{"title":"Marmor","description":"\u003cp\u003eMarble lighting with real veining running through the stone. Heavier, cooler and more graphic than travertine.\u003c\/p\u003e","products":[{"product_id":"eu-calira-goude-marmeren-wandlamp","title":"Calira Black Marble Wall Light","description":"\u003cp\u003eThe Calira is a slim cylinder of solid black marble carried on a small metal wall base. Marble is a compressed limestone, and its calcite veining is the record of that pressure: here it runs through a near black ground as pale grey and white seams, some no wider than a thread, others opening into broader drifts that cross the whole tube. The surface is polished, so it stays cool under the hand and picks up a quiet reflection of whatever stands opposite. Because the cylinder is turned from solid stone rather than wrapped in stone veneer, the veining continues around the back of the tube where nobody looks, and the edges show the same pattern in section. The 12 watt LED sits inside and is never visible. Light escapes from the open top and bottom of the cylinder in two cones, so the fixture draws a long soft column on the wall behind it rather than lighting the room in general. Close to the stone that column is bright and narrow, then it widens and fades. At the point where the beam leaves the tube, a little of it catches the polished rim, which puts a thin bright line on the edge of the marble. Off, the piece reads as a dark solid bar. On, it looks like a lit seam in the wall.\u003c\/p\u003e\u003cp\u003eThis is architectural light rather than task light, so place it where a wall is worth drawing on. In a living room it is at its best on a chimney breast, beside a tall bookcase, or flanking a doorway in a pair, where the two vertical columns of light frame the opening and give a flat wall a rhythm it did not have. The upward cone lifts the ceiling line and the downward cone anchors the piece, so a single unit on a large empty wall still feels deliberate rather than lost. In a bedroom, mounted just above the height of a bedside table, the downward cone lands roughly where a book would be and the upward cone keeps the rest of the room dim. That split makes it a genuinely useful bedside fitting for anyone who reads while someone else sleeps. In a hallway, run two or three along one side at even spacing and the corridor stops feeling like a passage and starts feeling like a room. Black marble does something specific to a wall colour: against off white it is a hard graphic full stop, against deep green, navy or charcoal it almost vanishes in daylight and reappears only when lit. Warm timber floors and brass hardware take to it especially well.\u003c\/p\u003e\u003cp\u003eThe reason to choose Calira over a painted metal tube of the same shape is that the material is doing all the work. There is no shade, no decorative bracket and no visible fastening to distract from a single turned cylinder, so the veining has nowhere to hide and has to be good. Solid marble also means weight and a cold, dense feel that reads immediately as real the first time you touch it, which is the part no photograph transmits. The integrated LED removes the usual weak point of a minimal wall light, where a visible bulb ruins the line the designer drew, and the wide 85 to 260 volt input means it runs anywhere on European mains. Practically, it is a fixture with almost no maintenance: nothing to dust inside, no glass to clean, one wipe with a dry cloth. It suits someone building a restrained, material led interior, the sort where a room holds three or four things and each one has to be worth looking at. It will not suit a room that needs brightness from the walls, because the output is deliberately directional and atmospheric. Every tube is cut from a different block, so the veining you receive is yours alone, and slight variation between two units bought as a pair is the nature of the stone rather than a fault.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid natural marble and metal\u003c\/li\u003e\n\u003cli\u003eColour: black marble with natural veining\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, 12W\u003c\/li\u003e\n\u003cli\u003eVoltage: AC 85-260V\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted, up and down light\u003c\/li\u003e\n\u003cli\u003eEvery cylinder carries a unique vein pattern\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018353991,"sku":"FBC-GEN-001","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260308_132433_d3b9af46-ef99-476a-916e-c155b9a42b81.png?v=1787418996"},{"product_id":"eu-gine-marmeren-wandlamp","title":"Gine Marble Wall Light","description":"\u003cp\u003eGine is a wall light built from a flat plate of natural white marble with a single opal glass sphere set at one end. The marble is polished rather than honed, so the surface is smooth and cool under the hand and carries a low sheen that shifts as you move past it. Its veining is the reason to choose stone here: grey and faintly warm lines that drift across the plate in one direction, sometimes fine as a pencil mark, sometimes broad and forked, and never the same twice, because each plate is cut from a different part of the block. That veining also sets the character of the whole fixture. Against it, the opal globe reads as a warm, solid point of white. The glass is opalescent through its full thickness, which hides the integrated LED completely and turns the sphere into an even, glare-free light source you can look straight at. The colour is warm white, and it sits in deliberate contrast to the cool polished stone: one element radiating, one absorbing. Light spills from the globe in all directions, so a low pool falls on the wall behind the plate and the marble is lit from the side, which is exactly the angle that makes veining most visible. The metal fixings sit behind the plate and stay out of sight.\u003c\/p\u003e\u003cp\u003eA hallway is the natural first home for Gine. Corridors have wall and nothing else, and a marble plate with a glowing sphere gives that blank surface something to hold at eye level rather than overhead. Mounted in a run at even spacing, the sconces light the floor and the wall together, which makes a narrow corridor feel wider than a ceiling fixture ever will. In a bedroom the reason changes. Fixed on each side above the bed, the globes free the nightstands completely, and because opal glass has no visible filament you can lie with your head next to one without being dazzled. The three sizes matter here: the thirty-five centimetre version suits a single bed or a tight alcove, forty-four is the standard bedside proportion, and sixty is the version that holds its own beside a wide headboard or on a large blank living room wall. In a living room the light works flanking a fireplace, above a sideboard, or in the dead corner beside a sofa that no floor lamp reaches comfortably. Because the light is soft and multidirectional it flatters plaster, textured paint and textile, and it will not throw the hard-edged shadows that a downward-only sconce leaves on a wall.\u003c\/p\u003e\u003cp\u003eMarble in a light fixture is usually decorative, a base or a disc chosen for the look of it. In Gine it does something structural: the plate is the body of the lamp, carrying the globe and the driver behind it, which is why the fixture can be so visually simple. Only two elements are on show, stone and glass, with no arm, no shade rim and no exposed hardware. That reduction is what puts it in modern, minimalist and Japandi-luxe interiors, where the material is expected to carry the interest instead of the form. Because the LED is integrated rather than a replaceable bulb, the sphere could be made perfectly clean, with no cap, no socket shadow and no thread visible through the glass, and the fitting stays slim against the wall. Choosing natural marble does mean accepting variation: the plate you receive will have its own veining, and if you order a pair for a bedroom they will be siblings rather than twins. That is the trade for real stone, and it is the reason a pair looks like a considered choice rather than a stock item. Gine suits anyone who wants to free their bedside surfaces, and anyone renovating a hall who wants light at eye level instead of a ceiling grid.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePlate: natural marble, white with natural veining\u003c\/li\u003e\n\u003cli\u003eDiffuser: opal glass globe\u003c\/li\u003e\n\u003cli\u003eFrame and fixings: metal\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, warm white\u003c\/li\u003e\n\u003cli\u003eSizes: S 35 x 12 cm, M 44 x 12 cm, L 60 x 12 cm\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, Japandi luxe\u003c\/li\u003e\n\u003cli\u003eMounting: wall\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019369799,"sku":"FBC-GEN-002","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_171044_4d394a26-4c84-4bd7-b922-6d8dfe95d03f.png?v=1787419011"},{"product_id":"eu-gine-marmeren-wandlamp-1","title":"Gine Marble Wall Light with Opal Globe","description":"\u003cp\u003eGine is a wall light built from a slim panel of natural marble with a round opal white globe set against it. The marble is polished smooth, cool to the touch, and white with the natural veining that runs through every quarried slab, grey lines drifting across the surface in a pattern that belongs to that one piece of stone and no other. Set against the flat, hard sheen of the polished panel, the globe does the opposite job: opal glass carries its milkiness through the whole thickness of the material, so the light source inside is completely hidden and the sphere becomes a soft, even glowing form with no visible filament and no hot spot. The integrated LED is warm white, which is the deliberate choice here, because a cool light against white marble would read clinical while a warm one keeps the stone looking creamy and alive. The contrast between the cool polished stone and the warm glowing sphere is the entire idea of the design. Three sizes are available: 35 x 12 cm, 44 x 12 cm and 60 x 12 cm, all of them narrow enough in projection to sit close to the wall. The metal fixings are kept minimal and out of sight, so what you see on the wall is stone, glass and light.\u003c\/p\u003e\u003cp\u003eBecause it comes in three lengths, this fitting adapts to the wall rather than the other way round. The smallest suits a hallway, where a pair either side of a mirror gives even light on a face without the shadows a single overhead source throws, or a sequence along a corridor turning a passage into a series of lit sections. The medium size is the natural bedside choice, mounted just above the height of the headboard so the glow falls onto a book without spilling across the whole room, freeing the nightstand for everything else. The largest, at 60 cm, reads as a vertical line of light and works in a living room beside a sofa, in an alcove, or as a pair framing a fireplace or a large piece of art. Because the projection is only 12 cm, none of them get in the way in a narrow space. Marble behaves differently from travertine in a room: it is cool, smooth and slightly formal, so it lifts interiors that are otherwise warm and textile heavy, and it sits well with brass, dark wood, deep colours and anything in the room already made of stone. One further point about mounting height: because the globe glows evenly in every direction, the fitting can be set lower than a downward sconce without creating glare, which is what makes it usable right beside a bed or a low armchair.\u003c\/p\u003e\u003cp\u003eWall lights are usually the point where a lighting budget quietly runs out, and the market is full of white metal boxes that no one looks at twice. Gine takes the opposite position and makes the fitting itself worth seeing during the day, when it is switched off. Real marble is the reason: it has depth, the veining runs into the material rather than being printed onto a film, and the polished surface reflects a little of the room back. Every unit is different, so the piece you receive has a pattern nobody else owns. The integrated warm white LED keeps the fitting slim, since there is no bulb housing to hide, which is what allows the panel to stay at 12 cm of projection. This light suits people finishing a bedroom or hallway who want symmetry, buyers building a scheme around white marble already present in a bathroom or kitchen, and anyone who wants their lighting to look like a considered material choice rather than a fixture. Ordering two of the same size is the usual approach, since this design gains a great deal from being used as a pair. If the wall is going to carry only one fitting, take the largest size, because the 60 cm version has enough vertical presence to hold a wall on its own where the shorter ones look best in symmetry.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural marble, glass, metal\u003c\/li\u003e\n\u003cli\u003eColour: white marble with natural veining\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, warm white\u003c\/li\u003e\n\u003cli\u003eType: wall light\u003c\/li\u003e\n\u003cli\u003eSizes: S 35 x 12 cm, M 44 x 12 cm, L 60 x 12 cm\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eNatural stone: veining varies from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020123463,"sku":"FBC-GEN-003","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_172048_bd59ca10-e1c1-426b-b797-6ec8679d0132.jpg?v=1787419024"},{"product_id":"eu-gine-marmeren-wandlamp-2","title":"Gine White Marble Wall Light","description":"\u003cp\u003eThe Gine is a flat bar of natural white marble carrying a single opal white globe, built from marble, glass and metal and offered in three lengths: 35 by 12 centimetres, 44 by 12 centimetres and 60 by 12 centimetres. The marble is polished rather than honed, so the surface is smooth and slightly reflective and stays cool to the touch, and the grey veining runs across the face in the irregular way that only real stone does, sometimes as a single dominant seam, sometimes as a scatter of fine threads. Every bar is cut from a different block, so the drawing on the plate is specific to the piece you receive. Against that cool, hard, closed surface the designer has set the warmest and softest element available: an opal glass sphere with an integrated LED behind it, glowing warm white with no visible bulb, no filament and no hot spot. The contrast is the entire design. The globe is matt and luminous, the marble is glossy and dense, and light spilling from the sphere lands on the polished stone and reflects back as a low sheen rather than a texture, which is precisely opposite to how the same fixture would behave in travertine.\u003c\/p\u003e\u003cp\u003eChoose the length for the wall, not for the room. The 35 centimetre version is a bedside piece: mounted just above a nightstand it puts the globe at the right height for reading and the short bar keeps it neat beside a headboard. The 44 centimetre version is the general purpose one, good on either side of a mirror, above a console in a hallway, or flanking a fireplace. The 60 centimetre version is a statement across a large empty wall or above a sideboard in a living room, where its length gives the fixture enough presence to stand alone. In a bedroom a pair reads as calm and symmetrical without becoming hotel-like, because the veining differs between the two plates. In a hallway the bar hugs the wall and the projection is shallow, so it survives a narrow corridor, and the warm globe at the far end of a passage acts as a marker that pulls you along it. White marble is the safest of the natural stones against pale plaster, greige or soft green, and it is the most striking against a deep colour, where the plate reads as a bright horizontal line and the globe as a point on it.\u003c\/p\u003e\u003cp\u003eGine is chosen over a plain metal sconce for one reason: at close range the material rewards the look. A polished marble face has depth to it, the veins appear to sit a fraction below the surface, and light moving across the plate during the day changes what you see, which no painted finish reproduces. The integrated LED removes the usual visual failure of a globe sconce, where a bulb outline shows through a thin diffuser, and the warm white output is a deliberate counter to the cool tone of the stone so the fixture does not feel clinical. Three sizes make it unusually adaptable: you can specify the same design at bedside, hallway and living room without any of the three looking wrong for its wall. Because the LED is built in, there is nothing to replace, nothing to shop for and no socket visible in the silhouette. It is for someone who wants stone in a room without heaviness, since a flat bar and a small sphere occupy very little visual space for the amount of quality they carry. Accept that the veining varies from unit to unit, and that a matched pair will be two versions of the same idea rather than two copies of it.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural marble, glass and metal\u003c\/li\u003e\n\u003cli\u003eSizes: S 35 x 12 cm, M 44 x 12 cm, L 60 x 12 cm\u003c\/li\u003e\n\u003cli\u003eColour: white marble with natural veining\u003c\/li\u003e\n\u003cli\u003eLight source: integrated LED, warm white\u003c\/li\u003e\n\u003cli\u003eStyle: modern, minimalist, Japandi\u003c\/li\u003e\n\u003cli\u003eMounting: wall mounted\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725020221767,"sku":"FBC-GEN-004","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_171748_6837298f-3cbf-46be-b4db-ad618794ed89.png?v=1787419026"}],"url":"https:\/\/fabiandco.com\/collections\/marble.oembed","provider":"fabiandco","version":"1.0","type":"link"}