{"title":"Deckenleuchten","description":"\u003cp\u003eFlush ceiling lights in natural stone. Soft, diffused light for rooms with lower ceilings.\u003c\/p\u003e","products":[{"product_id":"eu-kaito-travertine-plafondlamp-kopie","title":"Kaito Travertine Ceiling Light","description":"\u003cp\u003eKaito is a compact ceiling light built from a single cylinder of sand yellow travertine with a frosted opal glass lens closing the underside. The stone is cut across the bed, so each cylinder shows the horizontal drift that travertine forms as it settles: pale straw bands, warmer ochre bands, and the small irregular voids that are the signature of the material. Those pores are left open rather than filled and polished flat, which gives the surface a dry, chalky touch and a matte reflectance that never throws a highlight back at you. At twelve centimetres square and fourteen centimetres tall the body is deliberately small, closer to a bollard than to a dome, and it sits tight against the ceiling with no visible hardware to interrupt the silhouette. The opal glass underneath diffuses through its full thickness, so the light source vanishes and the disc reads as one even luminous plane. Because that glass sits flush in the base of the cylinder, the beam leaves in a wide, soft cone rather than a hard shaft, and the pool it makes on the floor fades out at the rim instead of ending in a line. The stone walls pick up a little of the same light and glow faintly from inside along the lower edge, a warm halo about a finger wide that makes the cylinder look lit rather than merely illuminated.\u003c\/p\u003e\u003cp\u003eA hallway is where this shape earns its keep. Corridors are usually the narrowest part of a home and the least forgiving of a large fixture, and Kaito solves that by taking almost no headroom while still giving the ceiling a real object to hold. Run two or three of them down the length of a hall and the stone repeats like stepping stones, warming a space that would otherwise be a pass-through. In a bedroom it works as the general layer above the bed, quiet enough that you can look straight up at it from the pillow without discomfort, and warm enough that the room reads as restful the moment the switch goes on. Over a kitchen work zone or in a pantry it delivers clean, shadow-soft task light without the visual bulk of a pendant, which matters when the ceiling already carries extractor hoods and cabinet lines. It is equally at home on a landing, in a walk-in wardrobe, or in a small utility room. In every one of these rooms the effect is the same: the beige of the stone pulls the colour temperature of the whole space toward warm, plaster and wood look softer, and cool grey paint gains a touch of life it does not have under a plain white fixture. The scale suits ceilings that are ordinary rather than grand.\u003c\/p\u003e\u003cp\u003eSmall ceiling lights are usually where interiors give up. The market is full of plastic domes, chrome rings and thin metal discs chosen because nobody looks at the ceiling, and they quietly cheapen a room that has been carefully finished everywhere else. Kaito is the argument against that. It puts a genuine piece of quarried stone in the place where most homes put something disposable, at a size that suits real corridors and low ceilings rather than showroom halls. Because each cylinder is cut from natural travertine, the banding and pore pattern belong to that block alone; buy three for a hallway and you get three related but distinct pieces, which is exactly what keeps a repeated fixture from looking mass-produced. The sand yellow tone is the warmest end of the travertine range and pairs naturally with oak, rattan, linen, lime plaster and unlacquered brass, so it slots into Japandi, Mediterranean and warm minimalist schemes without argument. It is for the person renovating an apartment who has spent the budget on floors and walls and refuses to finish the job with something cheap overhead, and for anyone who wants the ceiling to feel considered without the room having to be tall. Compact enough for a hall, quiet enough for a bedroom, and made from a material that only looks better as the years pass.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: natural yellow travertine (natural stone), cylindrical\u003c\/li\u003e\n\u003cli\u003eDiffuser: opal milk glass\u003c\/li\u003e\n\u003cli\u003eDimensions: 12 cm length x 12 cm width x 14 cm height\u003c\/li\u003e\n\u003cli\u003eColour: sand yellow \/ beige with natural banding\u003c\/li\u003e\n\u003cli\u003eLight character: warm, fully diffused, wide soft cone\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, sits flush against the surface\u003c\/li\u003e\n\u003cli\u003eSuited to low ceilings and narrow corridors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018452295,"sku":"FBC-TRV-006","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260731_130357_7b8888a8-e055-47a6-850e-f92720347e47.png?v=1787418998"},{"product_id":"eu-tomi-ronde-travertine-plafondlamp","title":"Tomi Round Travertine Ceiling Light","description":"\u003cp\u003eThe Tomi is a small round ceiling light built from a ring of natural yellow travertine and a globe of milk glass held inside it. Travertine is a spring-formed limestone, and the yellow variety carries a sand-toned body crossed by darker mineral bands, with the open pores that give the stone its name in the trade: a honed surface that still shows the small pits and channels left by the water it grew in. The ring is cut from solid stone, not clad, so the pores continue around the rim and the colour shifts slightly from one side of the fixture to the other. Inside it, the frosted glass globe holds the light source out of sight. Because the glass is diffusing rather than clear, the sphere lights evenly and throws light in every direction, including sideways onto the ceiling around the fitting, which softens the shadow line that most flush lights cast. Under the globe you get a warm, even wash rather than a hard spot, and looking up at it there is no bright point to squint at. At sixteen centimetres in each direction the whole fixture is compact, so it sits close to the ceiling and reads as a small stone ring with a lit centre.\u003c\/p\u003e\u003cp\u003eTomi is made for the rooms where a pendant will not fit. In a hallway with a standard ceiling height, anything that hangs gets in the way of a door swing or a tall person; a flush fitting sixteen centimetres deep does not, and because the light goes sideways as well as down it lifts the whole corridor instead of leaving dark ends. On a landing or a stairwell head it does the same job and stays out of reach of anyone carrying something up the stairs. In a bedroom it works as the general layer above the room, warm enough that switching it on at night does not feel clinical, and quiet enough overhead that it does not become the first thing you look at from the bed. In a small kitchen or a utility corner it gives usable all-round light without the grease trap of an open shade. The sand-yellow stone reads warm against white plaster and warmer still against clay or beige walls, and it pairs naturally with oak, cane and brushed metal fittings. Because the stone is honed rather than glossy, it does not reflect daylight from a window and looks the same at noon as it does at night, which matters in a hall where the fixture is in view all day.\u003c\/p\u003e\u003cp\u003eThe small round ceiling light is usually the most disappointing fitting in a house: a plastic or pressed-metal disc chosen because something had to go there. Tomi replaces that with a piece of cut stone, and the difference shows most in the places you pass through rather than sit in. The travertine ring gives the fixture real thickness and a visible edge, so it looks like an object fitted to the ceiling rather than a cover screwed over a hole. Every ring comes out of a different part of the block, which means the depth of the yellow, the run of the banding and the size of the open pores change from piece to piece; two Tomis fitted in the same hallway will not match exactly, and that is the point of using real stone. Practically, it is easy to live with. There is no hanging cord to align, nothing to swing, and the milk glass wipes clean. It suits flats and houses with normal ceiling heights, renovation projects where every hallway and landing needs a fitting and none of them should look cheap, and anyone building a Japandi or warm minimal interior who wants the same material language overhead as on the floor and furniture. Buy several and treat the small ceiling light as a finish rather than an afterthought.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural yellow travertine (natural stone) and milk glass\u003c\/li\u003e\n\u003cli\u003eDimensions: 16 x 16 x 16 cm\u003c\/li\u003e\n\u003cli\u003eColour: sand-yellow travertine\u003c\/li\u003e\n\u003cli\u003eDiffuser: frosted globe, light spread in all directions\u003c\/li\u003e\n\u003cli\u003eMounting: flush ceiling mount\u003c\/li\u003e\n\u003cli\u003eLight: warm, soft and even\u003c\/li\u003e\n\u003cli\u003eFinish: honed natural stone, pores and banding vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018485063,"sku":"FBC-TRV-007","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260731_124749_acc4e850-ba45-4165-99b3-281d358dd385.png?v=1787419000"},{"product_id":"eu-mito-travertine-plafondlamp-2","title":"Mito Travertine Ceiling Light","description":"\u003cp\u003eThe Mito is a short travertine cylinder mounted flat against a wooden ceiling plate, available with the plate in oak or in walnut. The shade is solid natural stone rather than a veneer, and the block it comes from has a noticeably deep grain: travertine is laid down in bands over long periods, and cutting across those bands exposes open pores and lines that run around the body. Where the wall of the cylinder is thinnest the beige turns faintly translucent, which is why the switched on lamp glows through the stone itself and not only out of the opening. The wooden plate is the second half of the design. Oak gives you a pale, straight, open grain that keeps the whole fixture light and Scandinavian in feel; walnut is darker and browner, with more figure, and it grounds the stone instead of matching it. Both are real timber, so the plate carries its own variation. Because the body is compact the light stays soft and close: a wide, low pool directly beneath, fading quickly rather than throwing across the room. There is no glare from below unless you stand under it and look straight up. Every piece differs, since the stone is quarried rather than manufactured, and the difference between two Mito lamps hung side by side is visible and entirely intentional.\u003c\/p\u003e\u003cp\u003eThis is the lamp for a ceiling you can almost touch. In a hallway with a low soffit, or a bedroom in a converted attic, a pendant is either in the way or hangs at head height. The Mito solves that by sitting flush and still bringing texture to a surface that is usually flat white. Along a corridor, three or four of them in a line give you rhythm and enough working light without a single harsh fixture, and the wooden plate breaks up the white plaster in daylight when the lamp is off. In a bedroom it produces the general light you actually want in a bedroom, which is dim, low and warm rather than clinical, especially with the plate matched to the bed frame or the floor. In a living room it earns its place as accent lighting rather than the main source: put it over a reading corner, a shelf run or a picture and let it wash the wall behind. It also handles the space above a stairwell landing, where a hanging fixture would swing every time someone passes. What the Mito does to a room is subtle. It replaces a white disc on a white ceiling with two natural materials at noticeable scale, and that alone is enough to make the ceiling feel considered instead of ignored.\u003c\/p\u003e\u003cp\u003eThe reason to choose Mito over a standard flush fitting is that both components are honest. The stone is solid travertine, thick enough to have real weight and real depth in the pores, and the plate is genuine oak or walnut rather than a printed foil. That matters over time. A painted metal ceiling light looks new for two years and tired afterwards; stone and wood simply get older, which they do gracefully. The deeper grain in this particular stone is the point of difference against smoother, more uniform travertine, and it is worth choosing deliberately if you want the material to be obvious rather than discreet. Pick oak if your room is pale and you want the fixture to disappear into the ceiling until you look at it properly. Pick walnut if the room already has dark timber, or if you want the light to read as a small dark anchor overhead. This suits a buyer who has low ceilings, dislikes recessed spots, and does not want a plastic ring light, but who also does not want a fixture that shouts. It is a considered replacement for something forgettable. If you need a lot of lumens covering a large room from a single point, this compact body is not the right tool, and a pendant or a multi point layout will serve you better.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, solid wood ceiling plate\u003c\/li\u003e\n\u003cli\u003eWood options: oak or walnut\u003c\/li\u003e\n\u003cli\u003eMounting: flush ceiling mount, suitable for low ceilings\u003c\/li\u003e\n\u003cli\u003eShape: compact cylinder, downward light\u003c\/li\u003e\n\u003cli\u003eStyle: modern minimalist, Japandi, warm natural\u003c\/li\u003e\n\u003cli\u003eNote: natural stone and wood, grain and colour vary per piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725018517831,"sku":"FBC-TRV-008","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260302_114053_d8a1c37a-163d-407a-90a8-36dee93e82b6.jpg?v=1787418998"},{"product_id":"eu-mito-travertine-plafondlamp","title":"Mito Travertine \u0026 Oak Ceiling Light","description":"\u003cp\u003eMito is a compact ceiling light that puts two natural materials directly against each other: a cylindrical shade cut from solid travertine, and a flat ceiling plate turned from oak or walnut. The stone is the part you notice from below. Travertine forms in layers around mineral springs, so a cut block shows open pores and a deep, visible grain running through it, and no two cylinders leave the workshop looking the same. Held against a white ceiling, the beige and sand tones read warm rather than grey, and the pores give the surface a texture that plaster and paint never have. The wooden plate is the quieter half of the design. Oak brings a pale, open grain that keeps the whole fixture light; walnut runs darker and browner and gives more contrast against the stone. Light leaves the cylinder downwards, so instead of flooding the room evenly the fixture drops a defined warm pool beneath itself while the lower rim of the stone picks up a soft edge glow. The overall form is short and cylindrical, which is a practical decision rather than a stylistic one: it means the light sits close to the ceiling and takes up almost no vertical space in a room that has none to give away.\u003c\/p\u003e\u003cp\u003eThis fixture is made for rooms with low ceilings, and that is a much larger group of rooms than most lighting catalogues admit. In a hallway a hanging pendant is simply in the way, while a flat plastic disc reads as a builder's default; Mito sits close to the ceiling but still has the presence of a solid object, so the corridor gets a proper sequence of warm pools rather than one flat wash. In a bedroom it works over the centre of the room or offset above a chest of drawers, where the downward light is soft enough not to be harsh when you switch it on at night. In a living room it works best as accent lighting rather than as the only source, marking a reading corner or an alcove and leaving the rest of the room to lamps at lower levels. It also suits attic rooms with sloping ceilings, entrance halls, walk in wardrobes and the top of a staircase, all places where headroom rules out anything that hangs. Because the fixture combines stone with real wood, it settles naturally into interiors that already use oak floors, linen curtains or clay plaster, and it gives a plain white ceiling one point of material interest without turning into a centrepiece.\u003c\/p\u003e\u003cp\u003eThe usual answer to a low ceiling is a flat, featureless fitting chosen because it stays out of the way. Mito solves the same problem without giving up the material. Solid travertine has to be cored and shaped rather than moulded, so the shade is a genuine piece of quarried stone with weight and depth, and the variation between units is real: pore density, banding direction and the exact warmth of the beige all shift from one block to the next. The choice between oak and walnut lets you tune the fixture to the room instead of accepting a single finish, with oak keeping things pale and Scandinavian and walnut pulling the piece towards something warmer and more traditional. This light suits people renovating older flats with limited headroom, anyone furnishing a hallway or landing that has never had a decent fixture, and buyers who want ceiling lighting that belongs to the interior rather than a compromise hidden above eye level. It also works well in multiples down a corridor, where the natural variation between stone shades stops a repeated fixture from looking mass produced. Expect the piece you receive to differ from the photographs, because the material guarantees that it will, and that difference is the reason to buy stone in the first place.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: solid travertine shade, wooden ceiling plate\u003c\/li\u003e\n\u003cli\u003eWood options: oak or walnut\u003c\/li\u003e\n\u003cli\u003eType: ceiling light, close to ceiling mount\u003c\/li\u003e\n\u003cli\u003eForm: compact cylinder, suited to low ceilings\u003c\/li\u003e\n\u003cli\u003eStyle: minimalist, Japandi, natural stone\u003c\/li\u003e\n\u003cli\u003eNatural stone: grain, pores and tone vary from piece to piece\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019140423,"sku":"FBC-TRV-014","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260303_102451_8fbb3ad7-3a66-4209-921c-5d318eb2dc71.jpg?v=1787419005"},{"product_id":"eu-mito-travertine-plafondlamp-eiken","title":"Mito Round Travertine Ceiling Light in Oak","description":"\u003cp\u003eThe Mito is a compact ceiling light built from a gently domed disc of natural yellow travertine set on a base of oak and walnut, measuring 15 centimetres across. Yellow travertine is the warmer end of the family: where a grey travertine reads almost neutral, this cut carries a sand to butter tone with rustier bands running through it, and the surface keeps the open pores that give the stone its name in the trade. The dome is worked into a soft organic curve rather than a flat plate, so the natural banding wraps around the form and the light that grazes it changes as you walk underneath. Because the stone is solid and the curve closes the top, all of the output leaves downward. That gives a defined, warm pool directly beneath the fitting with a clear edge to it, closer in character to a discreet downlight than to a diffused ceiling lamp. Under the rim you see the sawn edge of the stone, which shows the same pores and layers in section and confirms that the material runs right through. The timber base carries the fixture flush to the ceiling: oak brings a light honey grain, walnut a darker chocolate one, and the two woods sit against the pale stone as a quiet three tone composition.\u003c\/p\u003e\u003cp\u003eAt 15 centimetres in diameter this is a fitting for rooms where a hanging lamp would be in the way. A hallway is the obvious case, especially one with a low ceiling: the fixture sits tight against the plaster, so nothing catches a raised arm or a tall wardrobe door, and a run of two or three down a corridor gives a rhythm of warm pools rather than one flat wash. On a landing or above a stairwell head it does the same job safely, lighting the treads below without a cord in the swing zone. In a bedroom it works well centred above the foot of the bed or over a wardrobe run, where the downward light picks out the floor and the hanging space without ever shining into your eyes from the pillow. In a kitchen the compact size suits the ceiling above a run of tall units or a galley, where a wide shade would look heavy. Because the light is directional, plan for it to accent rather than to flood. Two or three Mito units placed with intent give a more considered room than a single large central fitting, and they leave the ceiling itself uncluttered.\u003c\/p\u003e\u003cp\u003eSmall ceiling lights are usually where design gives up, which is why so many of them are opal plastic discs. Mito is the argument against that. It uses two real materials, keeps the silhouette to a low curved dome, and hides all the hardware inside the timber base so there is nothing visible to date it. The organic curve rather than a flat cylinder is the detail that makes it: it catches ambient light across its face during the day, so the fixture reads as an object on the ceiling rather than a blank cap, and it softens the join between plaster and stone. Every dome is cut and shaped from a different piece of the bed, so tone runs from pale sand to a distinctly golden yellow, and the density of the natural pores varies with it. Two units bought together will be relatives rather than twins. This is for someone renovating a hallway, landing or bedroom who has already ruled out a pendant on practical grounds and does not want to settle for a spotlight or a flat plate. If you need a single fixture to light a whole living room, this is not that lamp. If you want warm, contained, well made light in a tight space, it does that with real stone and real timber.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaterial: natural yellow travertine, walnut and oak wood\u003c\/li\u003e\n\u003cli\u003eDimensions: diameter 15 cm\u003c\/li\u003e\n\u003cli\u003eMounting: flush ceiling mount\u003c\/li\u003e\n\u003cli\u003eLight direction: downward, focused warm light\u003c\/li\u003e\n\u003cli\u003eEvery stone dome is unique in tone and texture\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019500871,"sku":"FBC-TRV-022","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260730_111326_04d1feb6-6fa7-439f-b81f-7c141ca2b31e.png?v=1787419013"},{"product_id":"eu-mito-ronde-travertine-plafondlamp-noten","title":"Mito Round Travertine Ceiling Light","description":"\u003cp\u003eMito Round is a compact ceiling light whose shade is a low, organically domed cap of natural yellow travertine sitting on a base of oak and walnut. Fifteen centimetres across, it reads from below as a soft circle rather than a disc, because the stone is worked with a gentle curve instead of a flat face and catches light across that curve in a graded way. Travertine at the yellow end of the range is the warmest stone you can put on a ceiling: straw and honey tones drifting in horizontal bands, with the small open pores that the material forms as it precipitates, left unfilled so the surface stays matte and slightly chalky to the touch. Under raking light those pores throw tiny shadows and the shade looks textured even from across a room. The wooden base gives the fixture its second character, the close grain of walnut running darker against the pale stone and the oak keeping the tone warm where the piece meets the ceiling. Light leaves downward in a defined cone, because the stone body is opaque and the opening is at the base. That gives you a bright, warm circle beneath the lamp with a gently faded edge, and a shade that stays visually calm rather than becoming a glowing object itself.\u003c\/p\u003e\u003cp\u003eThis is a fixture for rooms with ordinary ceilings and real traffic. A hallway takes it well because the whole assembly projects only a little from the plane above, so nothing hangs into the space you walk through, and the downward cone throws a clean pool onto the floor exactly where you need to see. Run several in a line and the circles overlap into a lit path. In a bedroom the light works as the main layer, and the narrow downward beam is a genuine advantage there: it lights the floor and the foot of the bed without shining flat into the eyes of anyone lying down, which is where most bedroom ceiling lights fail. Above a kitchen worktop or in a pantry it delivers focused warm light on the surface without the bulk of a pendant, useful under low ceilings or where cabinets run to the ceiling and there is no room to hang anything. It suits a landing, a walk-in wardrobe, a small study, or the strip of ceiling above a run of coat hooks. Anywhere the beige stone appears it pulls the room warmer, and oak floors, rattan, linen and lime plaster all pick up the same tone.\u003c\/p\u003e\u003cp\u003eThe round version of Mito exists because a cylinder is not always right. A hard-edged shade is graphic and deliberate; this one is softer, its curve reading as something worn smooth rather than machined, which sits more easily in rooms where the other shapes are already rectilinear: door frames, cabinet runs, corridors. The material argument is straightforward. This is quarried stone, cut and shaped, not a resin copy with a printed pattern, and it behaves like stone: it has weight, its pores are open at the rim, and its banding runs around the whole form instead of stopping at a seam. Pairing it with both oak and walnut is a small thing that reads clearly from below, because the two woods give you a light and a dark tone in the same base and let the lamp sit comfortably against either a pale or a dark ceiling detail. Each shade is unique in banding and colour depth, so a set installed together looks assembled rather than mass-ordered. Mito Round is for someone finishing a renovation who wants the ceiling to carry a natural material at a modest size and price, and for anyone whose ceilings are too low for a pendant but who refuses to settle for a plain white dome.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eShade: natural yellow travertine (natural stone), rounded dome\u003c\/li\u003e\n\u003cli\u003eBase: oak and walnut wood\u003c\/li\u003e\n\u003cli\u003eDiameter: 15 cm\u003c\/li\u003e\n\u003cli\u003eColour: warm yellow-beige with natural banding\u003c\/li\u003e\n\u003cli\u003eLight character: warm, directed downward\u003c\/li\u003e\n\u003cli\u003eMounting: ceiling, low projection\u003c\/li\u003e\n\u003cli\u003eEach shade unique in veining and tone\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"fabiandco","offers":[{"title":"Default Title","offer_id":54725019533639,"sku":"FBC-TRV-023","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1003\/1179\/3991\/files\/hf_20260730_114715_bcab142a-8f06-4fd8-8d6d-20bf08842f41.png?v=1787419015"}],"url":"https:\/\/fabiandco.com\/collections\/ceiling-lights.oembed","provider":"fabiandco","version":"1.0","type":"link"}