carries the light is solid travertine, five centimetres across and twelve tall, and it sits on a round oak wall mount ten centimetres in diameter. Travertine gives the spot its texture: warm beige stone with mineral banding running across it and the open pores that form as the rock is laid down, left unfilled so the surface stays matte and reads as quarried rather than manufactured. Oak underneath brings a straight, calm grain and a slightly golden tone that sits beside the beige without competing with it. Between them is a hinge, and that hinge is the point of the whole design: you can swing the cylinder to aim the light where you want it, up the wall, down onto a surface, or out into the room. Because the light source is an integrated LED set inside the opaque stone body, what leaves the cylinder is a defined beam with a soft edge and no visible lamp, no matter which way you turn it. Aimed at a wall it makes a warm oval that grades outward; aimed at a book it puts a clean pool on the page while the rest of the room stays dark.\u003c\/p\u003e\u003cp\u003eThe bedroom is where an adjustable spot proves itself. Mounted beside the bed at shoulder height, the cylinder tilts down onto the page so one person can read while the other sleeps, then swings up the wall later to become a soft glow for the room. That single joint replaces both a bedside lamp and a night light, and it clears the nightstand of everything except what you actually want there. In a study or home office the same movement lights a work surface without the glare a desk lamp throws across a screen, and because the fixture is on the wall it takes no desk space at all. In a hallway it aims along the corridor or onto artwork, working as a compact spot that will not be knocked as people pass. The compact scale is deliberate throughout: a ten centimetre base and a five centimetre spot sit close to the wall and read as a detail rather than a statement, which is why they suit small rooms, alcoves and the wall beside a doorway. In a living room a pair can pick out shelving or a picture. Anywhere it goes, the warm stone keeps the light itself warm and the beam soft-edged.\u003c\/p\u003e\u003cp\u003eAdjustable wall spots are usually engineered objects in black or white metal, and they announce themselves as technical hardware. Mane takes the same function and builds it from stone and wood instead, so the fixture belongs in a room that has been finished in natural materials rather than looking borrowed from a gallery track system. That is the real argument for it: full directional control without the industrial look. The travertine is solid rather than a shell, so the cylinder has genuine weight in the hand, its banding continues around the form, and no two spots share the same pattern of pores. The integrated LED keeps the head slim and means there is no socket or bulb visible inside the opening when the light is aimed toward you, which matters for a fixture designed to be pointed around a room. Japandi, modern and minimalist interiors are its natural home, particularly where oak already appears in floors, doors or furniture and the wood in the mount ties the fixture into what is already there. It is a practical answer for a small bedroom with no room for a bedside table, for a reader who wants a proper beam on the page, and for anyone who prefers to aim light rather than settle for where a fixed lamp points.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSpot: travertine natural stone cylinder\u003c\/li\u003e\n\u003cli\u003eWall mount: oak wood, round\u003c\/li\u003e\n\u003cli\u003eDimensions: base 10 cm diameter, spot 5 cm diameter x 12 cm height\u003c\/li\u003e\n\u003cli\u003eAdjustable hinge for aiming the beam\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, natural, minimalist\u003c\/li\u003e\n\u003cli\u003eUse: bedroom reading light, hallway, study, living room\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020582215,"sku":"FBC-TRV-039","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260820_102711_9f079c26-9e65-4d75-aa18-252bd985b26e.png?v=1787419030"},{"product_id":"eu-solis-travertine-wandlamp-noten","title":"Solis Travertine \u0026 Walnut Wall Light","description":"\u003cp\u003eThe Solis wall light reverses the usual arrangement: the wall plate is the stone and the spot is the wood. A round plate of solid travertine, twenty centimetres across, carries the fixture, and because travertine is a spring-formed limestone the full face of that disc shows what the material is made of, warm beige crossed by paler and darker sedimentary bands with small open cavities scattered through it. At twenty centimetres the plate is large enough to be read as a stone surface in its own right rather than as a cover for a junction box. Mounted on it is a directional spot turned from warm walnut, five centimetres across and twelve long, dark brown against the pale mineral face. The joint between them is an adjustable hinge, so the beam can be aimed down the wall, across a picture, onto a page or towards the ceiling, and re-aimed whenever the use of the room changes. An LED is included in the head, and the beam leaves the open end with a defined edge while the source itself stays hidden from the side. The contrast between the two materials is the whole design: cool porous stone spread flat against the wall, warm close-grained wood projecting out of it, and a single moving joint between them. Because the plate is solid stone rather than a veneer, it also gives the fixture the weight that keeps a hinged arm from drifting once it is set.\u003c\/p\u003e\u003cp\u003eSolis is at its best where the wall itself is part of the effect. Because the stone plate is twenty centimetres across, the fixture reads clearly from across the room even when the light is aimed away, so it works on a bedroom wall above a nightstand as both a reading light and an object: angle the walnut head down onto the book and the plate stays a quiet stone circle beside the bed. A pair either side of a headboard turns into a symmetrical arrangement that replaces two table lamps and clears both surfaces. In a hallway, mounted at head height, the aimed beam grazes plaster or panelling while the plate anchors the fixture to a wall that would otherwise be blank, and the larger disc suits the wide walls of an entrance better than a small sconce. Above a desk in a study, angled onto the work surface, it gives task light and keeps the desk clear of a lamp base and cable. Because the plate is honed stone, not glossy, it takes daylight from a window without flaring, so the fixture looks the same at midday as it does at night, which matters when it sits in view all day.\u003c\/p\u003e\u003cp\u003eThe design choice here is worth stating plainly: putting the stone on the wall and the wood in the hand makes the fixture warmer and quieter than the reverse. The travertine plate spreads the material across a larger area, so you get more of the banding, more of the pores and more of the natural colour variation than a small stone head could show, and every plate is sawn from a different part of the block, meaning the disc you receive will have its own run of layers and its own scatter of cavities. The walnut spot then reads as a small warm gesture against it, and walnut deepens in colour over the years while the stone stays exactly as it is. The hinge is what makes the fixture practical rather than decorative, because a fixed sconce is only ever right for the arrangement it was installed for, and a bedroom or a study changes. The LED is included, so the fixture works out of the box. It suits Japandi, natural and minimalist interiors, and it suits anyone who wants bedside or hallway lighting that looks deliberate from a distance and still puts light exactly where it is needed up close.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine natural stone and walnut wood\u003c\/li\u003e\n\u003cli\u003eBase: 20 cm diameter round travertine wall plate\u003c\/li\u003e\n\u003cli\u003eSpot: 5 cm diameter x 12 cm long, walnut\u003c\/li\u003e\n\u003cli\u003eAdjustment: pivoting hinge, directional beam\u003c\/li\u003e\n\u003cli\u003eLight source: LED (included)\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, natural, minimalist\u003c\/li\u003e\n\u003cli\u003eUse: bedroom reading light, hallway, study, living room\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020614983,"sku":"FBC-TRV-040","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260820_130952_a655547d-d098-41cc-b104-c314b92bed25.png?v=1787419031"},{"product_id":"eu-gerini-wandlamp-twee-zijde-licht","title":"Gerini Travertine Up \u0026 Down Wall Light","description":"\u003cp\u003eGerini is a wall light that throws light in two directions from a cylindrical travertine shade mounted on a slim rectangular backplate in dark wood and metal. The measurements are 230 x 65 x 65 mm, so it is narrow and vertical, and the geometry is the point: a soft round form against a straight plate, which gives the piece a sculptural quality from the side as well as head on. The travertine does the work you buy stone for. It is a limestone formed in layers around mineral springs, so its surface carries open pores and faint banding, the colour drifts between cream and warm sand, and because each shade is cut from a different part of the block, no two are the same. Because the cylinder is open at both ends, light escapes upward and downward at once. That produces the effect this fitting is built for: two soft triangles of light washing the wall above and below, with a dark band between them, so the wall itself becomes part of the lighting instead of a flat surface with a lamp stuck to it. An E14 LED is included, so it works from the first evening. The dark backplate keeps the mounting hardware out of view and gives the pale stone something to read against.\u003c\/p\u003e\u003cp\u003eUp and down wall lights change a room in a way that lamps cannot, because they light the vertical surfaces. In a hallway, where the walls are almost the entire room, a pair of them turns a plain corridor into something with rhythm and depth, and the light thrown up onto the ceiling stops the passage from feeling low. Beside a bed, mounted at roughly shoulder height when sitting, the downward wash is enough to read by while the upward wash keeps the corner of the room from going completely black, which is a much gentler way to be awake at night than a ceiling light. In a living room it works on the wall behind a sofa, in an alcove, or flanking a chimney breast, where the two beams of light give a wall texture that a single overhead fixture flattens out. Because it stands only 65 mm off the wall, it fits in tight places: the wall of a staircase, the space beside a door, the strip between two windows. In a room with rough plaster, brick or textured paint, the grazing light reveals the surface rather than washing it out. Mounting height is worth thinking about, since the higher you set it the wider the upper triangle spreads across the ceiling and the tighter the lower pool becomes on the floor.\u003c\/p\u003e\u003cp\u003eTwo directional openings from one small fitting is what makes this design worth choosing over a plain sconce. You get the practical downward light for reading or navigating, and the upward light that keeps the room from feeling closed in, both from a single point on the wall and a single switch. The combination of materials backs that up: warm porous stone against a dark backplate reads as a deliberate contrast rather than a single finish applied to everything, and the darker plate makes the lit stone look brighter than it measures. The E14 socket means the bulb is replaceable and the fitting outlives it, which is not true of the sealed LED sconces that fill this price range, and one is supplied so nothing needs ordering separately. Gerini suits people lighting a hallway or staircase properly for the first time, anyone who wants bedside light without surrendering the nightstand, and buyers who like architectural lighting effects but do not want recessed fittings cut into the ceiling. Buy them in pairs or in threes down a wall, where the variation in the stone keeps a repeated fitting from looking like a hotel corridor. Spacing them roughly two metres apart along a hallway gives an even rhythm of light without leaving dark gaps between them.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine with dark wood and metal backplate\u003c\/li\u003e\n\u003cli\u003eLight direction: up and down, two sided\u003c\/li\u003e\n\u003cli\u003eLight source: E14 LED, included\u003c\/li\u003e\n\u003cli\u003eType: wall light\u003c\/li\u003e\n\u003cli\u003eDimensions: 230 x 65 x 65 mm\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, natural\u003c\/li\u003e\n\u003cli\u003eNatural stone: pores and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020680519,"sku":"FBC-TRV-041","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/IMG-7439.webp?v=1787419033"},{"product_id":"eu-anua-travertine-ronde-wandlamp","title":"Anua Round Travertine Wall Light","description":"\u003cp\u003eThe Anua sets a clear round glass globe against a circular backplate of solid travertine, and the fixture measures 26 centimetres high by 22 centimetres wide and stands 10 centimetres from the wall. Making the backplate a disc rather than the usual rectangle changes the character of the whole piece: two circles of very different weight and material sit next to each other, one heavy, porous and matte, the other light, smooth and hollow, and the result reads more like a small object hung on the wall than like a fitting screwed to it. The travertine is honest stone throughout, cut from a bed formed in mineral springs, with fine banding curving across the round face and the open pores that give the material its texture. Tone runs through the warm beiges, with the occasional rustier line. Light comes from a warm LED bulb, included in the box, sitting inside the globe. Because the glass is round and the source omnidirectional, a good part of the light falls straight back onto the stone disc behind it and rakes across the face at a shallow angle, dropping shadow into every pore. That grazing light is the reason the backplate is worth having in stone rather than metal.\u003c\/p\u003e\u003cp\u003eThis is a piece to hang where it will be looked at, not merely used. In a living room it is at its best on a section of wall with nothing else on it, at roughly the height you would hang a small picture, where it does the job of both artwork and light. The shallow 10 centimetre projection means it can go in a circulation route without becoming an obstacle. In a bedroom, mounted above the corners of a headboard, a pair gives soft light for the last hour of the evening and enough for reading if the bulb is chosen well, and the round backplates echo any other soft shapes in the room. In a hallway, particularly a windowless one, the Anua earns its keep during the day too, since the stone disc has enough presence unlit to stop a blank corridor from feeling like a corridor. It suits minimalist and Japandi rooms because it introduces curve and texture into schemes that tend to be all straight lines and flat finishes. Against white plaster the beige disc warms the wall around it. Against a deep clay, green or charcoal paint the stone reads as a pale moon and the glass as a brighter one beside it.\u003c\/p\u003e\u003cp\u003eThe playful geometry is what separates Anua from the flat rectangular stone sconces that dominate this category. Two circles, one stone and one glass, offset rather than concentric, is a composition rather than an arrangement of parts, and it holds attention when the light is off, which is most of the time. Practically, the bulb is included and is a warm LED, so the fixture arrives ready to use and the colour temperature matches the stone instead of fighting it, which is where cheaper stone lights usually go wrong by pairing warm beige with a cool white source. The 10 centimetre depth is modest for a globe sconce and makes it usable in tighter spaces than most. Every backplate is cut from a different section of the bed, so the banding, the tone and the pattern of pores will be unique to your lamp, and a pair will be visibly related rather than identical. It is for someone who wants one considered thing on a wall instead of several ordinary ones, and who values the way real stone changes under raking light. If a uniform machine finish is what you are after, this is the wrong material entirely, and a painted metal disc will serve you better for less money.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine natural stone and glass\u003c\/li\u003e\n\u003cli\u003eDimensions: H 26 cm x W 22 cm x D 10 cm\u003c\/li\u003e\n\u003cli\u003eLight source: warm LED bulb included\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, Japandi\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted\u003c\/li\u003e\n\u003cli\u003eRound stone backplate, unique in every piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020713287,"sku":"FBC-TRV-042","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/Rolde_Linear_Chandelier_13_1200x_46.jpg?v=1787419033"},{"product_id":"eu-miona-travertine-wandlamp","title":"Miona Travertine Wall Light","description":"\u003cp\u003eMiona is a wall light reduced to a single element: a cylinder of natural travertine mounted directly on the wall, twenty-two centimetres tall and seventeen wide. There is no visible arm, no backplate on show and no shade rim, so what you see is a piece of stone attached to a surface, which is why the fixture reads as sculpture during the day and only becomes a lamp after dark. Travertine carries that role because it is genuinely interesting to look at. The stone is warm beige with mineral banding drifting across it, and the pores formed while it was laid down are left open, so the face is matte, slightly rough to the touch, and full of small shadows under raking light. No two cylinders are alike, in colour or in the run of their seams. The body is opaque, so the LED inside sends light out of the open top and the open bottom rather than through the material. That produces the effect Miona is built for: a warm glow climbing the wall above the fixture and a second falling below it, each a soft-edged cone that fades out rather than stopping. The wall itself becomes part of the lamp, and the stone stays visible as a solid dark form between two washes of light.\u003c\/p\u003e\u003cp\u003eIn a living room this is evening light. Mounted on the wall behind or beside a sofa, the paired cones lift the corners of the room and let you switch the ceiling fixture off entirely, which is the single biggest change you can make to how a room feels after dark. On plaster, lime paint, brick or rough render the raking beam makes the texture of the wall visible, so the surface stops being a flat colour and starts carrying depth. In a bedroom the same thing happens at a smaller scale: a pair either side of the bed gives you a calm ambient layer with no glare in the eyes, and because the fixture is compact it does not crowd a headboard or intrude over a nightstand. A hallway takes it best of all, since corridors have wall and little else, and light that washes vertically makes a narrow space feel taller and less like a tunnel. It also works in a stairwell, where the up-and-down throw follows the way you move. Because the beam is shaped rather than general, plan it as an atmosphere layer next to a reading light or a ceiling fixture, not as the only source in the room.\u003c\/p\u003e\u003cp\u003eThe reason to spend on a lamp this simple is that with so few elements, the material has to carry everything. Solid travertine does. It is quarried stone, cut and finished, with real mass and a surface that repays being seen close: the seams continue around the cylinder, the pores are genuine voids rather than a printed texture, and the beige shifts subtly across the face rather than sitting at one flat value. That means each Miona is a one-off, and a pair mounted either side of a bed will be recognisably siblings rather than copies, which is the honest character of natural stone and the thing an imitation cannot fake. There is no finish to chip, no paint to yellow and no plated metal to wear through, so the lamp will look the same in a decade as it does on the day it goes up. It belongs in minimalist, modern, Japandi and nature-led interiors, and it works especially well in rooms already using oak, linen, rattan or plaster. Choose it if you want to build light in layers, if your walls deserve to be seen, or if you simply want one considered object on a wall that has been empty since you moved in.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: solid travertine natural stone, cylindrical\u003c\/li\u003e\n\u003cli\u003eDimensions: 22 cm height x 17 cm width\u003c\/li\u003e\n\u003cli\u003eLight character: warm glow directed up and down the wall\u003c\/li\u003e\n\u003cli\u003eLight source: LED\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, Japandi, nature-inspired\u003c\/li\u003e\n\u003cli\u003eMounting: wall\u003c\/li\u003e\n\u003cli\u003eEach piece unique in colour and texture\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020746055,"sku":"FBC-TRV-043","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_162207_91a78f6d-f47e-49b2-8b03-a8cfc539faac.jpg?v=1787419034"},{"product_id":"eu-jakuma-travertine-wandlamp","title":"Jakuma Travertine Wall Light","description":"\u003cp\u003eThe Jakuma is a wall light made entirely of travertine, with no wood, metal or glass in view. The shade is a half dome cut from solid stone, twenty-four centimetres wide and twelve deep, so the curve is generous and shallow rather than a tight bowl. Travertine forms in mineral springs, which is why every block is different: the stone is built from layers, and cutting a dome through those layers brings the veins out as curved lines that follow the shape, while the small open cavities left in the material during formation appear as pits scattered across the face. Because the whole fixture is one material, the light is what breaks it up. The dome is open at the bottom, so the beam falls down the wall in a defined wash, and where the stone is cut thin at the rim it takes on a faint warm translucency, a line of glow along the edge that only appears when the lamp is on. Above the fixture the wall stays dark, so the fitting reads as a solid shape with light escaping under it. At twelve centimetres deep it projects less than most wall lights of this width, which keeps the profile close to the plaster. It takes a standard E14 lamp with an LED, and because the socket is a common one the colour temperature stays a decision you make rather than one made for you at the factory.\u003c\/p\u003e\u003cp\u003eA half dome washing light down a wall is atmosphere rather than illumination, and that is how it should be used. In a living room, mounted above eye level on a wall behind or beside the seating, it gives the room a low warm layer for the evening, the kind of light you use instead of the ceiling fitting when the day is over, with the wall itself doing the work of spreading it. Two of them along the same wall, evenly spaced, create a rhythm that makes a long room feel considered. In a bedroom, mounted either side of the bed above the nightstands, the downward wash is soft enough to sit with and bright enough to find things by, without the direct beam of a reading spot. In a hallway it turns a blank wall into the source of light for the whole passage, and because the fixture projects only twelve centimetres it stays clear of shoulders in a narrow corridor. The stone reads warm beige against white plaster and merges into clay or sand-coloured walls, where it becomes a shape rather than a contrast. Pair it with a warm lamp so the glow at the rim stays golden rather than white.\u003c\/p\u003e\u003cp\u003eMaking the whole fixture from one piece of stone is a harder choice than mixing materials, and it gives the Jakuma its character. There is no bracket, no visible fixing and no contrasting cap, so what hangs on the wall is a piece of cut travertine and nothing else, and every detail you see is the material rather than the design. That means the variation is the product: the veins on your dome will curve differently from the one photographed, the colour may sit warmer or greyer, and one piece may carry an open cavity near the rim that another does not. The thin rim is the detail worth waiting for, since stone at that thickness lets a little light through and gives the fixture a warm edge when it is switched on, which no metal shade can do. The E14 socket is standard and replaceable, so the colour temperature stays your decision. It suits modern and Japandi interiors built around natural materials, works as accent lighting in a living room, bedroom or hall, and fits anyone who wants a wall light that behaves like a stone object during the day and disappears into its own glow at night. It is also a good first stone fixture, because a single wall light commits you to far less than a pendant over a table does.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine (natural stone throughout)\u003c\/li\u003e\n\u003cli\u003eDimensions: 12 x 24 cm\u003c\/li\u003e\n\u003cli\u003eShape: half-dome shade, open at the bottom\u003c\/li\u003e\n\u003cli\u003eLight source: LED, E14 socket\u003c\/li\u003e\n\u003cli\u003eLight: warm downward wash along the wall\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, Japandi\u003c\/li\u003e\n\u003cli\u003eFinish: natural stone, veining and pores vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020811591,"sku":"FBC-TRV-044","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260729_100801_8211b9df-e174-4864-8135-749a019338ba.png?v=1787419036"},{"product_id":"eu-matsuya-travertine-tafellamp","title":"Matsuya Travertine \u0026 Glass Table Lamp","description":"\u003cp\u003eMatsuya is a table lamp built from two elements: a heavy travertine foot and a rounded glass shade above it, standing 30 centimetres tall on a footprint of only 9 centimetres across. That proportion is what makes it work on a crowded surface, tall enough to lift the light above objects on the table and narrow enough to take up almost nothing. The foot is solid natural travertine, a warm beige limestone with open pores and faint layered banding, and its weight is the reason the lamp stands steady on such a small base. Stone at this scale also feels different from stone at wall scale; you touch a table lamp, and travertine is cool and slightly rough under the hand rather than slick. The glass shade above it is rounded and softens the source, so the light spreads in a gentle warm glow rather than a beam, and the bulb inside is diffused rather than staring out at you. The contrast between the two materials is the design: opaque, coarse and matte below, translucent and smooth above, with nothing else added. There is no visible hardware between them and no decorative collar, so the eye moves straight from stone to glass. The lamp takes a standard E27 socket and the light source is included, which means the character of the glow is yours to adjust by choosing the bulb.\u003c\/p\u003e\u003cp\u003eA table lamp lives where people sit, so its job is to be pleasant at close range rather than bright. On a nightstand, Matsuya gives the low warm pool you want at the end of a day, and because the base occupies so little surface there is still room for a book, a glass and a phone. On a sideboard or a console it works as a fixed point of warmth in a room otherwise lit from above, and a pair of them at either end of a long sideboard gives symmetry that a single lamp cannot. On a desk it belongs slightly to the side, providing ambient light beside a screen rather than task light on a page, which is the more comfortable arrangement for evening work. In a living room, put it on a side table next to a chair and it becomes the light you actually use when the ceiling light stays off. What the piece does to a room is quiet: an upright stone form with a glowing head is closer to a small sculpture than a lamp, and it stays interesting in daylight, which most table lamps do not. The beige stone also warms cool rooms and sits easily beside oak, linen, ceramic and paper.\u003c\/p\u003e\u003cp\u003eThe reason to choose Matsuya is the base. A stone foot at this height and this narrow diameter has to be solid to stand up, and solid travertine is what gives the lamp its stability and its presence in the hand. Lightweight stone effect bases wobble and feel like what they are. The rounded glass shade is the other half of the value, because glass is the difference between a warm glow and a visible bulb, and a bare source on a nightstand is unpleasant in exactly the situation where you most want a lamp. The standard E27 socket keeps the lamp yours to tune: choose a warmer or brighter source, swap it in seconds, and keep the lamp working long after an integrated LED would have failed. It suits a Japandi, organic modern or minimalist interior, someone who wants the bedside light to look considered rather than utilitarian, and anyone assembling a room from natural materials one piece at a time. Because the footprint is so small it is also one of the few table lamps that fits a genuinely narrow nightstand, where most shaded lamps overhang the edge and end up being moved. If you want a bright adjustable task lamp for detailed work at a desk, this soft ambient design is not that lamp, and an adjustable reading light will serve you better.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine base, rounded glass shade\u003c\/li\u003e\n\u003cli\u003eDimensions: height 30 cm, diameter 9 cm\u003c\/li\u003e\n\u003cli\u003eLight source: E27 fitting, included\u003c\/li\u003e\n\u003cli\u003eLight: soft diffused warm glow\u003c\/li\u003e\n\u003cli\u003eStyle: Japandi, minimalist, organic modern\u003c\/li\u003e\n\u003cli\u003eUse: nightstand, sideboard, desk, side table\u003c\/li\u003e\n\u003cli\u003eNote: natural stone, colour and texture vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020844359,"sku":"FBC-TRV-045","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_123405_28a084d1-32a5-4639-bdf8-53325cc5e6b2.jpg?v=1787419036"},{"product_id":"eu-sara-tafellamp","title":"Sara Travertine \u0026 Walnut Table Lamp","description":"\u003cp\u003eSara is a table lamp that combines travertine with walnut or oak in a compact sculptural form, roughly 30 cm high and 15 cm wide. Travertine is a limestone that builds up in layers around mineral springs, and cutting it exposes exactly that history: open pores dotted across the face, faint horizontal banding, and colour that drifts from cream through sand to warm ochre within the same piece. Honed rather than mirror polished, the stone stays matt and slightly chalky, so the pores catch shadow and the surface never glares. The wood is the counterweight. Walnut brings a deep brown with a close, wavy figure; oak stays pale with an open, straight grain, and the two options give the same lamp two quite different characters. Where the stone is cool and mineral, the wood is warm and organic, and putting them directly together is what makes the object read as designed rather than assembled. The light source is included and the output is deliberately warm and low, which suits a lamp of this scale: it draws the texture out of both materials and leaves a soft pool on the surface underneath rather than lighting the whole room. Because the base is stone, the lamp also has more weight than its size suggests, so it stays put on a smooth dresser or a polished shelf.\u003c\/p\u003e\u003cp\u003eAt 30 cm this lamp fits the surfaces where a full size table lamp would be too tall and a tiny one would vanish. On a bedside table it is the right height for light to fall on a book without shining into the face of anyone lying down, and its footprint of about 15 cm leaves room for the things that actually live there. On a sideboard or a dresser it works as one of a pair or as a single warm point at one end, breaking up a long empty surface and giving the wall behind it a soft gradient. On a desk it is a companion light rather than a task light, taking the edge off the contrast between a bright screen and a dark room during winter evenings. It also suits a shelf, a windowsill or a hallway console. Materially, this is a lamp that behaves well in rooms already built from natural things: oak floors, linen curtains, wool throws, ceramics, rattan. The stone gives a hard, cool surface among all that softness, and the wood ties the lamp back to the furniture, so it sits inside the scheme instead of standing apart from it. In a room where every other surface is painted or upholstered, this is often the only object with a genuinely mineral texture, and that alone changes how the space reads at night.\u003c\/p\u003e\u003cp\u003eTwo natural materials in one small object costs more to make than a single moulded shell, and that is the whole argument for this lamp. The travertine is cut and hollowed rather than pressed, so it carries real weight, keeps its pores through the full depth of the surface, and will look the same in twenty years as it does on delivery. The wood is solid and finished lightly enough that you can still feel the grain under a finger, and it will darken slightly and evenly with age. Because both parts are natural, no two lamps are identical, and the stone in yours will differ in pore density and tone from the one in the photograph. That variation is the reason to choose material over finish. A light source is included, so the lamp works out of the box with nothing else to order. Sara suits people furnishing a bedroom or living room in a natural, minimalist or Japandi direction, anyone who wants a lamp small enough for a crowded surface but substantial enough to be worth looking at, and buyers who would rather own one piece made from real materials than three made from painted plastic. Choose walnut if the room already leans dark and warm, oak if it is pale and Scandinavian, and the same lamp will read as two quite different objects.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: travertine with walnut or oak\u003c\/li\u003e\n\u003cli\u003eLight source: included\u003c\/li\u003e\n\u003cli\u003eType: table lamp\u003c\/li\u003e\n\u003cli\u003eDimensions: approximately 30 x 15 cm, height x width\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, modern, natural\u003c\/li\u003e\n\u003cli\u003eNatural stone and wood: pores, grain and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020909895,"sku":"FBC-TRV-046","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_111046_16b1a4dd-07f3-4770-9249-d9669c79e4c6.jpg?v=1787419036"}],"url":"https:\/\/fabiandco.com\/collections\/new-arrivals.oembed","provider":"fabiandco","version":"1.0","type":"link"}